Authors — Jim Hemphill
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War of the Worlds, Time after Time and Legacies: Jim Hemphill’s Home Video Recommendations
In the 19 years since 9/11, no American director has responded to and examined the causes, impact, and aftermath of that day as rigorously and repeatedly as Steven Spielberg, which is ironic given how rarely his films are actually set in the present day. With a couple notable exceptions, all of Spielberg’s films since 9/11 take place in either the future (Minority Report, Ready Player One) or the past (Munich, Lincoln, Bridge of Spies, etc.). Yet his work couldn’t be more relevant or engaged with contemporary social and political issues; every single one of Spielberg’s post-A.I. movies is as much […]
by Jim Hemphill on Jun 5, 2020 -
Maniac, Flashdance and Fatal Attraction: Jim Hemphill’s Home Video Picks
In late 1979, Joe Spinell was a successful character actor who had appeared in major films by Coppola, Friedkin, Scorsese and Mazursky, but he wanted to go beyond supporting work to make a name for himself as a horror icon. His friend William Lustig was a 24-year old movie fanatic who had directed a couple of adult films and was hungry to graduate to mainstream features. Joining forces with producer Andrew Garroni, Lustig and Spinell scraped together $48,000 and started making Maniac, an extremely unpleasant – and extremely effective – study of a psychotic loner on a killing spree. They […]
by Jim Hemphill on May 30, 2020 -
“Stay Open to the Moose Head on the Table”: Director Lesli Linka Glatter on Homeland, Learning from Lynch and Spielberg, and Resuming Production
Lesli Linka Glatter began her career in the arts as a choreographer and dancer, and this early experience clearly informs her work as a director. On shows as varied in genre and style as Twin Peaks, NYPD Blue, True Blood and Mad Men, one thing remains consistent when Glatter is at the helm: an astute attention to the dramatic rhythms that are created by finding the precise visual corollary for whatever is going on emotionally in a scene. Hers is a cinema of extreme precision, defined by clear, bold choices when it comes to her compositions and rigorous control over […]
by Jim Hemphill on May 27, 2020 -
The Great Escape, “Tell Me” on Criterion Channel, and More: Jim Hemphill’s Home Video Recommendations
The Great Escape was a dream project for director John Sturges for years before the success of The Magnificent Seven finally enabled him to make it in 1962, and the countless hours he spent thinking about and planning the WWII epic are evident in every flawless shot. The true story of a group of Allied officers who plan and execute a daring escape from a Nazi POW camp, The Great Escape is an exhilarating celebration of ingenuity and skill by a director who honors his characters with some awfully impressive skill of his own. The movie is 172 minutes but […]
by Jim Hemphill on May 24, 2020 -
King Creole, To Catch a Thief and Gunsmoke: The Complete Series: Jim Hemphill’s Home Video Recommendations
The conventional wisdom among cineastes is that Elvis Presley’s best movie was the Don Siegel Western Flaming Star (1960), mainly thanks to the fact that it was one of the few times the singer worked with an important auteur. While I bow to no one in my admiration of Siegel in general and Flaming Star in particular, it’s less a great Elvis movie than a great movie that has Elvis in it; for a terrific film by a terrific director that’s also a supercharged vehicle for what Presley did best, one need look no further than 1958’s King Creole, which […]
by Jim Hemphill on May 15, 2020 -
Clean and Sober, Sweet Bird of Youth, Reflections in a Golden Eye: Jim Hemphill’s Home Video Recommendations
Michael Keaton was primarily known for comedies when he gave one of the riskiest dramatic performances of the 1980s as a fast-talking addict in Glenn Gordon Caron’s Clean and Sober (1988); over 30 years later it remains a high point in the actor’s distinguished career. Keaton plays Daryl Poynter, a coke-snorting real estate salesman who needs to lay low after he embezzles tens of thousands of dollars and wakes up next to a woman who has suffered a heart attack after doing drugs with him the night before. Not accepting that he’s an addict, Daryl decides to “pose” as an […]
by Jim Hemphill on May 8, 2020 -
Fist of Fear, Touch of Death, The Great Texas Dynamite Chase and The Archer: Jim Hemphill’s Home Video Recommendations
When martial arts legend Bruce Lee died in 1973 just weeks before the release of Enter the Dragon, a bizarre subgenre of action cinema was born: “Bruceploitation.” The international success of Enter the Dragon created an appetite for new Bruce Lee movies, which intrepid producers tried to satisfy by scraping together whatever meager Lee footage they could find and building new films around it; when they couldn’t get their hands on discarded scenes from Lee’s work they tried to fool audiences with movies starring Lee imitators like “Bruce Li” and “Bruce Le.” One of the strangest Bruceploitation movies – which […]
by Jim Hemphill on May 1, 2020 -
“Take Control Over the Color and Build That Into the Sets”: DP Frederick Elmes on Hunters
Early on in his career cinematographer Frederick Elmes worked as a camera operator for John Cassavetes and was a director of photography on David Lynch’s debut feature Eraserhead, laying the groundwork for a career that would absorb and expand upon both those influences. Like Cassavetes, Elmes is a filmmaker who knows how to frame and showcase great performances; his multiple collaborations with Ang Lee, Jim Jarmusch and Tim Hunter have yielded career best work from Kevin Kline, Bill Murray, Joan Allen, Matt Dillon and many others. Yet like Lynch, Elmes is also supremely attuned to the visual properties of cinema […]
by Jim Hemphill on Apr 30, 2020 -
Police Squad, Parker Lewis Can’t Lose and Chocolate War: Jim Hemphill’s Home Viewing Recommendations
Writer-directors David Zucker, Jim Abrahams, and Jerry Zucker were still flying high on the success of their 1980 comedy Airplane! when they sold ABC on the idea of a series that would parody police dramas the way Airplane! skewered disaster movies. The result, Police Squad!, was an artistic triumph but a commercial disaster that aired only six episodes between March and July of 1982; it was infamously canceled because, according to an ABC executive, it required that the audience actually pay attention to it in order for it to work – it couldn’t be watched in the same drunken stupor […]
by Jim Hemphill on Apr 25, 2020 -
“What’s Happening in the Vertical Version?” Mark Pellington on Quibi Series/Film Survive
Director Mark Pellington has spent a great deal of his career addressing the complexities of grief, memory and reconciliation, but with his new film Survive he explores these themes on a larger canvas than ever before, placing his preoccupations in the context of an adventure tale that is sweeping in its physical scale yet every bit as emotionally penetrating as more intimate Pellington character studies like Nostalgia and I Melt with You. Richard Abate and Jeremy Ungar’s script tells the story of Jane (Sophie Turner), a traumatized young woman who plans to commit suicide in the bathroom of a plane […]
by Jim Hemphill on Apr 20, 2020
