Terrorist or victim? That seems to be the animating question behind Alba Sotorra’s The Return: Life After ISIS. Premiering at SXSW, and selected for the Special Presentations section at this year’s virtual Hot Docs (April 29-May 9), the film is an up close and personal look at a group of Western women caught in nightmarish limbo in a detention camp in northern Syria. All left behind First World lives – in the US and Canada, the UK, Germany, and The Netherlands – with online propaganda-shaped dreams of rescuing fellow Muslims and finding shared community. And all ultimately became disillusioned and […]
by Lauren Wissot on May 20, 2021A mother and daughter bond on a balcony, soaking in the sights and sounds of Karachi with a strange sort of pre-nostalgia, before embarking on a new life in the US. This is the opening of Amman Abbasi’s beautiful Udaan, which screens this week in the Hindsight Shorts program of CAAMFest (May 13-23). (CAAM, in partnership with Firelight Media and Reel South, launched the Hindsight initiative to provide “funding and support for diverse BIPOC filmmakers from the American South.”) Rendered with loving care and utmost nuance the scene is a reminder of something we in the US so often forget […]
by Lauren Wissot on May 18, 2021World-premiering at the hybrid CPH:DOX (April 21-May 12), and co-presented with the all-digital Hot Docs (April 29-May 9), Life of Ivanna is one preconceived-notion-upending film. The story of an Arctic woman struggling to raise five young children as her often abusive husband spends more time drinking than working is a situation sure to strike concern in the hearts of many — alhough the chain-smoking, no-nonsense protagonist at the heart of this particular tale would likely scoff at anyone’s condescending sympathies. Indeed, with steely will the titular, tough-as-nails member of the Nenets of the tundra is able to stare down whiteouts […]
by Lauren Wissot on May 13, 2021A feel-good film about end-of-life care for those whose minds have already departed might strike some as a radical notion. But no more so than the philosophy behind the Danish retirement home at the heart of Louise Detlefsen’s uplifting It is Not Over Yet, world-premiering at this year’s Hot Docs (April 29-May 9). With this latest project Detlefsen — whose last doc Fat Front delved into another unconventional subject, Scandinavia’s feminist body-positive movement — embeds, almost imperceptibly, in a female-founded, women-run facility. And one that covertly gives the finger to Big Pharma and corporate nursing homes by going back to […]
by Lauren Wissot on Apr 29, 2021I last interviewed Yung Chang (Up the Yangtze, China Heavyweight) before the TIFF premiere of 2019’s This Is Not a Movie, which follows the uncompromising humanitarian war correspondent Robert Fisk (who died just this past October) on his eternal mission to give the lie to bothsidesism. And while Chang’s latest doc Wuhan Wuhan – an on-the-ground account of life during lockdown from the perspective of several brave and traumatized frontline workers – might seem a breaking news departure, it’s actually very much in line with the multiple award-winning filmmaker’s character-first approach. Whether tackling issues of capitalist exploitation, controversial righteous journalism, […]
by Lauren Wissot on Apr 29, 2021Currently competing for both the Dox:Award and the Politiken Danish:Dox Award at this year’s hybrid CPH:DOX (April 21-May 5), Camilla Nielsson’s President is a riveting followup to 2014’s Democrats, which centered on two political rivals in a Sisyphean quest to transform Zimbabwe from a corrupt dictatorship into a fledgling democracy. It’s also a film Nielsson never intended to make. But that was before a ban, a military coup, and the rise of two new political rivals led the undaunted director to pick up her camera once again. With President Nielsson focuses on the young and charismatic leader of the MDC (Movement for Democratic Change) Nelson […]
by Lauren Wissot on Apr 21, 2021After a full year of attending virtual fests – CPH:DOX 2020 marked the start – I can honestly say that the most exciting and unexpected upside has been the democratization of the film festival experience. A surprising number of fests have not only thrown open the gates of exclusivity, allowing non-jet-setting cinephiles to stream films at a reasonable cost from home, but also gone out of their way to make select portions of their programs free to the general public. And though it’s long been at the forefront of accessibility, the Copenhagen International Documentary Festival (which takes place in a […]
by Lauren Wissot on Apr 13, 2021“Reset!,” the theme of this year’s CPH:DOX, signals a focus “on a number of the most significant structural crises the world is facing today, but also on opportunities that arise and new solutions that present themselves.” This according to a recent press release quoting CPH:DOX CEO Tine Fischer, who will soon be leaving the festival she founded all the way back in 2003 to become the new director of the National Film School of Denmark. To say that Fischer is going out on a high – and highly ambitious – note is an understatement. Having ushered the 2020 edition seamlessly […]
by Lauren Wissot on Apr 13, 2021Having rolled out its inaugural edition in the wake of 9/11, Doc Fortnight will now be celebrating its 20th anniversary virtually (from March 18-April 5), the result of another world-upending tragedy (politically and personally dissected in Nanfu Wang’s compelling, opening night feature In the Same Breath). And yet the full-steam-ahead spirit of MoMA’s Festival of International Nonfiction Film and Media remains. The 2021 lineup, both eclectic and ambitious, spotlights 18 features and four shorts – another 10 films screen in the “Non/Fiction 20 Years of Doc Fortnight” sidebar – alongside a revival of Moroccan director Mostafa Derkaoui’s banned/lost/found doc-fiction from […]
by Lauren Wissot on Mar 19, 2021Filmmaker, video artist and “cultural worker” Marta Popivoda has spent much of her career focusing on philosophies and movements through a decidedly feminist lens. Her first feature, 2013’s Yugoslavia, How Ideology Moved Our Collective Body, premiered at the Berlinale and went on to become part of the permanent collection at MoMA. And now with Landscapes of Resistance, which debuted in the Tiger Competition at IFFR 2021, the Berlin-based filmmaker returns to her native Belgrade with her partner, and the film’s co-writer, Ana Vujanović. Together they gently probe and cinematically preserve the memory of Vujanović’s grandmother Sonja, who brings to life an […]
by Lauren Wissot on Feb 10, 2021