Michael Tully
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Coogler, Tully, Guerrero, de la Vega and Cretton Among SFFS KRF Grant Winners
In recent weeks, we profiled in three posts on the site, the 13 finalists for the San Francisco Film Society’s Kenneth Rainin Foundation Filmmaking Grants. (In the current Fall issue of Filmmaker, we also spotlight the SFFS’s Filmmaker360 program, of which the KRF grants are the centerpiece.) Today, the winners of the KRF grants were announced, and five of the six were “25 New Faces” alums. Ryan Coogler, got postproduction funds for his forthcoming first feature, Fruitvale, which will debut at Sundance next month, while Michael Tully got money to finish his current film, Ping Pong Summer, which wrapped a […]
by Nick Dawson on Dec 11, 2012 -
Profiling the SFFS/KRF Filmmaking Grant Finalists (Part 3)
Following on from the Bay Area Boom article about the San Francisco Film Society’s Filmmaker360 program, we are profiling the 13 finalists for the SFFS’s Kenneth Rainin Foundation Filmmaking grant. The winners of this award will be announced on December 8. SUSAN YOUSSEF AND MAN KIT LAM, MARJOUN AND THE FLYING HEADSCARF Synopsis: With her father imprisoned on dubious terrorism related charges, a Lebanese-American teenager in Arkansas searches for identity in the headscarf and a motorcycle. This feature is an extension of the short by the same name that screened at the Sundance Film Festival. Marjoun and the Flying Headscarf is the first […]
by Filmmaker Staff on Dec 5, 2012 -
In Production: The World’s End, Cheap Thrills, The Angriest Man in Brooklyn and Ping Pong Summer
“In Production” is a regular column which focuses on notable independent films that are currently shooting. If you would like your film to be included in this space, please send an email to nick@filmmakermagazine.com Marking the third installment in his “blood and ice cream” trilogy following the insanely re-watchable Shaun of the Dead and Hot Fuzz, writer/director Edgar Wright reteams with co-writer/star Simon Pegg for The World’s End. The film, which follows a group of friends who decide to go on an epic pub-crawl during humanity’s final hours, stars Pegg alongside regular sidekick Nick Frost. The cast also includes Paddy […]
by Byron Camacho on Sep 20, 2012 -
Onur Tukel, Richard’s Wedding
In Richard’s Wedding, which follows a bevy of wedding guests and the soon-to-be-wedded on their way to a small Central Park wedding, director Onur Tukel has crafted a delightfully funny, seemingly real-time ensemble piece. From British blowhard Russell (Darrill Rosen) to the writer/director/editor/star’s Tuna, the characters live on the edge of likability and the film’s narrative deftly frames the torrent of just-this-side-of-racist jokes, downright delusional character asides, and a general decline of civility. The unconventional comedic approach gives proceedings a hard-won warmth and generosity that lesser films skating this kind of textual irony and cutting, ribald humor frequently fail to achieve. Co-starring a number […]
by Brandon Harris on May 30, 2012 -
SHORT WATCH: HAMMER TO NAIL WINNER “ONCE IT STARTED IT COULD NOT END OTHERWISE”
Over at Hammer to Nail, Michael Tully has announced the winner for the inaugural edition of his monthly Short Film Contest. This month’s winner, Kelly Sears’ Once It Started It Could Not End Otherwise, is available to watch online, and it’s unforgettable; a nightmare-ish collage of refracted high school memories, manipulated yearbook photos, and an escalating sense of dread. You can stream Once It Started It Could Not End Otherwise over at Vimeo. My advice – don’t watch it at work unless you want your coworkers to see your terrified face. Previously supported by Rooftop’s Filmmakers’ Fund, Sears’ short was […]
by Jane Schoenbrun on Feb 22, 2012 -
HAMMER TO NAIL AT FILMMAKER
When we first launched Filmmaker back in 1992, we had a policy: no reviews. The idea was always that this would be a magazine by filmmakers and for filmmakers, and we wanted our film criticism to be implicitly — and perhaps subtly — embedded in our discussion of film practice. Which isn’t to say that we didn’t appreciate the value of film criticism. I probably owe half my film knowledge to religious readings of J. Hoberman every Wednesday during my college years. It’s just that a) there were plenty of other outlets doing it back then; and b), we wanted […]
by Scott Macaulay on Mar 9, 2011 -
IN ROTTERDAM, AMERICAN FILMS THAT COULDN’T EXIST ANYWHERE ELSE
After the rush of sales in Park City this year, it seems the entire American cine-punditry is racing to declare this the beginning of a new golden age in American Independent Film. I sure hope they’re right. One wonders if March’s SXSW Film Festival in Austin will continue the trend and finally push that festival into true market status. Nearly 40 films were acquired in Park City and many more that premiered there will surely be acquired in the weeks and months to come. Yet for some of the most daring new American films, the sales rat race at Sundance […]
by Brandon Harris on Feb 4, 2011 -
PARK CITY CRITIC’S NOTEBOOK #2: BEATS, RHYMES, ODDBALLS
After its first weekend has drawn to a close, the 2011 Sundance Film Festival has seen a flurry of buying activity from movies both expected to sell for significant amounts (Jesse Peretz’s My Idiot Brother, which went to the Weinstein Company for $7 million) and movies no one expected to go for as much as they did (Drake Doremus‘ Like Crazy, which without a significant movie star in it went for $4 million to Paramount). While I haven’t seen either film, they both seem to have both their admirers and detractors. In a U.S. Dramatic Competition heavy on formally ambitious […]
by Brandon Harris on Jan 25, 2011 -
WHAT’S IN MY INSTAPAPER: SUNDAY MORNING LINKS
I haven’t done one of these in a while, so a few of these links are less than current. In any case, here are some links of interest from my Instapaper archives. First, Instapaper itself, and its founder Marco Arment, got some love from today’s New York Times. In The Paris Review, filmmaker Michael Almereyda collects largely unseen and uncollected photographs by William Eggleston. He writes: William Eggleston’s color photographs are among the most widely viewed, and widely admired, in the medium. But I wanted to survey Eggleston’s unseen, unpublished work—his B-sides, bootlegs, unreleased tracks—and to that end I made […]
by Scott Macaulay on Dec 12, 2010 -
Am I a Filmmaker or a Brand? Why Not Be Both?
A year ago, I brought the preview copies of Think Outside the Box Office to sell at Independent Film Week, straight off the press. This week in addition to being a lab leader and mentor of the new IFP Filmmaker Labs, I have the honor of being paired in a Cage Match on Thursday with Michael Tully from Hammer to Nail, and Michelle Satter from the Sundance Labs on the subject: “Am I A Filmmaker or Brand”. I thought I would throw down some thoughts on the subject. I don’t think that “filmmaker” and “brand” are exclusive of one another. […]
by Jon Reiss on Sep 21, 2010
