“My credit isn’t what it used to be,” admits Fabian Euresti, who graduated from the film directing program at California Institute of the Arts in 2010. A child of farm laborers in the San Joaquin Valley, Euresti made shorts, including 2010’s Everybody’s Nuts, that have played at prestigious film festivals in Europe (Vienna, Oberhausen, Tampere) and the U.S. (Los Angeles, Full Frame), but he’s currently got more than $100,000 in student debt and remains without a steady job to pay it down. “Knowing what I know now,” says Euresti, “I would have been more diligent in procuring grants and scholarships […]

As the industry and media have increasingly placed a spotlight on the filmic achievements of female directors, the recent rush of celebrated genre films masterminded by women — Julia Ducournau’s Raw, Alice Lowe’s Prevenge, Jennifer Kent’s The Babadook and Karyn Kusama’s The Invitation, among them — has been cited as a welcome phenomenon, but it’s not an altogether new one. A network of female-driven genre film festivals that celebrate the activities and influence of women in the genre cinema community have been running for, in some cases, decades. Filmmaker and programmer Briony Kidd says, drily, “The idea that it might […]

You might not recognize the name Douglas Trumbull, but you will certainly recognize his work. He is the man behind the special effects of 2001: A Space Odyssey, Blade Runner and Close Encounters of the Third Kind, and also the director of Silent Running and Brainstorm. In recent years, he has dedicated himself to “figuring out the future of cinema.” The result: Magi cinema, a means of shooting and projecting films in 4K 3-D at 120 frames-per-second (fps). In the beginning films were shot at around 16 fps before becoming standardized at 24fps, which has remained unchanged since. Many aspects […]