Authors — Michael Murie
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2014: The Year of 4K
At the end of 2013 I wrote: 2013 wasn’t so much the year of 4K, as the year of “do we need 4K?” For most of the year I was a skeptic, but now I’m starting to think that 2014 will bethe year of 4K. And here we are at the end of 2014 and I look back and think, “I really hit that one out of the park!” Not that it took a lot of genius to read the tea leaves or see the writing on the wall: 2014 was definitely the year of 4K. Whether it was the F5/F55 […]
by Michael Murie on Dec 29, 2014 -
Editing Boyhood: Dealing with Changing Technology
The filming of Boyhood, shot over 12 years, posed some unexpected challenges in post-production. At a recent meeting of the Boston Creative Pro Users Group, First Assistant Editor Mike Saenz explained the difficulties of the editing process, made more complicated by changes in technology that occurred over that 12-year period. Begun as what Saenz called “an indie side project” by director Richard Linklater, Boyhood was originally edited using Final Cut 3, as they couldn’t afford to rent an Avid system for 12 years. A couple of years into the project, they switched to Avid Xpress, a lower-end system from Avid. They […]
by Michael Murie on Dec 10, 2014 -
Red Giant’s Shooter Suite: Video Acquisition and Image Processing Software
Red Giant have been expanding their software offerings. Well known for their easy-to-use color correction tools Magic Bullet and Colorista, they’ve also built up a wide collection of tools for keying and effects. Their latest suite consists of some new tools and some updated ones and is geared towards content acquisition and initial image manipulation. The Red Giant Shooter Suite consists of the following applications: OffLoad, BulletProof, and PluralEyes, as well as the plug-ins Denoiser II, Frames, Instant 4K and Lut Buddy. I was most interested in the two acquisition tools, Offload and BulletProof, but it’s worth running down the […]
by Michael Murie on Dec 4, 2014 -
ITVFest: Is Independent TV More Than a Bridge to Mainstream TV?
In a small Vermont town on the edge of the Green Mountain National Forest, an hour and a half from Albany NY, the Independent Television and Film Festival (ITVFest) holds its annual get together. Taking place in the fall, ITVFest is very similar to a film festival, with screenings, panels and talks given by content producers. But rather than films, it focuses on TV and web entertainment. ITVFest started in L.A. in 2006, then moved to Vermont in 2013. I attended some of the screenings of web productions in a large tent set up for the event, as well as […]
by Michael Murie on Nov 19, 2014 -
Blackmagic Releases a Free Version of Fusion 7
Back in September Blackmagic announced they had purchased eyeon Software, developers of the high-end VFX application Fusion 7. And now they have done the same thing they did after acquiring DaVinci Resolve; they have drastically slashed the price of the application. You can get Fusion 7 for free, or buy Fusion 7 Studio for $995. The base version supports 3D compositing, paint, rotoscoping, retiming, stabilization, and titling. Fusion 7 Studio adds features such as optical flow, stereoscopic 3D, support for OpenFX plug-ins and distributed network rendering. Fusion Studio 7 also includes a multi-user workflow and collaboration tool called Generation and […]
by Michael Murie on Nov 11, 2014 -
Mocha 4: The Planar Tracker Gets an Update
Imagineer Systems has updated Mocha, their popular planar tracking tool. Mocha, which comes in multiple versions, makes it possible to track parts of a scene and then use that information to composite graphics and perform other manipulations to your image. In its Pro version, it’s capable of much more. The basic version of Mocha, Mocha AE, offers 2.5D Planar Tracking and comes bundled with all current releases of After Effects. Mocha Plus is $195 and adds export support for Adobe Premiere, Apple Motion and Boris FX. It also adds the lens distortion solving tool (it lacks the Insert, Remove, Stabilize […]
by Michael Murie on Nov 4, 2014 -
At the Illumination Experience Tour with Shane Hurlbut
Cinematographer Shane Hurlbut has been touring the country with The Illumination Experience. This day-long workshop primarily covers lighting: how to get the best results, basic and advanced setups, and even how to do lighting on a budget. But the class also covers a lot of other material for the working cinematographer, everything from the advantages of different cameras and lenses to the correct way to hand off a C-Stand. The class begins with a demonstration of Hurlbut’s “Pirate Death Ship,” three lights attached to a dolly on a 360 degree rail system. With an actress sitting in the middle, the […]
by Michael Murie on Oct 27, 2014 -
Canon C100 Mark II Adds New Features, But Not 4K
Canon has announced a refresh of the Canon C100, and on the face of it this update fixes many of the issues found in the original model. The Dual Pixel CMOS AF function that was a paid upgrade for the original C100 is included, though it’s still limited to the center of the image area. Also new is Face-Detection AF, which will focus on off-center faces. The EVF, which was widely panned in the first model is now larger, with a redesigned eyepiece, and it now tilts. The rear screen is now a 3.5” 1.23 megapixel OLED, with a new […]
by Michael Murie on Oct 24, 2014 -
Panasonic VariCam 35 and HS Are Now Shipping
Panasonic is now shipping their new VariCam models, the 35 and HS. Panasonic first displayed mockups of a camera at NAB in 2012, but they didn’t announce these models until NAB 2014, and it’s taken another seven months to finally ship the product. The VariCam is really two sensor head units and a single recording unit that can be attached to either sensor unit. The VariCam 35 has a 35mm 4K sensor with a PL mount, while the Varicam HS is a 2/3” HD sensor with a B4 mount and the ability to capture at 240fps. The HS model is primarily intended for […]
by Michael Murie on Oct 23, 2014 -
Lessons from the Cutting Edge Tour
I spent a half-day at Adam Epstein’s “The Cutting Edge Post-Production Tour” last week. Epstein, who is the editor for the Saturday Night Live Film Unit, has spent the past month and a half traveling the country presenting on how to be a better editor. Unfortunately for me, I couldn’t stay the whole day. Unfortunately for you, the tour ended this week, so you’ve missed it too. If you can come away from an event like this with an actual tip or technique that you start using and with one piece of inspiration to improve how you work, that actually […]
by Michael Murie on Sep 26, 2014
