Christina Kallas, writer-director of multi-protagonist feature films 42 Seconds of Happiness and The Rainbow Experiment, which will have its world premiere at Slamdance on Saturday, January 20, takes a look at the current shift in storytelling and shares her thoughts on how to pursue a more inclusive cinema by redefining the past. A few years ago I wrote a series of articles including an eight-point plan of action for Ted Hope’s Truly Free Film blog, “How to Change the World (And Most Importantly, Why).” As one of my sources, I used the 2013 USC Annenberg Inclusion Initiative’s study, which is […]
by Christina Kallas on Jan 17, 20182016 might have been the year when the dire position of women film directors finally broke into wider consciousness. After a monumental effort, spearheaded by Maria Giese, the ACLU and the Equal Employment Opportunity Commission (EEOC) agreed to hold major film studios, TV networks, unions and agencies to account, citing Title VII violations in all perimeters. 2016 was also the year the Cannes International Film Festival proudly announced that they showcased “only” 86% male directors — down from their average of 93%. Yet even as dismal statistics prove women are severely discriminated against at every level of film production and […]
by Nina Menkes on Jun 20, 2017In early 2015, Kino Lorber mounted a successful crowd-funding campaign for Pioneers of African-American Cinema. The campaign raised over $53,000, far surpassing its original $35,000 goal. Now Kino Lorber is hoping to repeat that success with its new Kickstarter campaign for their upcoming release Pioneers: First Women Filmmakers. So far, they’ve raised more than $20,000 towards the $44,000 goal. “You wouldn’t know it looking back at the last 90 years of film history, but at one time, it was not uncommon to have women behind the camera in Hollywood,” says writer-director Ileana Douglas in the campaign video (above). Presented in association with the […]
by Paula Bernstein on Oct 24, 2016Do women filmmakers need to wear certain clothes on set to be taken seriously? Is a female filmmaker’s wardrobe the real secret to success? When Refinery 29 recently posted a story, “How to Dress for the Job You Want” including “film director,” they inadvertently irked a number of actual female directors and producers with their career outfit suggestions. “You’ll likely be on your feet for long days on set, but still don’t want to look sloppy, so opt for a thick ‘grandma’-style heel that can last you the whole day through, along with some soft trousers and a stylish take on the […]
by Paula Bernstein on Oct 4, 2016We’ve seen our fair share of films about teacher-student relationships, but they tend to fall into either the titillating or inspirational categories. Miss Stevens is neither. It’s a quiet drama which is powerful in its subtlety. The plot itself is understated, but the execution is surprisingly compelling. The set-up involves Rachel Stevens (Lily Rabe), a lonely high school teacher who reluctantly chaperones three teens – including the troubled and charismatic Billy (Timothee Chalamet) – to a drama competition. In her directorial debut, Julia Hart, who co-wrote the film with her husband Jordan Horowitz, exhibits an aptitude for working with actors. Rabe won the Best Actress […]
by Paula Bernstein on Sep 27, 2016You’ve seen the abysmal statistics about women filmmakers, yet they still manage to shock. According to a recent study by the Center for the Study of Women in Television and Film at San Diego State University, the number of women directing the top 250 grossing films declined by 2% over the past 17 years. And that’s just one measurement. In 2013, Amy Hobby and Anne Hubbell launched Tangerine Entertainment with the express purpose of giving voice to more female directors. Now they are raising funds on Seed&Spark to support The Juice Fund, an annual award which recognizes women directors who have […]
by Paula Bernstein on Dec 9, 2015[Editor’s note: this is a guest post from director Gina Telaroli. Enough said.] Over the past few months I’ve been spending more time than normal at the gym, getting up at 5:30 AM and arriving there by 7:00 for yoga or a cardio/weights/TCM combo before heading to my job for the day. When I made the decision to kick it up a notch from my usual two days a week, my reasons were probably a New York City cocktail of anxiety, sublimation, and restlessness from having a day job that keeps me at a desk. What I realized after a […]
by Gina Telaroli on Nov 3, 2015Recently, I realized that Kelly Reichardt is the only working American female filmmaker with a body of work I can wholeheartedly exalt. That’s not to say there aren’t plenty of films to admire that are directed by women in this country, but that those films so often stand on their own, as that director’s first and last achievement. There is no “late period” to debate, because these women are rarely making it on to their second or third feature. TV money and exposure factor, sure, but even the standard bearer success story that is Lena Dunham never directed another after Tiny Furniture. Instead, Judd […]
by Sarah Salovaara on Sep 25, 2014Though you may not know the name, you certainly should. Alice Guy-Blaché was the first female filmmaker in history, yet few people know her name today. Thankfully, two filmmakers are seeking to change that. Los Angeles-based directors Pamela Green and Jarik van Slujis are currently raising funds through Kickstarter for Be Natural, the first ever in-depth documentary exploring the life and films of Alice Guy-Blaché. It all started when Green happened to catch a segment of a TV-documentary called Reel Models: The Women of Film, about women pioneers of cinema. They very briefly mentioned Alice Guy among a few familiar names. “I […]
by Katie Carman-Lehach on Aug 21, 2013One of the biggest conundrums I’ve experienced as a female filmmaker is watching the women of television advance so much farther than their counterparts in film. Why is there such a great disparity? Take for example this year’s Emmy nominations list. Looking only at nominations for directing, women have the opportunity take a number of prizes home: For Outstanding Directing For A Drama Series Breaking Bad. Episode: Gliding Over All. Directed by Michelle MacLaren. Homeland. Episode: Q&A. Directed by Lesli Linka Glatter. For Outstanding Directing For A Comedy Series Girls. Episode: On All Fours. Directed by Lena Dunham. Modern Family. […]
by Katie Carman-Lehach on Aug 19, 2013