Go backBack to selection

End Note

in Issues
on Sep 14, 2017

It was more than 25 years ago when James Schamus called and asked me to be the coeditor of The Off-Hollywood Report, IFP’s magazine, which he’d just been hired to edit. The pay was $600 an issue, and I moonlighted from my full-time job curating performance art at New York’s The Kitchen, while James also produced movies. After a few issues, Good Machine, James’s company with Ted Hope, took off, and I became the editor. A couple of issues after that, the IFP and IFP West — now Film Independent, our former copublisher — met up at Sundance and decided […]

© 2024 Filmmaker Magazine. All Rights Reserved. A Publication of The Gotham