For my final home video column of the year, I’d like to round up the most interesting and enjoyable Blu-ray and DVD titles I’ve encountered in recent months — not necessarily a “ten best” list, but a compendium of highly recommended releases that rank among 2017’s home viewing highlights (and that make great gifts for cinephiles as the holiday shopping season approaches). Here goes: Desert Hearts. Director Donna Deitch embarked on her narrative feature debut with a simple goal — to tell a love story between two women that didn’t end with either of them dying or in a bisexual […]

Writer and director Edgar Wright has long been a fan of mixing tones and genres in his movies, from his celebrated feature debut Shaun of the Dead and its unofficial companion pieces (Hot Fuzz and The World’s End) to the graphic novel adaptation Scott Pilgrim vs. the World. All of those movies were at least partially, if not primarily, comedies, and Wright’s latest film Baby Driver, which shares its title with a memoir by Jan Kerouac (Jack’s daughter), has plenty of verbal and visual laughs scattered throughout its narrative. This time, however, the laughs coexist with an emotional weight that’s […]

Given the (justly) hallowed place that Carol Reed’s 1949 thriller The Third Man occupies in the hearts and minds of most cineastes, I’ve always been a little mystified by the comparative obscurity of his subsequent collaboration with screenwriter Graham Greene, the delightful satire Our Man in Havana (1959). I can only assume that the bleak, wintry setting of postwar Vienna that gives The Third Man its haunting effects also gives it a slight edge in the critical consciousness over Havana’s sunny, tropical effervescence. Yet in Reed and Greene’s skilled hands, the breezy charm of Havana just before the revolution only […]

America’s greatest living action filmmaker returns in top form in The Assignment, the deliriously entertaining new film from director Walter Hill. The premise, from a screenplay co-written by Hill and Denis Hamill, is pure lurid pulp: male assassin Frank Kitchen (Michelle Rodriguez) runs afoul of a brilliant but deranged surgeon (Sigourney Weaver) who has him abducted and knocked unconscious. When Frank comes to, he discovers that he’s been surgically altered and now has the body of a woman – a revelation that only briefly slows down his obsessive quest for revenge. It’s a provocative conceit that might be offensive in […]

Decried as an offensive trivialization of trans reassignment surgery by GLAAD as soon its premise was announced, Walter Hill’s Re(Assignment) makes the subtextual defense for itself early on. Institutionalized for two years, surgeon Rachel Ray (Sigourney Weaver) — a formerly respected practitioner stripped of her license — is being questioned by a shrink (Tony Shalhoub) as to why four corpses were found in her illicit medical officet. Ray was performing gender reassignment surgery on the willing and unwilling, but she wasn’t just a doctor, she insists; she was also an artist, and — quoting Edgar Allan Poe — declares that proper art is […]

“The independent screenwriter” — is the term a tautology or oxymoron? While the word “independent” is often applied to directors and sometimes producers, it’s rarely seen appended to the job title of screenwriter. Is that because so many independent directors write their own scripts? Because screenwriters-for-hire are inevitably drawn to the world of Hollywood? Or, perhaps, because the term means little when applied to the craft of screenwriting? After all, while a director is reliant on others to provide financing and labor, a writer can always sit down with pen, paper or word processor. In this new, occasional column, we […]

Tuesday night at 92Y Tribeca in downtown Manhattan, critics Nick Pinkerton and Nicolas Rapold presented Walter Hill’s 1981 Southern Comfort and the man himself afterwards. “I’m very pleased that you’re looking at this movie 30 years later,” Hill first said when sitting down for a 57-minute Q&A. “You’ve made an old man happy. The movie, when it came out, got mostly bad reviews and did absolutely no business. Did better in Europe and Asia.” “Did better in Europe and Asia” is a common lament for American director prophets without honor in their own country. Hill’s not precisely one of those […]