Omar Mullick and Bassam Tariq are among a handful of directors selected for Filmmaker‘s “25 New Faces” in 2012 who are taking their debut features to this year’s SXSW Film Festival (alongside Penny Lane and Brian L. Frye’s Our Nixon, Ornana’s euphonia and Hannah Fidell’s A Teacher). Mullick and Tariq’s These Birds Walk, an alumni of the IFP Documentary Labs, is a moving and lyrical portrait of a home for young runaway boys and street children in Karachi, Pakistan, run by the humanitarian Abdul Sattar Edhi and his Edhi Foundation. The beautifully shot film (lensed by Mullick, a former photographer) was picked up by Oscilloscope prior to its […]
by Nick Dawson on Mar 8, 2013While it’s widely known that Richard Nixon was an obsessive self-documenter, what is less well known is that three of his top aides – H. R. Haldeman, John Ehrlichman and Dwight Chapin – were as well. Mad for Super 8, the three men obsessively documented their everyday lives as they toiled away, unaware that their idealistic zeal for a corrupt administration would land them in prison. Directed by Penny Lane and co-produced by Brian Frye, Our Nixon is an all archive documentary that uses this footage to create a complex portrait of one of the most notorious administrations in the […]
by Mary Anderson Casavant on Mar 8, 2013Elizabeth Chai Vasarhelyi’s Touba was seven years in the making: five of shooting, two of post-production. It grew out of her second documentary — 2008’s Youssou N’Dour: I Bring What I Love — which followed the legendary Senegalese musician before and after 2004’s Egypt album, whose religious themes raised the ire of the country’s religious argument. Her newest film began life on vibrantly grainy 16mm, following an annual Senegal trek undertaken by hundreds to the city of Touba to visit the home of Sheikh Amadou Bamba, founder of the Mouride Brotherhood. Like her last film, Vasarhelyi’s newest focuses on Islam […]
by Vadim Rizov on Mar 8, 2013Bryan Poyser has been a fixture of Austin’s film scene for a decade, even as it’s remained in flux. As a director, he made his feature debut with 2004’s Dear Pillow, in which a teen struggling with sex gets mentored by a fiftysomething ex-porn director. 2010’s follow-up Lovers Of Hate (half shot in Austin) was a perversely comic sexual rondelay in which a demented ex skulks in the mansion where his former partner and her new lover are taking a vacation, spying on both while trying to keep his presence a secret. Poyser’s third feature, The Bounceback, is his first […]
by Vadim Rizov on Mar 8, 2013When the filmmaking collective Ornana (led by director Danny Madden) was chosen for Filmmaker‘s “25 New Faces” last summer, it was their charming and inventive animated short about a robot elephant, (notes on) biology, that first attracted our attention and admiration. However, it was group’s radically different follow-up project, euphonia (then still in rough cut), which assured us of Madden and co.’s genius. The 50-odd minute live-action film, which was first planned as a short, tells the tale of a high schooler (Will Madden, Danny’s younger brother) who buys a digital sound recorder and becomes increasingly fixated with capturing the sounds around […]
by Nick Dawson on Mar 8, 2013SXSW is a festival of contradictions. (Or, “Spring Break for filmmakers,” as Ti West posted on his Twitter stream last night.) Its film program feels homey, intimate, with Janet Pierson and her team evincing a real sense of enthusiasm as well as curatorial play. There are, of course, types of films that are expected and do well at SXSW: cutting-edge genre titles, hip mainstream features, music- and technology-themed documentaries, and low-budget, youth-oriented relationship tales. But within and even outside of those categories, SXSW always turns up some real discoveries. (Last year there were several — Sean Baker’s Starlet, Andrew Neel’s […]
by Scott Macaulay on Mar 6, 2013The SXSW Film Festival today announced a further round of films that have been programmed for this year’s festival, including Sundance favorites such as James Ponsoldt’s The Spectacular Now, Zal Batmanglij’s The East, Mike Lerner and Maxim Pozdorovkin’s Pussy Riot – A Punk Prayer and Lucy Walker’s The Crash Reel. Among the other films also added are Ramin Bahrani’s At Any Price, which bowed at Venice last year, and a film shot entirely by Flaming Lips frontman Wayne Coyne on his iPhone, entitled A Year in the Life of Wayne’s Phone. A full list of the new titles is below: […]
by Nick Dawson on Feb 13, 2013There’s been a lot going on with our current crop of 25 New Faces, so I thought I’d do a quick catchup of recent goings on. Firstly, four feature projects by 2012 alums are playing at this year’s SXSW Film Festival: there’s a world premiere for Ornana’s first narrative feature, Euphonia, while Bassam Tariq and Omar Mullick’s evocative documentary These Birds Walk (a world premiere at True/False later this month), Hannah Fidell’s A Teacher (which was actually shot in Austin) and Penny Lane and Brian L. Frye’s archival doc Our Nixon will continue their fest circuit runs there. (Incidentally, Lane and […]
by Nick Dawson on Feb 7, 2013A few weeks ago, the opening night movie at SXSW, The Incredible Burt Wonderstone — plus a handful more choice titles, such as Spring Breakers and the Evil Dead remake — were announced, but today the full line-up was unveiled. As ever, there’s a ton of titles here by directors we know little or nothing about — SXSW is a true discovery festival — but there’s also a fair amount here that grabs the attention straight away. In the narrative competition section, there are new films from Todd Sklar, Chris Eska (August Evening) and former “25 New Faces” alum Destin Daniel […]
by Nick Dawson on Jan 31, 2013Earlier today, SXSW announced their Opening Night lineup. Set on kicking off the fest with a healthy dose of pizzazz, SXSW first night will host the world premiere of the upcoming Steve Carrell/Steve Buscemi comedy The Incredible Burt Wonderstone. In the film, Carrell and Buscemi play former best friends/magic show partners Burt and Anton. When Anton is injured and leaves the act, Burt is left vulnerable to the opportunistic street performer Steve Gray (Jim Carrey). Also starring in the film are James Gandolfini, Olivia Wilde and Alan Arkin. Joining Wonderstone on opening are six films that are a testament to […]
by Billy Brennan on Jan 15, 2013