In the battle between big telecoms and tech companies over the issue of net neutrality, independent filmmakers are inevitably going to be collateral damage. While the Federal Communications Commission (FCC) hasn’t yet gone forward with plans to allow Internet Service Providers to charge websites for faster service, the current proposals suggest that challenging times are ahead for media makers and companies who use the Web, with potentially higher costs and increased barriers to entry. As Jamie Wilkinson, CEO of digital distribution platform VHX questions, “As the market gets more crowded, will the prices be driven up?” Without the deep pockets […]
by Anthony Kaufman on Jul 17, 2014Vimeo announced today a $10 million investment in direct financial support and online services for eligible creators distributing their work using Vimeo on Demand. “The direct distribution movement gains momentum every day,” said Vimeo CEO Kerry Trainor in a statement, “and we are fully committed to empowering creators with a vibrant alternative to the ad-dominated online video ecosystem for monetizing content.” Vimeo’s $10 million fund will support the following initiatives. From the press release: Expansion of Crowdfunding Program: Vimeo is expanding on its crowdfunding program announced at the 2014 Sundance Festival by extending access to part of its $10 million […]
by Scott Macaulay on Mar 6, 2014On Sunday night, IFP and Vimeo held a party to celebrate the thirteen films screening at the 2014 Sundance Film Festival that had first been developed at the IFP Labs, Project Forum or other IFP programs. IFP supported films included Appropriate Behavior, CAPTIVATED: The Trials of Pamela Smart, Cesar’s Last Fast, Dinosaur 13, Hellion, Little Accidents, Marmato, Memphis, Obvious Child, The Overnighters, Ping Pong Summer, Rich Hill and The Skeleton Twins. The Park City celebration also included many of the 45+ IFP alumni from previous years that were launching new work at the Sundance Film Festival. Joana Vicente, IFP and Made […]
by Alexandra Byer on Jan 24, 2014It’s a busy 10 days for news breaks as Sundance is now officially underway. To start things off, Vimeo has just announced its partnership with crowdfunding platforms Indiegogo, Kickstarter and Seed&Spark, in a program that will allow them to cherry pick projects that have raised at least $10,000 for an exclusive digital premiere window on Vimeo on Demand. In exchange, the filmmakers will receive free Vimeo Pro accounts and access to a $500,000 Audience Development Fund to aid in project promotion. This announcement comes on the heals of Vimeo’s acquisition of 13 TIFF titles that will stream exclusively on VoD […]
by Sarah Salovaara on Jan 16, 2014Shortly before the 2013 Toronto International Film Festival, Vimeo issued an offer to attending filmmakers. Let us have exclusive digital rights to your film for 30 days via our distribution platform, Vimeo on Demand, and we’ll give you a $10,000 advance. After that window — or until we recoup the $10,000, whichever comes first — we’ll provide our standard 90/10 revenue split, and you’re free to take your film elsewhere. I remember thinking it was a bold move, ripe for the “best of both worlds” scenario so many modern independent filmmakers desire. But would anyone be game? Turns out, more than […]
by Sarah Salovaara on Jan 14, 2014Filmmaker contributor John Yost recently joined forces with Alexander Berberich to launch Fifth Column Features (FCF), a boutique independent film studio and online distribution company. Though the concept may sound familiar, FCF boasts the industry’s first pay-as-you-wish content model, which Yost likens to a barometer for audience commitment. Filmmaker spoke with Yost about what FCF is doing differently, and how, as filmmakers themselves, they are able to prioritize their colleagues’ best interests. Filmmaker: Why do you feel the industry was lacking a pay-as-you-wish platform? Are you operating from a standpoint that audiences are the most valuable entity to an independent filmmaker? John Yost: Pay […]
by Sarah Salovaara on Nov 11, 2013Though the film only debuted at SXSW last month, Ornana’s euphonia is already out in the world, with the six-man collective we selected for our 2012 “25 New Faces” opting to generously stream it for free on Vimeo. I’ve been a huge fan of the film since I saw it in rough cut last summer, and it solidified my conviction that director Danny Madden and his collaborators — wh0 had previously made the charming animated short (notes on) biology — were on to something special. To further whet you appetitite, here’s Scott’s take on the film from SXSW: A real […]
by Nick Dawson on Apr 22, 2013For much longer than I care to think about I’ve been hitting the road and traveling the friendly skies far and wide, covering film festivals both nationally and internationally. And yet it never ceases to amaze me how often paid publicists and filmmaker-publicists shoot themselves in the proverbial foot when it comes to obtaining coverage for their indie endeavors. So with Sundance nearly upon us, I thought it might be helpful (and in my case, cathartic) to go over a few dos – and two definite don’ts – when it comes to working the PR machine. DO everything in your […]
by Lauren Wissot on Jan 9, 2013Last night at the NYU Skirball Center, the Vimeo Awards took place and one of the 25 New Faces from 2011, Everynone, were the big winners. For their excellent Symmetry, the video collective of Will Hoffman, Daniel Mercadante and Julius Metoyer III took away both the prize in the Lyrical category and the Grand Prize, which came with an additional $25,000 in prize money. In my profile of Everynone for 25 New Faces last year, I wrote: If you listen to the radio, then you may have seen the short documentary essay films of the New York collaborative, Everynone. For the […]
by Scott Macaulay on Jun 8, 2012Over the weekend, I stumbled across Luxembourg-based filmmaker Jeff Desom’s incredible Rear Window timelapse remix, which is shortlisted for the upcoming Vimeo Awards (although it just got pulled from Vimeo, presumably because of rights issues.) However, for the time being, it’s still on YouTube, and I’ve embedded it below for your enjoyment. Desom’s remix is not only technically brilliant, but also winningly playful; part of its genius is that Desom shows you how he’s constructing the world seen from James Stewart’s window in Rear Window before he begins the action. Here’s an extract from an interview with Desom on One […]
by Nick Dawson on May 1, 2012