Directed by Salazar Film (Nathan Drillot and Jeff Petry), the documentary Wizard Mode relates the story of Robert Gagno, a young man with autism who is one of the world’s highest ranking pinball players. Wizard Mode tracks Robert’s rise on the international pinball circuit and his efforts to forge an independent life for himself. The film, Vimeo’s first-ever original feature, had its world premiere at Hot Docs earlier this year and is available now on Vimeo, VOD and iTunes. Filmmaker recently asked the film’s directors Nathan Drillot and Jeff Petry about working with a subject who has autism, getting the rights to The Who’s iconic “Pinball Wizard,” opting […]
by Paula Bernstein on Oct 21, 2016Vimeo has announced it is extending its flagship Staff Pick channel into a year-long online film festival and has added new laurels honoring films selected as Best of the Month and Year, plus weekly premieres. “The Vimeo Staff Pick channel represents the most progressive and imaginative filmmaking direct from our community of world class filmmakers,” said Peter Gerard, General Manager, Vimeo. “The iconic Staff Pick laurel has helped launched the careers of many filmmakers coming up through the Vimeo platform and we’re excited to continue to honor and elevate our Staff Picked filmmakers with two new levels of prestige, while also […]
by Paula Bernstein on Oct 5, 2016Sickhouse, a horror thriller produced by Indigenous Media, is billing itself as the first-ever scripted film, shot in real time, that’s designed for mobile viewing. Written and directed by award-winning filmmaker Hannah Macpherson, Sickhouse was shot over the course of five days, April 29-May 3, in Los Angeles and experienced live on Snapchat and other social platforms. The story was designed to be told through a series of snaps, but also as a linear film. The snaps are now being edited into a Director’s Cut with additional footage. The final feature-length film will be available exclusively on Vimeo beginning Wednesday, June 1. The film tells […]
by Paula Bernstein on May 5, 2016Vimeo, the ad-free video platform, today announced it is acquiring VHX, the OTT (over-the-top) video distribution platform which allows creators to sell videos in forms ranging from individual downloads to subscription channels. In fact, VHX’s subscription technology, which includes the ability to build apps for the web, mobile and set-top boxes, is what drew Vimeo to the startup. Kerry Trainor, Vimeo CEO, told Filmmaker, “With the addition of VHX, Vimeo now offers a complete streaming ecosystem for individual creators, niche programmers and major media partners to offer subscription video on demand (SVOD) channels. Only Vimeo offers partners the ability to build […]
by Paula Bernstein on May 2, 2016This morning, Vimeo announced a new slate of “Vimeo Originals,” serialized and short form content available for purchase exclusively on the streaming platform. Now that their first Original, High Maintenance, has moved to HBO, Vimeo is going beyond the web series, and into comedy specials and short films. Bianca del Rio’s Rolodex of Hate Comedy Special will premiere in December, while The Outs and Aidy Bryant’s Darby Forever will follow early next year. As much as Vimeo is pushing the envelope in its embrace of different formats and particular demographics, the selections corroborate comedy as internet king. Via Vimeo, below is a rundown of each of the three Vimeo Originals on the […]
by Sarah Salovaara on Oct 8, 2015Kevin B. Lee’s Transformers: The Premake and Khalik Allah’s Field Niggas are radically different films. Lee assembles footage of the making of Transformers: Age of Extinction and related materials to delve into how Michael Bay’s hyper-blockbuster took over cities all over the globe and made deals with their governments to save money; Allah’s film is an hour-long piece of street portraiture from 125th and Park in Harlem, giving voice to the routinely marginalized. What they have in common is that they both initially launched online before receiving festival play. Lee’s film is still online, while Allah has pulled his movie […]
by Vadim Rizov on May 12, 2015“A new way to watch films” is what the venerable platform for short films, Short of the Week, promises in its freshly relaunched edition, online now. Founders Andrew S. Allen and Jason Sondhi have done a top-to-bottom redesign — a clean look that also makes both searching and streaming easier. Indeed, the new Short of the Week acknowledges that a viewer today is as likely to watch a short on a large phone or streamed through a device like Chromecast to a television as on a laptop window. Filmmaker readers should recognize both Allen and Sondhi’s names as the two […]
by Scott Macaulay on Feb 19, 2015High Maintenance, the widely reputed, gold standard of web series, began as an experiment of sorts between Ben Sinclair and Katja Blichfeld. When interviewed for our 2013 25 New Faces issue, the pair expressed the foremost need to “get out all these weird stories that have happened over the years.” Now Vimeo’s first venture into original programming, the husband and wife team are pushing the envelope in a whole new way. With episodes nearing a 20-minute runtime and tonal highs and lows as accomplished as any feature film, High Maintenance challenges the very serial format it calls home. As of today, all three episodes from […]
by Sarah Salovaara on Nov 11, 2014The distribution rollout for short form work remains a tenuous enterprise, at best. Aside from throwing it up on Vimeo or YouTube, and hoping it catches the eye of a curated site like Short of the Week, many filmmakers end up sitting on their shorts for months after their festival premiere. Vimeo is shaking up that paradigm by offering 17 shorts from the Toronto International Film Festival’s Short Cuts program — which the streaming site sponsors — online through September 19. These include the Jury Prize winning A Single Body, which offers insight into an earnest male friendship; the Shane Carruth-starring everything & everything & everything; the sci-fi Entangled, from […]
by Sarah Salovaara on Sep 17, 2014Wednesday afternoon, I clicked on a Vimeo link and was greeted by an airtight pop-up. In order to pass on to the video, I had to enter my cell phone number and zip code. I complied, and not a second later, I received a call briefing me on talking points of the FCC’s revision to the Open Internet Order — which would allow broadband providers to charge sites for guaranteed service — and was then connected to senator Kirsten Gillibrand. Wednesday, September 10, marked the technical end to the public comment period of the FCC’s detrimental potential amendments to the net neutrality act. To mobilize […]
by Sarah Salovaara on Sep 12, 2014