“The papers on the boardroom table were stained from corpses.” Those lyrics, from The Coup’s 2012 album Sorry to Bother You, offer some idea of the ideological imperative propelling Boots Riley’s wildly inventive, Brazil-meets-Afrofuturism satire of the same name. Struggling to make ends meet in Oakland, Cassius Green (Lakeith Stanfield) takes a job with telemarketing firm RegalView, where he finds himself rocketing to the top of the corporate ladder after he uses his “white voice” to drum up sales. His activist girlfriend Detroit (Tessa Thompson) disapproves, especially after Cassius comes to the attention of deranged tech bro Steve Lift (Armie […]
by Nelson George on Jun 11, 2018The San Francisco Film Society announces today three women filmmakers as recipients of its SFFS Women Filmmaker Fellowships, a program supporting women making their second or third features in the genres of science fiction, comedy, action, thriller and horror — areas in which women are traditionally under-represented. Supported by the Kenneth Rainin Foundation, the fellowships are run by Filmmaker360, the Film Society’s filmmaker services department, and they include financial support, programs and events, mentorship services and more. “We’re thrilled to be kicking off this new initiative with such talented individuals, and to help bridge the support gap we have seen […]
by Scott Macaulay on Apr 20, 2015Noah Cowan, the founding Artistic Director of the Bell Lightbox, is leaving Toronto for the Bay Area, where he will take over as the Executive Director of the San Francisco Film Society. “I am grateful to the Board of Directors of the Film Society for providing this remarkable opportunity,” said Cowan in a press release. “The Bay Area has a storied relationship to cinema’s century-plus history and is currently home to the technology companies that will decisively influence the medium’s future. SFFS is uniquely positioned to work with filmmakers, educators and enthusiastic local audiences to embrace the dynamic and exciting […]
by Scott Macaulay on Feb 19, 2014The San Francisco Film Society has announced this year’s finalists for the Documentary Film Fund, which is set to divy up $75,000 next month. Open to nonfiction films in post-production, the Fund has previously supported such Sundance titles as Narco Cultura, American Promise and the Oscar-nominated Cutie and the Boxer. Making the list is Western, the Ross Brothers’ follow-up to Tchoupitoulas, and Blood Brother director Steve Hoover’s Gennadly. The Fund is made possible by Jennifer Battat and the Jenerosity Foundation, and you can view the full list of finalists below. Anatomy of an American Dream — John Ryan Johnson, director Antoine Hood is a charismatic 28-year-old former college basketball […]
by Sarah Salovaara on Feb 6, 2014At his Hope for Film blog, producer and San Francisco Film Society executive director identifies and speculates on 17 current conditions of the film business, prompting us to consider how we’ll consequently evolve our own practices to take them into account. The post accompanies the launch of the SFFS’s A2E (Artist 2 Entrepreneur) program, a new pilot program “designed to give filmmakers the necessary entrepreneurial skills to achieve a sustainable creative life amidst this changing paradigm.” (It was this weekend, but you can read the schedule here.) I’m particularly interested in Hope’s point number four, below, in which he writes […]
by Scott Macaulay on May 5, 2013The San Francisco International Film Festival is underway, the first under the San Francisco Film Society’s new head, Ted Hope. In an interview with Casey Burchby at the San Francisco Weekly, Hope tells the story of his move from producing in New York to running the organization in the Bay Area and how it reflects his own evolving ideas on independent media in the 21st century. I especially like this quote about how artists can rethink their process in a time of plenty. Emphasis added below: Burchby: I wanted to connect your vision for the SF Film Society to the […]
by Scott Macaulay on Apr 28, 2013The San Francisco Film Society does a fine job supporting emerging talent through their Filmmaker360 program, and most notably the Kenneth Rainin Foundation grants. For success stories, you don’t have to look far: Destin Daniel Cretton’s Short Term 12, which was a recent KRF grant winner, just won SXSW, and the Oscar-nominated Beasts of the Southern Wild received multiple grants from Filmmaker360. (Cretton was recently profiled by the SFFS, which you can view here.) The latest group of KRF finalists have now been announced, and it includes Jonas Carpignano for his feature version of A Chjana, the stunning short that last year […]
by Nick Dawson on Mar 20, 2013Keri Putnam, Executive Director of Sundance Institute, announced today that the Institute’s Artist Services program – which provides Institute artists with exclusive opportunities for creative self-distribution, marketing and financing solutions for their work –has expanded to include selected films supported by one foundation and five nonprofit organizations. Additionally, these organizations will join with Sundance Institute in continuing to shape the program and the services it offers. The Bertha Foundation, BRITDOC, Cinereach, Film Independent, the Independent Filmmaker Project and the San Francisco Film Society will each select films that they have supported to receive access to best-in-class digital distribution arrangements that […]
by Billy Brennan on Jan 18, 2013In recent weeks, we profiled in three posts on the site, the 13 finalists for the San Francisco Film Society’s Kenneth Rainin Foundation Filmmaking Grants. (In the current Fall issue of Filmmaker, we also spotlight the SFFS’s Filmmaker360 program, of which the KRF grants are the centerpiece.) Today, the winners of the KRF grants were announced, and five of the six were “25 New Faces” alums. Ryan Coogler, got postproduction funds for his forthcoming first feature, Fruitvale, which will debut at Sundance next month, while Michael Tully got money to finish his current film, Ping Pong Summer, which wrapped a […]
by Nick Dawson on Dec 11, 2012Following on from the Bay Area Boom article about the San Francisco Film Society’s Filmmaker360 program, we are profiling the 13 finalists for the SFFS’s Kenneth Rainin Foundation Filmmaking grant. The winners of this award will be announced on December 8. SUSAN YOUSSEF AND MAN KIT LAM, MARJOUN AND THE FLYING HEADSCARF Synopsis: With her father imprisoned on dubious terrorism related charges, a Lebanese-American teenager in Arkansas searches for identity in the headscarf and a motorcycle. This feature is an extension of the short by the same name that screened at the Sundance Film Festival. Marjoun and the Flying Headscarf is the first […]
by Filmmaker Staff on Dec 5, 2012