As someone who never understood (okay, downright loathed) the conformist culture of so-called Greek-letter organizations, I didn’t bother to catch Byron Hurt’s (Hip-Hop: Beyond Beats and Rhymes, Soul Food Junkies) latest doc Hazing when it premiered at the Tribeca Film Festival back in the spring. But fortunately, the film—which takes a deep historical, as well as personal, dive into what Wikipedia defines as “any activity expected of someone in joining or participating in a group that humiliates, degrades, abuses, or endangers them regardless of a person’s willingness to participate”—will now be launching the new season of PBS’s Independent Lens, which […]
by Lauren Wissot on Sep 12, 2022While recent right-wing attacks on the free press here in the US have rightly been sounding alarm bells, in a global context they are merely wake-up calls. Sure, Trump deeming the “lamestream” media “fake news” is dangerously juvenile, but it’s also a far cry from, say, the Duterte administration finding the founder and CEO of the Philippines’s top online news site Rappler guilty of “cyber libel” — a travesty of justice that happened just this past June. And the politically orchestrated verdict comes with both a hefty fine and potential prison time for “2018 Time Person of the Year” Maria […]
by Lauren Wissot on Aug 6, 2020Based in NYC but born in Singapore, filmmaker Eunice Lau is intimately familiar with the immigrant experience. And yet, her own history seems a far cry from that of the family portrayed in her most recent (IFP supported) doc Accept the Call. One of my top picks for the Human Rights Watch Film Festival last summer, the nuanced character study centers around Yusuf Abdurahman, a refugee from Somalia who fled that country’s civil war in the ’90s. Abdurahman now lives in Minnesota, where he married (and subsequently divorced), had seven kids who he’s wholeheartedly devoted to, and currently serves as […]
by Lauren Wissot on Jan 17, 2020When one thinks of Idaho, potatoes — not pregnancy — immediately comes to mind. Made in Boise, however, the latest from award-winning filmmaker Beth Aala, will forever change how one views this rugged northwestern locale. Following four gestational surrogates, all devoted mothers with children of their own, who carry babies for women and men (often gay singles and couples) both nationwide and around the world, the doc is an eye-opening look at how this red state-based “unofficial surrogacy capital” of the US is redefining family in surprisingly progressive ways. Filmmaker caught up with Aala (Rancher, Farmer, Fisherman, Supermensch: The Legend […]
by Lauren Wissot on Oct 28, 2019POV, television’s longest-running showcase for independent non-fiction films, has opened the doors for entries for the 2017 PBS broadcast season and beyond. The deadline for submission is Wednesday, June 15, 2016. Each year POV premieres 14-16 of the most memorable nonfiction stories to public television audiences around the country. Since 1988, POV has presented over 400 films, including some of our all-time favorite documentaries such as Roger & Me (Michael Moore) Street Fight (Marshall Curry), American Revolutionary (Grace Lee) and The Act of Killing (Joshua Oppenheimer), among many others. For submission details and requirements, check out POV’s Call For Entries Guidelines and to get a […]
by Paula Bernstein on May 12, 2016From April 23-May 3, Hot Docs, North America’s largest documentary film festival spread its wings across the theaters of Toronto. Against that backdrop, the 16th Annual Hot Docs Forum and Conference Market featured another opportunity to glimpse the inner workings of documentary film funding and pitching. With 19 scheduled pitches (and one project picked out of a Mountie’s hat), I was once again given the chance to take the pulse of the documentary marketplace. Below are several thoughts culled from the front row at those pitch proceedings. 1. Get Your Trailer in Order So you’ve been chosen to be one […]
by Eli Brown on May 11, 2015Nearly a year after its SXSW premiere, ornana’s Confusion Through Sand will have its PBS premiere tonight, ahead of Dan Krauss’ The Kill Team. The animated short will be available for free on Vimeo tomorrow, but for the time being, you can watch a behind the scenes video of the collective’s creative process. Filmmaker spoke to director Danny Madden and producers Jim Cummings and Ben Wiessner about the trajectory of their latest film, from a joint Kickstarter campaign, through division of labor, and securing distribution. Filmmaker: You packaged your Kickstarter campaign as a sort of two for one deal, raising post funds for euphonia and production funds for Confusion Through Sand. […]
by Sarah Salovaara on Jan 19, 2015For the generations who have come of age knowing the legend of slain journalist Ruben Salazar, there is as much they don’t know about him. A new documentary, Ruben Salazar: Man in the Middle, takes advantage of police records and decades of hindsight to take Salazar out of myth and give him back his humanity. The film premieres as a Special Presentation of PBS’ VOCES on Tuesday, April 29 at 9:00 PM ET. Salazar’s contribution to journalism began in the ’50s with his work as a reporter with the border daily El Paso Herald-Post in the city where he had […]
by Lisa Y. Garibay on Apr 29, 2014At their fourth floor office in Gowanus, Brooklyn, directors Carl Deal and Tia Lessin are preparing for the release of their second documentary feature, Citizen Koch. Outside their window is the neighborhood’s famous polluted canal but also a new Whole Foods that wasn’t there just one year ago. Gowanus, with its Superfund cleanup site, is a “neighborhood in transition,” but one that urban planners and TEDx speakers hope will be gentrification done right, retaining artists, artisans and small businesses amidst the fancy restaurants and incoming homeowners. A recent New York Times profile said Gowanus “seems poised to exist as an […]
by Scott Macaulay on Apr 28, 2014“Who the fuck are you?” Fueled on booze, Flamo was raging. Someone had told the cops he had stashed guns in his house, and so his mum and brother were handcuffed and led away. Craving revenge but thinking better, Flamo phoned Cobe (pronounced KOH-bay), someone he met years earlier in the county jail who was now a violence interruptor, counseling young gangbangers like Flamo to chill out and stop drawing blood in Chicago’s crime-ravaged South Side. When Cobe arrived, Flamo was stunned to find some white man filming him. Luckily, Cobe knew how to vouch for the white man to the youth he […]
by Allan Tong on Mar 26, 2014