Revenge is a dish best served cold.  That famous proverb has provided the template for many a revenge thriller, as steely protagonists emotionlessly hunt and mow down the enemies that have caused them pain and suffering. With a slight eyebrow raise or lip quiver, ’60s and ’70s icons Charles Bronson, Clint Eastwood and Lee Marvin meted out their justice with a hypnotic intensity. Later, Arnold Schwarzenegger, Steven Seagal and Robert Englund (as Freddy Krueger) added touches of black humor in the form of sardonic, post-killing one-liners. But by the early aughts, the revenge thriller would seem to have run its […]

While Hollywood continues to generate three-dimensional spectacles, directors, industry pundits and audiences all continue to question the technology’s validity. In a recent story in The Hollywood Reporter highlighting the DVD release of The Wolverine, which includes a 3D Blu-ray, director James Mangold said, “The question is whether 3D will survive or not,” adding, “Is it more than a gimmick and can we make it more than a gimmick?” And after ESPN announced last June that it would shut down its three-year-old 3D sports channel by the end of 2013, Variety’s David S. Cohen explored both the predictions of total demise […]

Calling video on demand the emerging wave of film distribution no longer seems accurate: with YouTube, iTunes and Netflix all into or fast approaching their second decade, digital streaming and downloads are arguably already the primary means of independent film distribution. But what is still emerging is the vast array of VOD and download services available to independent filmmakers seeking to reach audiences of paying, online movie viewers. The companies composing today’s field, discussed here, roughly fall into three permeable categories: the established players; the large cadre of new start-ups, many of which offer tools for filmmakers beyond simply hosting […]

I’m often surprised to meet filmmakers who ask about some so-called Golden Age of independent film, a time in the ‘90s or ‘80s or maybe even ‘70s when, they believe, financing was more plentiful, budgets were larger and the movies themselves maybe even felt a bit more meaningful. As a thought exercise, I ask, would you take a time machine back to those days? When pressed, people answer no for one simple reason: they don’t want to give up today’s tools. Desktop editing, cheap cameras, crowdfunding, social media and now, as Randy Astle exhaustively catalogues in this issue, we have […]

Blue Caprice Sundance Selects – January 14 The title character in Alexandre Moors’ stunning debut Blue Caprice was, like so many of that make and model, a police car. That is until it was retrofitted for terror by John Allen Muhammad, who drilled a hole in the trunk from which the 17-year-old John Lee Malvo, at the ex-U.S. Army marksman Muhammad’s urging, shot 10 people to death during the 2002 Beltway sniper attacks. Brought to terrifying life by the remarkable Isaiah Washington as Muhammad and Tequan Richmond (TV’s Everybody Hates Chris) as Malvo, Caprice’s menacing, built-for-maximum-glide vibe, all stark blues, […]

The instructions are easy enough: Communicate your project idea in three pages. I think, “Great, I can bang this out in a day or two.” I sit at my desk and wait for the words to pour forth. And this is when my brain likes to take vacation. As 2014 rolls in and I am applying for grants for my new documentary project, I wish I could tell you that it gets easier to pen grant proposals each time I do it. Let me be honest: grant writing is tedious. It’s as much fun as writing a manual on video […]

By the end of 2013, the most pressing question facing Hollywood was already old news for indies: multiplatform viewing is here, and particularly for independents, it’s here to stay. A significant source of revenue, in most cases, and a crucial method of finding an audience, the iTunes-Cable VOD and direct-to-consumer release has increasingly become an integral, if not principal, part of filmmakers’ distribution strategies. And yet, the irony of the past year in indie film is that much of the business was reliant on that hoary, old-fashioned, windowed release. For every VOD breakout surprise such as Drinking Buddies or Only […]

“Mission accomplished.” That might have been the motto of the 2013 edition of CPH:DOX. If, at one point, this doc festival’s liberal definition of “reality” roiled nonfiction traditionalists (it was the fest, after all, that gave its 2009 top award to Harmony Korine’s Trash Humpers), those days are long since gone. As BBC Storyville’s commissioning editor Nick Fraser commented at a panel on hybrid journalism, there’s almost an expectation by contemporary audiences that documentaries today — not just at CPH:DOX but everywhere — will play with concepts of truth and fiction. “Is there anything left of the tradition of objective […]

Women, this is our year.  I don’t say this because I’ve got numbers to back me up (because I don’t), or because I’m generally an overly optimistic cheerleader of life (though I am). I say this because it’s our only choice. This has to be our year. As Sundance kicks off in Park City, a large handful of women are about to debut their new films and fresh voices to the world. And after interviewing almost all of them myself I can say, in my most eloquent terms, that this year’s slate of Sundance female filmmakers is absolutely badass. The […]

We are in the middle of a hardware revolution. Inexpensive processors, memory and sensor technologies are now accessible to the masses. Long gone are the days of expensive fabrication and manufacturing processes. Maker culture and crowdfunding have ushered in a new cottage industry of manufacturing, one that enables entrepreneurs to go direct to consumers. As a result, innovation is pouring out of garages, basements, bedrooms and makerspaces around the world. My favorite hardware innovation of the last year is a latecomer. Just last month, a startup named Kano launched a crowdfunding campaign for a $99 computer aimed at teaching kids […]