Sundance Film Festival
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“The Idea of the Mother Who Leaves”: Rebecca Daly | Mammal
In every film, there is the story that you knew you were telling, the story the audience perceives. But there is always some other story, a secret story. It might be the result of your hidden motivations for making the film, or, instead, the result of themes that only became clear to you after you made the movie. It might be something very personal, or it might be a story you didn’t even know you were telling. What is your film’s secret story? For me, starting with a story, I like there to be a strong theme or idea at […]
by Filmmaker Staff on Feb 1, 2016 -
Jim Cummings’ Thunder Road Video Diary, Part Three
In part three of Jim Cummings and team’s video diary documenting their time at Sundance, Thunder Road wins a jury prize! But before that, there’s more anxiety about networking to get through, both before and after the awards. Part one is here, part two is here.
by Vadim Rizov on Feb 1, 2016 -
DP Caleb Heymann on Evoking the Early ’90s in Sundance Winner As You Are
The first feature film from writer/director Miles Joris-Peyrafitte, As You Are unfolds as the story of three teenage friends in the early 1990s. Joris-Peyrafitte hired Caleb Heymann, a fellow newcomer to feature filmmaking, to shoot the film. Heymann spoke with Filmmaker about shifting aspect ratios, vintage anamorphic lenses and the execution of a tricky long take. As You Are premiered at Sundance 2016 in the U.S. Dramatic program. Filmmaker: How and why did you wind up being the cinematographer of your film? What were the factors and attributes that led to your being hired for this job? Heymann: Producer Sean Patrick Burke had seen […]
by Soheil Rezayazdi on Feb 1, 2016 -
“The Powers of These Magical Young People”: Directors Keith Fulton and Lou Pepe | The Bad Kids
In every film, there is the story that you knew you were telling, the story the audience perceives. But there is always some other story, a secret story. It might be the result of your hidden motivations for making the film, or, instead, the result of themes that only became clear to you after you made the movie. It might be something very personal, or it might be a story you didn’t even know you were telling. What is your film’s secret story? What does a girl-servant of wizards who’s ashamed of her magical powers have to do with a […]
by Soheil Rezayazdi on Feb 1, 2016 -
“Stories of Their Pain and Personal Struggle”: Director Paddy Breathnach | Viva
In every film, there is the story that you knew you were telling, the story the audience perceives. But there is always some other story, a secret story. It might be the result of your hidden motivations for making the film, or, instead, the result of themes that only became clear to you after you made the movie. It might be something very personal, or it might be a story you didn’t even know you were telling. What is your film’s secret story? In terms of hidden motivations or narratives I’d say if they are there they are woven deep […]
by Soheil Rezayazdi on Feb 1, 2016 -
“A Fantastical Perversion of Pregnancy”: Director Danny Perez | Antibirth
In every film, there is the story that you knew you were telling, the story the audience perceives. But there is always some other story, a secret story. It might be the result of your hidden motivations for making the film, or, instead, the result of themes that only became clear to you after you made the movie. It might be something very personal, or it might be a story you didn’t even know you were telling. What is your film’s secret story? It seemed to me that the story was centered around an outsider, someone who lived a destructive […]
by Soheil Rezayazdi on Feb 1, 2016 -
“No One Slept for 30 Hours Straight”: DP Siddhartha Nuni on Shooting Brahman Naman
Styled in the vein of American slacker and teen comedies, Brahman Naman is the newest film from Indian indie filmmaker Qaushiq “Q” Mukherjee. DP Siddhartha Nuni shot the film in 23 days in the city of Bangalore. Filmmaker spoke with Nuni about his love of Trainspotting, recreating ’80s-era India and capturing the “confused teenage mind visually.” Filmmaker: How and why did you wind up being the cinematographer of your film? What were the factors and attributes that led to your being hired for this job? Nuni: The director of the film Q was looking for a cinematographer who had an experience of working under the constraints with which […]
by Soheil Rezayazdi on Jan 31, 2016 -
“The Limits of Love in Friendship”: Director Miles Joris-Peyrafitte | As You Are
In every film, there is the story that you knew you were telling, the story the audience perceives. But there is always some other story, a secret story. It might be the result of your hidden motivations for making the film, or, instead, the result of themes that only became clear to you after you made the movie. It might be something very personal, or it might be a story you didn’t even know you were telling. What is your film’s secret story? I think As You Are from the outside is obviously a story about friendship and love. Specifically […]
by Soheil Rezayazdi on Jan 31, 2016 -
“They Shared Their Vulnerabilities and Unfiltered Selves on Camera”: Director Clay Tweel | Gleason
In every film, there is the story that you knew you were telling, the story the audience perceives. But there is always some other story, a secret story. It might be the result of your hidden motivations for making the film, or, instead, the result of themes that only became clear to you after you made the movie. It might be something very personal, or it might be a story you didn’t even know you were telling. What is your film’s secret story? The making of this movie was a huge process of exploration for me. Steve had captured 1,300 […]
by Soheil Rezayazdi on Jan 31, 2016 -
Cinematographer Richard Henkels on Sundance Doc Author: The JT LeRoy Story
From the director of The Devil and Daniel Johnston, Author: The JT LeRoy Story charts the literary universe created by writer Laura Albert. LeRoy, her literary alter ego, has enraptured and enraged readers since the 1990s. Filmmaker spoke with DP Richard Henkels about he sought to have the documentary “feel like a feature film, not a TV doc.” Author had its world premiere at the 2016 Sundance Film Festival. Filmmaker: How and why did you wind up being the cinematographer of your film? What were the factors and attributes that led to your being hired for this job? Henkels: I was on a […]
by Soheil Rezayazdi on Jan 31, 2016
