Jafar Panahi
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Watch: Two Scenes from Jafar Panahi’s Taxi, the Iranian Director’s Third Feature Made During a 20-Year Ban
“Either you have to escape the country or start hoping to go back to jail,” a woman sitting in the passenger seat tells Jafar Panahi in the first clip shared from the Iranian director’s latest feature Taxi. Driving a cab through Tehran and conversing with passengers, Panahi is again the star in his third feature since a 20-year-ban on filmmaking imposed by the Iranian government. In another clip, a young girl reels off a checklist of guidelines necessary to make a distributable film in Iran (headscarves on women, no relations between the genders). The winner of the Berlin Film Festival’s […]
by Filmmaker Staff on Feb 17, 2015 -
Berlinale 2015: Jafar Panahi, Promising Newcomers and the Decline of Terrence Malick
In the weeks leading up to this year’s Berlin Film Festival, the festival’s press office revealed an increasingly enticing succession of titles competing in its main slate, generating very high expectations. Somewhat incredibly, they were met. While the Berlinale’s Competition customarily offers a few good films amongst a lot of mediocrity, the trend was reversed this time around, with easily the most outstanding selection in recent memory. In an equally welcome turn, the prizes awarded by Darren Aronofsky’s jury fully reflected the program’s quality, rewarding the most deserving entries while confirming the Berlinale’s avidly nurtured reputation as the most politically […]
by Giovanni Marchini Camia on Feb 17, 2015 -
Previewing Berlinale 2015: Malick, Herzog, Panahi and More
Given that Wong Kar-wai’s The Grandmaster and Wes Anderson’s The Grand Budapest Hotel kicked off the Berlinale the last two years, the response was less than enthusiastic when Isabel Coixet’s Nobody Wants the Night was announced as this year’s opening film (though, predictably, many a Twitter wag delighted in the film title’s pliability for expressing what it is that nobody wants). The Greenland-set period drama stars Juliette Binoche as Josephine, the wife of arctic explorer Robert Peary, and follows her attempt to rejoin her husband on his mission to reach the North Pole. When an Inuit woman comes to her aid on […]
by Giovanni Marchini Camia on Feb 4, 2015 -
“In Prison, I Had Some Peace of Mind”: Jafar Panahi on Closed Curtain
Dogs have been banned as pets in Iran, providing the starting premise for Jafar Panahi’s Closed Curtain. A screenwriter (Kambozia Partovi, also the co-director) has a dog smuggled into his seaside villa by friends. Once the animal’s inside, the man systematically draws the curtains over windows on all three floors. The opening of Jafar Panahi’s Closed Curtain fictionalizes the necessary circumstances of its production: working in secret, the director was forced to draw the curtains for as much of the shoot as possible to make sure no one could see what was going on inside. There are echoes of recent scenes […]
by Vadim Rizov on Jul 9, 2014 -
This Is Not A Film — A Hammer to Nail Review
(This Is Not A Film begins a two-week engagement at Film Forum today, courtesy of Palisades Tartan. The movie will then open in other U.S. locations, starting with Los Angeles in early March. Go to the film’s website for details.) For those unfamiliar with the backstory: Jafar Panahi, one of Iran’s most acclaimed directors (The White Balloon, The Circle, Crimson Gold, Offside), was arrested in 2009. A known supporter of the opposition movement, Panahi was charged with “activity against national security and propaganda activities against the regime.” Despite domestic and international outpourings of support, he was sentenced in 2010 to […]
by Nelson Kim on Feb 29, 2012 -
THE 2011 MONTREAL WORLD FILM FESTIVAL
C’est dommage. Despite the fact that the summertime Montreal World Film Festival is 35 years old, it continues to be eclipsed by its (year) older, bigger and bolder Anglo relative’s annual gala in September. Nevertheless — and even if Catherine Deneuve hadn’t been honored with MWFF’s lifetime achievement award — the fest has much to buzz about. For one thing it’s headquartered at the Quartier des spectacles, right in the entertainment heart of a gorgeous Paris of the North (America) that made this bi-continental critic miss Europe a little bit less. Secondly, this UNESCO-appointed City of Design has a vibrant […]
by Lauren Wissot on Aug 29, 2011 -
“THIS IS NOT A FILM” AND MORE: IRANIAN CINEMA AT THE CANNES FILM FESTIVAL
When is a film not a film? In one of the triumphs of this year’s Cannes Film Festival, the remarkable documentary This is Not A Film, by Jafar Panahi and Mojtaba Mirtahmasb, asks this question and more as it portrays, diary-like, a day in Panahi’s life awaiting trial at his home in Tehran. Panahi talks on the phone with friends, illustrates with tape the boundaries of a future film set, chats with a garbage man who has just earned his Masters degree, and is kept company by his daughter’s free-roaming and giant pet lizard, Igi. If one is forbidden by law to make movies for 20 years, if one […]
by Livia Bloom Ingram on May 21, 2011 -
U.S. DIRECTORS CALL FOR JAFAR PANAHI’S RELEASE
A powerful statement from U.S. directors calling for the release of director Jafar Panahi from prison in Iran has been issued. I’ll let the petition speak for itself, but kudos to the organizers for taking action and assembling this illustrious group. New York, NY (April 30, 2010) – Jafar Panahi, an internationally acclaimed Iranian director of such award-winning films as The White Balloon, The Circle, Crimson Gold and Offside, was arrested at his home on March 1st and has been held since in Tehran’s notorious Evin prison. A number of filmmaking luminaries have come to Mr. Panahi’s defense and “condemn […]
by Scott Macaulay on May 1, 2010
