The Wire
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Back to One, Episode 53: Michael K. Williams
The actor Michael K. Williams died yesterday at the age of 54. We are revisiting here his 2019 interview with Peter Rinaldi, in which he spoke about many things, including his first time auditioning for The Wire and the role of Omar. R.I.P. Michael K. Williams. — Editor He brought to life one of the most iconic TV characters this century, Omar Little on the acclaimed series The Wire. Then Michael K. Williams went on to work with some of the great directors of our day (Steve McQueen, Paul Thomas Anderson, Ava DuVernay, Todd Solondz) and turned in powerful work […]
by Peter Rinaldi on Apr 9, 2019 -
Back to One, Episode 40: Aidan Gillen
He’s perhaps best known for his portrayal of Petyr “Littlefinger” Baelish on Game of Thrones but I first took note of the uniquely talented Aidan Gillen as Mayor Carcetti on The Wire. The Dublin native’s most recent role was the manager of Queen in Bohemian Rhapsody. Now he stars in the period UFO drama Project Blue Book, which premieres January 8th on History. In this half hour he talks about his intuition-based approach to preparation, how Jez Butterworth introduced him to the work of John Cassavetes, and I toss a name at him to spark some memories from The Wire. […]
by Peter Rinaldi on Jan 8, 2019 -
“Television Has Been Good in That It’s Paid the Bills”: Ernest Dickerson on Double Play, The Wire and Spike Lee
Ernest Dickerson’s new film Double Play, an adaptation of the acclaimed Dutch-language Caribbean textbook standard by Curacaoan author Frank Martinus Arion, received its world premiere at the Rotterdam Film Festival. The novel uses a game of dominoes as a framework to look at the unrest on the Caribbean island during the tumultuous transition from Dutch colonial rule to independence. The film adaptation stars Lennie James, Colin Salmon and Louis Gossett Jr. as men with different personalities but an all too similar interest in women. Director Dickerson rose to fame for his glorious cinematography. He will forever be associated with Spike Lee, with whom he began […]
by Kaleem Aftab on Feb 7, 2017 -
“We’re Not Very Good at Sharing in This Country”: David Simon on Show Me a Hero, Public Housing Today and Moving from Journalism to Television
David Simon (Homicide, The Wire, Treme) has a new miniseries on HBO, Show Me a Hero, and it’s about the fight for public housing and desegregation in Yonkers, N.Y. in 1987. And if you think that doesn’t sound dramatic or exciting, you’d be dead wrong. I watched all six hours straight through and found the series riveting from the first scene to the last. After watching the series I read the book (of the same title, by Lisa Belkin and equally riveting). The book has been out of print, but is being re-released with an introduction by Simon, in which […]
by Alix Lambert on Aug 30, 2015 -
TV is Not the New Film
As much as I love Breaking Bad, The Wire, Mad Men and Twin Peaks, as great and as groundbreaking as those shows were, they still are not cinema. The recent explosion of quality long-form cable series has taken the TV form to a new level of artistry and craftsmanship. A show like Mad Men is not only thrilling because of its commentary on its era, but because of the zeitgeist energy created by everyone watching the show, talking about it and sharing opinions on social media. Today, perhaps more than ever, a new season of a quality show becomes a […]
by Mike S. Ryan on Jul 23, 2015 -
“You’re Really Just Talking to Yourself:” Beau Willimon, David Simon, Nate Silver and Anne Thompson on Audiences and Data
“There are two asteroids corrupting media,” bellowed radio host John Hockenberry at the start of the Tribeca Film Festival’s “Stories By Numbers” panel last week. The first, viewing patterns; the second, data streams. “Narratives,” he opined, pacing before Beau Willimon, David Simon, Nate Silver and Anne Thompson, “are becoming indistinguishable from vices.” It’s no secret that Netflix’s limitless entree into consumer preferences has informed much of its success in the realm of original content. Hockenberry noted that big brother Sarandos can scrutinize viewing behavior down to its utter minutiae: “what people skip over, what sex scenes they replay, is all fed back into […]
by Sarah Salovaara on Apr 28, 2014 -
Irregular Warfare: Marketing Snow On Tha Bluff
Snow On Tha Bluff is a film that I produced that illuminates Atlanta’s forgotten neighborhood, The Bluff, known for its violent crime, heroin market and extreme poverty. The film follows real-life criminal Curtis Snow as he robs drug dealers and attempts to provide for his child. The most controversial element of our film is that some of the footage is real while other scenes are staged. After our films are in the can, we as filmmakers are met with the daunting task of marketing our work. Our eyes are met with a towering cascade of media everyday, and, for any […]
by Chris Knittel on Jul 26, 2013 -
Five Questions with Newlyweeds Director Shaka King
The stoner comedy niche is one the Sundance Film Festival too rarely fills, but as if to remedy this lack we now have Shaka King’s debut feature Newlyweeds. Equal parts absurd and emotionally grounded, the film follows Lyle (Amari Cheatom) and Nina (Trae Harris), two young lovers with a shared passion for weed. But just as much as the drug provides a stabilizing force in their relationship, it also proves to be the thing holding them back. Newlyweeds premieres today in Sundance’s NEXT section. Filmmaker: Where did the idea for Newlyweeds come from? Forgive me for asking, but are you […]
by Jane Schoenbrun on Jan 18, 2013 -
Week Six at the Edit Center
On Monday we watch the famous f*ck scene from The Wire. In the past I have seen this scene used as an example of great writing, great directing and great acting. It seems to be a quintessential teaching scene. If you don’t know what I am talking about, you can see it below. We also watch a sequence from Unzipped, the documentary that follows the fashion designer Isaac Mizrahi (1995, edited by Alan Oxman, cinematography by Ellen Kuras, who went on to shoot a long list of films including Eternal Sunshine of The Spotless mind). Its lyrical look, pacing and […]
by Alix Lambert on Oct 24, 2011 -
“THE INTERRUPTERS” | director, Steve James
[PREMIERE SCREENING: Friday, Jan. 21, 9:00 pm — Temple Theatre] Making The Interrupters was, by its very nature, a series of hoped-for surprises: Producer Alex Kotlowitz and I wanted to be awakened in the middle of the night by a violence interrupter and told we should come quick to capture them dealing with a potential mediation. No such moment was more surprising than “Flamo,” a young man full of rage, making his entrance into our film by opening his front door and angrily flinging his cell phone out into the snow. He was on a warpath of revenge against this […]
by Filmmaker Staff on Jan 21, 2011
