Once Upon a Time… in Hollywood
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“We Kept the Third Act in a Safe”: Tarantino’s Assistant Director William Paul Clark on Kill Bill, Once Upon a Time in Hollywood and Improvisational Logistics
“I can’t imagine making a movie without him.” That’s what Quentin Tarantino said about first assistant director William Paul Clark, whose roots with the writer-director go back to Pulp Fiction. Since then, Clark has worked on nearly every Tarantino picture while also facilitating great work by a wide array of directors from Mark Pellington and Gregg Araki to Terry Zwigoff and Barry Levinson. As an enthusiastic cinephile with an infectious passion for both making and watching movies, Clark seems to have had the time of his life working with Tarantino on last year’s Once Upon a Time…in Hollywood. Taking on […]
by Jim Hemphill on Mar 18, 2020 -
Special Effects Coordinator Jeremy Hays on The Call of the Wild, Once Upon a Time…in Hollywood’s Flamethrower and Working with Jackie Chan
General audiences most likely recognize special effects coordinator and technician Jeremy Hays from his memorable moment in Once Upon a Time… In Hollywood, where he informs Leonardo DiCaprio’s character, Rick Dalton, that they can’t cool the heat on his flamethrower because, well, it’s a flamethrower. Hays is a veteran who has worked in practical and special effects for over 25 years, frequently employing his skills on big-budget comedies. Last year, he contributed to some of the biggest films of the year: Once Upon a Time… in Hollywood, Dolemite Is My Name and Booksmart. Most recently, Hays was the special effects […]
by Vikram Murthi on Mar 2, 2020 -
Memory Play: Producer Designer Barbara Ling on Conjuring Quentin Tarantino’s Period LA in Once Upon a Time… in Hollywood
The credits of Quentin Tarantino’s Once Upon a Time … in Hollywood are filled with the director’s usual suspects. Cinematographer Robert Richardson, editor Fred Raskin and assistant director William Paul Clark are among the consummate craftspeople who have spent at least a decade collaborating with the auteur. However, Hollywood also features a significant contribution from a new initiate to the Tarantino film family—production designer Barbara Ling. While Ling doesn’t share any work history with the director, the two are connected in another way. Both grew up in the Hollywood milieu lovingly resurrected in Tarantino’s ninth—and, if you believe him, next […]
by Matt Mulcahey on Dec 10, 2019 -
Capturing Social Change through Clothing: Once Upon a Time…in Hollywood Costume Designer Arianne Phillips on Dressing Quentin Tarantino’s Latest
Hawaiian shirts. Leather jackets. Go-go boots. These are just a few of the costume staples that leave a defining visual mark on Once Upon A Time … In Hollywood, Quentin Tarantino’s latest film in which real history is viewed through a fictionalized lens. We are in 1969, a year of change — both in Hollywood and the U.S. Think the start of the Nixon presidency, the eroding of the studio system before the artistically adventurous New Hollywood came to the rescue and yes, the Manson Family murders that claimed five lives, including that of a very pregnant Sharon Tate, actress […]
by Tomris Laffly on Aug 1, 2019 -
“There Is No Video Village”: DP Robert Richardson on Shooting Once Upon a Time…in Hollywood in 35mm
During lunch break on a Western TV series, fading star Rick Dalton (Leonardo DiCaprio) settles into a director’s chair next to his nine-year-old co-star. The young actress is armed with a Walt Disney biography, Dalton a pulpy Western novel. The girl asks Dalton about the story in his book and he recounts the tale of an over-the-hill bronco buster that eerily mirrors his own circumstances. Once Upon a Time…in Hollywood is a loving valentine to an era of studio filmmaking that was coming to an end in 1969, but it’s also a rumination on the inevitability of aging and mortality […]
by Matt Mulcahey on Aug 1, 2019 -
Back to One, Episode 68: Damon Herriman
It’s rare for one actor to be cast as the same real-life character in two different productions almost simultaneously. When that real life character is Charles Manson, that makes some news. Australian actor Damon Herriman has taken on this challenging role in both Quentin Tarantino’s Once Upon A Time… In Hollywood and the second season of David Fincher’s Netflix series Mindhunter. Herriman is perhaps best know for playing Dewey Crowe in the series Justified and currently plays Paul Allen Brown in Perpetual Grace LTD. We talk about the character of Manson, how good writing makes for good acting, and why […]
by Peter Rinaldi on Jul 30, 2019 -
“It’s a Movie About LA and Driving in LA — When You Could Actually Drive in LA”: Production Designer Barbara Ling Recreates the Open Streets of 1969 LA for Once Upon a Time… in Hollywood
Once Upon A Time… In Hollywood’s production designer Barbara Ling built the lurid worlds of the most perverted Batman movies: Joel Schumacher’s Batman Forever and Batman & Robin, where Uma Thurman (as Poison Ivy) strips out of a pink gorilla suit while golden Tarzans in table cloths swing from vines and lay belly down to form a human path for her to walk on. I’d be lying if I told you D.P Stephen Goldblatt’s close ups of Batman and Robin’s rubber derrieres and armor nipples haven’t been secured into an easily accessible shelf at the top of my memories, which […]
by A.E. Hunt on Jul 30, 2019 -
Panavision’s Dan Sasaki on Customizing Lenses for Once Upon a Time In Hollywood
If you’re reading this story in hopes of gleaning the magic recipe behind Panavision’s increasingly popular “detuning” process, sorry to disappoint you. Panavision Senior Vice President of Optical Engineering Dan Sasaki will divulge no such details. “I wish I could. Unfortunately, that is a process we like to keep secret,” said Sasaki, who began his career at Panavision in 1986 as a lens service technician. “What I can say is that it’s a process that is continually evolving.” Sasaki will, however, happily talk about being a second-generation member of the Panavision family, the storied history of the C Series anamorphics, […]
by Matt Mulcahey on Jul 29, 2019 -
Cannes 2019 Dispatch 6: Parasite, Once Upon a Time… in Hollywood, Mektoub, My Love: Intermezzo
A great prize list aside—better than any since at least 2011—I can’t fall in line with a majority of this year’s press corps in declaring this a banner year for Cannes; ironic, given that, on paper, this indeed was going to be a banner year for Cannes: Malick! Bonello! Hausner! Tarantino! Dumont! Diop! Lav! Bong! There was something for everyone, and most of it seemed to go down quite smoothly, even as distinctions between the good, bad, and ugly was as indiscernible as ever. On the two critics’ grids I participated in, for example, virtually every film across every section […]
by Blake Williams on May 25, 2019
