Newlyweeds writer/director Shaka King, who last appeared on the site with his excellent Sundance short Mulligans, is back with another imaginatively executed, of-the-moment short. LaZercism is his riff on “racial glauccoma,” a disease affecting white people that prevents them from seeing the contributions of — or just seeing at all — people of color. The comedy short, which stars Keith Stanfield (Short Term 12, Atlanta) and Robert Longstreet (I Don’t Feel at Home in this World Anymore), proposes an easy, outpatient procedure to correct the affliction.
by Scott Macaulay on May 31, 2017An unexpected pleasure at this year’s Tribeca Film Festival, Tokyo Project is a romantic drama with a psychological twist starring Elisabeth Moss and Ebon Moss-Bacharach and directed by Richard Shepard, whose career traverses dark comedies like The Matador and Dom Hemingway as well as some of the most memorable episodes of TV’s Girls. But what’s unexpected about this story of two American wanderers who hook up in Tokyo while both seemingly escaping their normal lives is, simply, its existence. The half-hour work is beautifully acted and shot (by Giles Nuttgens), coursing with a kind of romantic cinephilia, and, unlike other […]
by Scott Macaulay on Apr 26, 2017Last year, a friend asked me to come to an event about synthetic biology. I’m a documentary filmmaker, and I suspected the evening was going to be a bit over my head, but she was speaking and I wanted to show support. When I arrived, the speakers were a mix of academics, industry types, enthusiasts and scientists. I began to prepare myself in for a night of polite nodding and drinking as a man from a biotech company took the microphone to present some kind of recruitment talk about his company. Then, back near the bar, someone started to boo […]
by Kate McLean on Mar 11, 2017In my new short, Whiskey Fist — premiering Friday, September 10 at SXSW — the characters work in front of a sign that reads “Brands’ Lives Matter.” The font is ripped off from Ed Ruscha and the fluorescent ombre background is purloined from posters of the kind stapled to telephone poles advertising local reggae or salsa concerts. Such an insidious combination of high and low appropriation characterizes the vanguard of marketing today, that joking/not joking tone that one would find flourishing in the branding firm where Whiskey Fist takes place. Branding’s sophistication is more seductive than ever, and even more […]
by Gillian Wallace Horvat on Mar 10, 2017“Do you have a film in the festival?” The first thing people say to you when they meet you at a festival is usually this question. And for many of us, the answer is a negative. We’ve emptied our bank accounts, called out of our day jobs, skipped out on weekends upstate or by the beach to work on beckoning projects. And when we get rejected by a film festival, it can feel like those sacrifices and hard work were for naught. For new filmmakers like us, festivals, along with a good online distribution plan, are a coveted way to […]
by Meredith Alloway on Feb 13, 2017Receiving its online premiere today here at Filmmaker is Iva Gocheva‘s haunting short film, Sunday, an impressionistic portrait of a young Bulgarian woman living in New York who is grappling with all the various impacts — emotional and existential — of her expired visa. It’s the second short from Gocheva, who has been seen most recently on screen, as a lead, in Claire Carre’s sleeper hit, Embers. Here, the Bulgaria-born, New York-based Gocheva writes about her impetus to make the film: I feel this story started from the idea of home and what it means or feels to each of […]
by Scott Macaulay on Oct 19, 2016“Loosely inspired by Ibsen’s A Doll’s House,” Frank Moseley’s ominous new short film, Spider Veins premieres this month at the Sidewalk Film Festival. Here’s the description: Two women reunite in a quiet neighborhood before a party begins. But by turns mysterious and shocking, the film’s narrative begins to unravel even as the women’s relationship teeters closer to the edge of truth. Loosely inspired by Henrik Ibsen’s A Doll’s House, Spider Veins is a mercurial investigation into varying levels of everyday artifice. Starring Katey Parker, Danielle Pickard, and Jennifer Mazza-Nguyen, the film will have its world premiere this August 26-28th at […]
by Scott Macaulay on Aug 6, 2016Following a heartfelt public campaign to convince Bruce Springsteen — or, perhaps, his battery of lawyers, publishers and master owners — to let him affordably release his short film, Thunder Road, director Jim Cummings prevailed. The result is that this excellent short, fully deserving of Sundance’s Best Short prize, is now screening online, for free. Cummings himself stars as a young man who decides to evoke The Boss while eulogizing his mom at her funeral, and the short is an example of a game-changing work that can make a career. (Cummings is on every agent’s radar now as an actor […]
by Scott Macaulay on Jul 19, 2016Australian filmmaker Keith Loutit, a pioneer in tilt-shift photography, has just raised the bar in time-lapse photography with his latest video, The Lion City, 2. A portrait of a changing Singapore, the video features time-lapse shooting that took place in multiple locations over years. Writes Loutit: When we pass by landscapes they appear fixed in time, but they change around us constantly. The idea behind this film is to reveal this change by returning to the same camera positions over the years. In the comments, Loutit reveals that he shot the video over three years, and while his ability to […]
by Scott Macaulay on Jun 11, 2016Author Daniel H. Wilson, whose Roboapocalypse has been in the works for some time from Steven Spielberg, has the first adaptation of one his stories receive its online premiere today over at Wired. Embedded here, The Nostalgist is the adaptation of Wilson’s first published work of fiction, and it’s described thusly: In the futuristic city of Vanille, with properly tuned ImmerSyst Eyes & Ears the world can look and sound like a paradise. But the life of a father and his young son threatens to disintegrate when the father’s device begins to fail. Desperate to avoid facing his traumatic reality, […]
by Scott Macaulay on May 3, 2016