Authors — Jim Hemphill
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Jeremy, The Bad News Bears, The Bermuda Depths and Isle of the Dead: Jim Hemphill’s Home Video Recommendations
One of the surprise hits of the 1973 Cannes Film Festival was the low-budget coming of age film Jeremy, an unassuming drama starring two unknowns and directed by an American documentarian whose low-key approach yielded powerful emotional effects. Sixteen-year old Robby Benson had been acting on Broadway since he was nine but was fairly new to movies; his co-star, Glynnis O’Connor, was even less experienced and fluked into her part when she tagged along with her brother Darren (who starred in another interesting 70s high school movie, To Find a Man, the year before) on his audition for the part […]
by Jim Hemphill on Mar 19, 2021 -
Don’t Tell a Soul, Wrong Turn and The Choirboys: Jim Hemphill’s Home Video Recommendations
The potential for horror films to serve as vehicles for provocative moral inquiry is fully realized in a pair of excellent thrillers new to Blu-ray and DVD from Lionsgate, writer-director Alex McAulay’s Don’t Tell a Soul and the surprisingly original 2021 reboot of the 2003 cult classic Wrong Turn. Both films seem, at first glance, to be routine low-budget programmers, but it quickly becomes apparent that the filmmakers are up to something more ambitious and rewarding than simply jerking the audience around with cheap shock effects. Don’t Tell a Soul follows two young brothers who break into an elderly woman’s […]
by Jim Hemphill on Mar 12, 2021 -
“The Second Movie I Operated On”: Camera Operator Lou Barlia on Love Story
When I revisited the classic tearjerker Love Story last month, I was struck by the intimate connection between the actors and the camera; at every given moment, Ryan O’Neal and Ali MacGraw’s doomed young lovers seemed perfectly showcased for maximum emotional impact, every gesture and expression captured from the proper distance and in perfect proportion from shot to shot—undoubtedly one of the reasons the film was the most popular of its year (1970), whether audiences were conscious of the delicacy of the framing or not. What’s all the more impressive about Love Story’s camerawork is how off the cuff some […]
by Jim Hemphill on Mar 10, 2021 -
Rosebud, Buried Alive and the Women Filmmakers of New World Pictures: Jim Hemphill’s Home Video Recommendations
No director of the classical Hollywood studio era capitalized on hot-button social issues or pushed the boundaries of censorship as successfully as Otto Preminger, who scored artistic and commercial triumphs with a number of films (Anatomy of a Murder, The Moon is Blue, Advise and Consent, The Man with the Golden Arm) that addressed rape, homosexuality, drug addiction, and various political and religious controversies at a time when few other filmmakers would dare. By the 1970s, however, Preminger became a victim of his own reputation; when young auteurs of the New Hollywood like Robert Altman, Martin Scorsese, and Peter Bogdanovich […]
by Jim Hemphill on Feb 26, 2021 -
Pump Up the Volume, Lovecraft Country and New Streaming Titles at OVID.tv: Jim Hemphill’s Home Video Recommendations
On the relatively short list of truly great films about teenage alienation, writer-director Allan Moyle’s 1990 drama Pump Up the Volume ranks somewhere near the top, alongside earlier classics like Rebel Without a Cause and Over the Edge; yet unlike those brutally pessimistic movies, Pump Up the Volume manages to be as exhilarating as it is cynical, blending its authentic despair with an uplifting sense of liberating rebellion in a manner that compromises neither. Moyle had already directed one coming of age gem, Times Square, when he came to tell Pump Up the Volume’s story of a suburban loner (Christian […]
by Jim Hemphill on Feb 19, 2021 -
“Am I Going to Have to Reshoot Half of This Movie?” Howard Deutch on Some Kind of Wonderful
Writer-director John Hughes had just begun to make a name for himself with three films he made for Universal (Sixteen Candles, The Breakfast Club and Weird Science) when Ned Tanen lured him over to Paramount with an overall deal designed to turn the filmmaker into a mogul. In less than three years, Hughes wrote, produced, and/or directed five movies for the studio (Pretty in Pink, Ferris Bueller’s Day Off, Some Kind of Wonderful, Planes Trains and Automobiles and She’s Having a Baby), all of which have now been reissued on Paramount’s “John Hughes 5-Movie Collection” Blu-ray with a generous supply of extra […]
by Jim Hemphill on Feb 18, 2021 -
Judas and the Black Messiah, Vigilante and Rituals: Jim Hemphill’s Home Video Recommendations
One of the best American films of recent years drops on HBOMax (and on big screens where theatres are open) today with the release of director Shaka King’s mesmerizing Judas and the Black Messiah, a film about slain Black Panther leader Fred Hampton that skillfully avoids bio-pic cliches with its sophisticated dual narrative and arresting ’70s crime flick style. Daniel Kaluuya is the best he’s ever been in a performance that forcefully conveys Hampton’s iconic power and humanizes him at the same time; costar Lakeith Stanfield is equally strong as William O’Neal, an FBI informant who sells out Hampton and […]
by Jim Hemphill on Feb 13, 2021 -
Wings of the Hawk, The Parallax View, Smooth Talk: Jim Hemphill’s Home Video Recommendations
Director Budd Boetticher made dozens of movies ranging from romantic comedies and noirs to science fiction and prison pictures, but he’s long been known primarily for the seven Westerns he made with Randolph Scott between 1956 and 1960. While those films are all terrific and worthy of the praise bestowed upon them by the likes of Paul Schrader, Martin Scorsese, and Quentin Tarantino, their canonization has kept many other worthwhile Boetticher works from discovery. I’ve always been partial to the movies he made as a contract director at Universal in 1952 and 1953, a period during which he made a […]
by Jim Hemphill on Feb 5, 2021 -
Love Story, The Other Side of the Mountain, Hard to Hold, The Underneath: Jim Hemphill’s Home Video Recommendations
The weeks leading up to Valentine’s Day are flooded with new Blu-ray releases of vintage romances, starting with one of the most beloved and effective of all cinematic tearjerkers, Arthur Hiller and Erich Segal’s Love Story (1970). In a shrewd piece of promotion concocted by Paramount studio executive Robert Evans, Segal wrote Love Story as a screenplay but turned it into a novel while the movie was well along the way to production. The book came out a few months before the movie, became a bestseller, and director Hiller’s “adaptation” of Segal’s literary phenomenon opened to huge grosses. The movie […]
by Jim Hemphill on Jan 31, 2021 -
Dead Again, After the Thin Man, The Court Jester: Jim Hemphill’s Home Video Recommendations
Kenneth Branagh was only 29 when he wrote, directed, and starred in his debut feature, a rousing adaptation of Shakespeare’s Henry V that garnered massive critical acclaim upon its release in 1989. As a result, the young filmmaker was offered every costume drama and literary adaptation on the studios’ development slates, but he turned them all down in favor of an original screenplay by future Queen’s Gambit auteur Scott Frank that had been kicking around for years. Dead Again was Frank’s throwback to the gothic melodramas and film noir pictures of the 1930s and ’40s, a gloriously theatrical combination of […]
by Jim Hemphill on Jan 24, 2021
