When I went to see BlacKkKlansman earlier this summer, I was startled to completely lose it two minutes in. The opening scene is a fire-breathing racist monologue by Alec Baldwin as a segregationist leader. I knew the premise of the film — the true story of how black police officer Ron Stallworth (John David Washington) infiltrated a Colorado branch of the KKK with the help of a white partner, Flip Zimmerman (Adam Driver), in the late ’70s — and figured a fair amount of racist invective would be involved. What I did not expect was to hear Baldwin spit out the words “fucking Jews” […]
by Vadim Rizov on Aug 9, 2018Seven seasons on the sitcom That ’70s Show led Topher Grace to roles in Steven Soderbergh’s Traffic, In Good Company, a not entirely successful turn as “Venom” in Spider Man 3, and lighter projects like Win A Date With Tad Hamilton and Valentine’s Day. He then decided to change the trajectory of his career. He told his agents he wanted to work exclusively with great film artists in environments that inspired him. Worthy projects like Interstellar, Truth and War Machine followed. And this year, Grace’s next chapter continues with David Robert Mitchell’s Under the Silver Lake and the challenging role […]
by Peter Rinaldi on Aug 7, 2018Among the markers of a great film—of a great work of art in general—is its ability to conjure itself up unannounced, repeatedly, in the light of neighboring films and artworks; it becomes a lens through which other work is viewed, a standard by which everything else is held, a shadow enlightening the world we now walk through. This is one way of briefly reiterating something I attempted to articulate in my third dispatch: Jean-Luc Godard’s The Image Bookis great art, corroborated for me by its persistent presence in my consciousness during the last several days of movie watching—most notably (and […]
by Blake Williams on May 15, 2018Director, screenwriter and boatbuilder (!) Sam Kuhn is in Cannes premiering his short film, Möbius — described as “a moth-eaten tale of magic and mutation half remembered by a teen poet who’s beloved lies lifeless in a stream” — in Critic’s Week. Filmmaker asked Kuhn, who hails from the Pacific Northwest, to keep a diary of his experiences, which rapidly went from jet-lagged to deeply strange. Here is his third entry; click here for them all. Day 5 The Hungarian ghost emailed producer L to ask, “What was the end destiny of the rock?” Her last post to Facebook, “Life, […]
by Sam Kuhn on May 24, 2017Ernest Dickerson’s new film Double Play, an adaptation of the acclaimed Dutch-language Caribbean textbook standard by Curacaoan author Frank Martinus Arion, received its world premiere at the Rotterdam Film Festival. The novel uses a game of dominoes as a framework to look at the unrest on the Caribbean island during the tumultuous transition from Dutch colonial rule to independence. The film adaptation stars Lennie James, Colin Salmon and Louis Gossett Jr. as men with different personalities but an all too similar interest in women. Director Dickerson rose to fame for his glorious cinematography. He will forever be associated with Spike Lee, with whom he began […]
by Kaleem Aftab on Feb 7, 2017The Undefeated, ESPN’s new platform focusing on the intersection of race and sports, premiered the new season of the TV miniseries Spike Lee’s Lil’ Joints with the release of 2 Fists Up, directed by Lee himself. The film takes a look at the protests on the campus of the University of Missouri last November, which included a boycott by the school’s football players. This documentary emphasizes the women organizers behind the protests rather than the football team, a welcome surprise from an ESPN production. 2 Fists Up initially premiered on the university campus in early April with the announcement that […]
by Marc Nemcik on May 31, 2016Michael Larnell grew his black-and-white debut feature Cronies through New York University’s Graduate Film program. Executive produced by NYU professor and project advisor Spike Lee, Larnell’s film follows three young men living in St. Louis as they discuss women, drugs, and other salacious topics of interest to innocently pass the time over a twenty-four hour period. A nonchalant, unassuming look at how men externalize their emotions, Cronies’ pleasures derive from its layered, amusing screenplay, documentary-inspired character interviews, and conflicted study of how far one will go to protect their brethren. As Cronies opens this Friday in IFP’s Screen Forward screening series, I spoke with Larnell about the decision […]
by Erik Luers on Dec 11, 2015The idea of a movie about gun violence in Chicago structured as an update of Lysistrata may not make intuitive sense, but the trailer for Spike Lee’s forthcoming Chi-Raq (and Amazon Studios’ first foray into theatrical distribution) makes it immediately clear what you’re going to see. It’s a Spike Lee movie: there will be didactic politics, a people-mover shot, and a definite can-this-actually-work? factor. For more information, read this excellent recent interview with Lee.
by Vadim Rizov on Nov 3, 2015It’s been a busy year for Spike Lee, whose Da Sweet Blood of Jesus came out earlier this year and who will bookend the year with his Chicago gang violence film Chi-Raq, out December 4. It turns out that his feature film release count for the year is actually three if you put together all the cut scenes for NBA 2K16, which clock in at nearly two hours. Hat-tip to Nick Newman over at The Film Stage for sharing this odd little item. As he notes: It might make sense if Lee took the time to craft 10-20 minutes of generic cut scenes for a […]
by Filmmaker Staff on Oct 30, 2015One of Filmmaker‘s 25 New Faces, Julius Onah sees his first feature, a twisty neo-noir set in the immigrant cultures of Manhattan’s Lower East Side, reach theaters today via eOne. The Girl is Trouble stars Columbus Short (Scandal, and pictured above) along with Wilmer Valderrama, Jesse Spencer and, as the femme fatale, Alicja Bachleda. Spike Lee executive produced this tale involving an innocent DJ drawn into intrigue connecting a missing drug deal to the high-finance world of Wall Street. Below, I ask Onah about working with Spike, the film’s noir references, and a few of the things we talked about […]
by Scott Macaulay on Apr 3, 2015