“Tech Up, Make Stories, Get a Tan” was the accurate tagline of this year’s cutting edge FilmGate Interactive Conference (which ironically took place at a ’50s-era throwback, the Deauville Beach Resort Miami this past February 20-28). Now in its third year, the event boasts of being “the first conference in the USA to focus solely on interactive and immersive content.” While this might conjure up images of gear heads discussing the latest drone technology – and there was indeed a Tech Playground for those so inclined – most events were not only free but, refreshingly, open and quite welcoming to […]
by Lauren Wissot on Mar 4, 2016For the past 14 years Montreal’s Moment Factory has been bucking the online trend to create larger-than-life, physical reality (PR?) experiences that force folks to come together in the flesh-and-blood world. With over 300 multimedia projects in wide-ranging locations under their belt — from the LAX international terminal, to the Atlantic City Boardwalk, to Barcelona’s Sagrada Familia cathedral — the studio is still perhaps best known to Americans for designing Madonna’s halftime spectacle at the 2012 Super Bowl. Filmmaker was fortunate enough to speak with co-founder and creative director Sakchin Bessette about the profession of experience designing, and whether the […]
by Lauren Wissot on Feb 2, 2016Admittedly, it was with a feeling of vindication and satisfaction that I stumbled upon Roger Ross Williams’ most recent short Blackface, now streaming on CNN. The Academy Award-winning director — whose feature Life, Animated premiered this week in the US Documentary Competition at Sundance — is a recent transplant to the Netherlands, and his thoughts upon first encountering Zwarte Piet (“My heart sank and I felt a little nauseated”) were a bit different from my own. As a white American, my initial reaction years ago to seeing both kids and adults in blackface and Afro wigs celebrating in the streets […]
by Lauren Wissot on Feb 1, 2016Receiving its U.S. premiere at the 2016 Sundance Film Festival in the New Frontier section is Loic Suty’s The Unknown Photographer, the sole work that blew my mind just a couple of months earlier at Montreal’s RIDM. It’s an incredible, immersive Oculus Rift project inspired by the discovery of a photo album in the Laurentians north of Montreal. Suty’s piece takes us on a WWI photographer’s journey both familiar and foreign, equal parts timely and timeless. Filmmaker spoke with the Montreal-based “experience designer” prior to the piece’s Park City premiere. Filmmaker: So I believe this project originated with an actual […]
by Lauren Wissot on Jan 31, 2016It was a little over half a decade ago that I read at one of Audacia Ray’s intimate Red Umbrella Diaries events on the Lower East Side. Since then this sex worker storytelling series founder – whose resume also includes stints as a bodyworker, escort, and executive editor of $pread magazine – has become one of the foremost voices of sex work advocacy through her Red Umbrella Project (RedUP), harnessing the media to de-stigmatize the oldest profession in the world. Now, after waging battle against violence and for the public health of those in a long-marginalized industry, she’s executive produced The Red […]
by Lauren Wissot on Nov 12, 2015Premiering at the Toronto International Film Festival on September 13th, Sterlin Harjo’s latest narrative feature Mekko treads territory both familiar and new to this Oklahoma-based, Native American director. An ex-con-versus-thug thriller set in the world of Tulsa’s real-life Indian homeless community, the film stars Hollywood stuntman Rod Rondeaux and boasts an all-Native cast (many of whom are part of that aforementioned homeless community). Filmmaker caught up with Harjo prior to TIFF to talk about his fourth feature – as well as German Indian-philia, Herzog’s Stroszek, and Native humor. Filmmaker: Mekko takes place in an Indian homeless community, and you use […]
by Lauren Wissot on Sep 13, 2015The story of Matthew Stoneman, “America’s first gringo mariachi singer,” at first sounds more like fodder for the next Will Ferrell vehicle. But in the hands of IFP Doc Lab alum Aaron I. Naar this weirder-than-fiction tale transforms into something far deeper. After a prison stint led to the New Hampshire native’s education in both the Spanish language and Cuban music, the unassuming Stoneman turned his life not just around, but upside-down. With both patience and compassion Naar follows this truly remarkable artist with the voice of an angel as he battles his demons, and ultimately sacrifices everything to realize […]
by Lauren Wissot on Aug 20, 2015A legend in lesbian cinema, Monika Treut has been making films for 30 years, starting with her 1985 narrative feature Seduction: The Cruel Woman (featuring Udo Kier – not bad for a debut film), and right through to this year’s Of Girls and Horses, a poetic coming-of-age tale that also serves as a celebration of nature’s transformational power. Along the way Treut has also explored the nonfiction realm, turning her lens on everything from gender identity (1999’s Gendernauts) to Taiwanese food (2012’s The Raw and the Cooked). Filmmaker was fortunate enough to catch up with the Hyena Films co-founder (along […]
by Lauren Wissot on Jun 30, 2015I’ve known Amsterdam-based, San Francisco-bred, Jennifer Lyon Bell ever since we met over half a decade ago at Brooklyn’s much beloved Monkey Town — back when a DIY, Williamsburg performance space could afford to host a Sunday brunch for CineKink Film Festival award winners. (Bell’s Matinée took the Best Narrative Short prize, while Un Piede di Roman Polanski, an homage to Roman Polanski’s foot fetish I co-directed with Roxanne Kapista, nabbed Best Experimental Short.) Since then Bell’s films have been both banned (Matinée from the Melbourne Underground Film Festival by the Australian Film Commission in 2009) and celebrated, most recently […]
by Lauren Wissot on May 29, 2015“The movie has ‘ridiculous’ in the title for a reason — because it’s ridiculous. It is a broad satire of Western movies and the stereotypes they popularized, featuring a diverse cast that is not only part of — but in on — the joke.” So comments Netflix in the wake of the recent exodus of a dozen Native American extras from the set of Adam Sandler’s Ridiculous Six, its first film in a four-movie deal with Sandler’s Happy Madison Productions. The comedy features characters with names like “Beaver’s Breath” and “No Bra,” so, yes, “ridiculous” certainly seems to be the […]
by Lauren Wissot on May 14, 2015