It’s been two full decades since Hoop Dreams, but any basketball documentary is still bound to be compared to that iconic film. Still, technological changes over those 20 years beg the question of how Steve James and Kartemquin Film would handle distributing the film today. When director Robert Herrera was faced with the same challenge for his new film The Gray Seasons, about the women’s basketball team at St. Louis University, he struck upon a series of festival screenings, simultaneous cable PPV and VOD (via Vimeo on Demand) availability, and finally a DVD release and iOS app that encapsulates much of […]
by Randy Astle on Mar 24, 2014Last Friday the African news site AllAfrica.com published a lengthy story on the growth and maturation of the Rwandan film industry since the Tutsi genocide of 1994. Coming from a place of inter-tribal distrust and decimated infrastructure, filmmakers, like others in the country, got to work rebuilding their country, their pride, and their national image. In the immediate aftermath of the genocide many films understandably dealt with it as subject matter (think Italian neorealism springing up in the wake of the Allied tanks), but in the ensuing 20 years filmmakers have created a space to tell other stories and redefine […]
by Randy Astle on Mar 19, 2014When I was in film school in 2004, we spent a lot of time flipping through binders of head shots and reading resumes on sheets of paper. As the Internet revolutionized social networking and sites like Shooting People and Mandy.com got filmmakers’ and actors’ information online, the casting and crewing process was turned upside-down, and definitely for the better. But there are still limitations to what the Internet can do. The main problem is penetration, getting everyone on the same network; second to that is searchability, being able to find the right people who are on the network you’re already […]
by Randy Astle on Mar 17, 2014The Full Frame Documentary Film Festival today announced its lineup for the festival to be held April 3-6 in Durham. Along with the full list of feature and short documentaries are a Full Frame Tribute to veteran documentarian Steve James and the titles in the Thematic Program, which this year is called “Approaches to Character” and is under the curation of Lucy Walker. In a response to the honor of a retrospective, James said, “I’m excited to have so many of my films play again in front of the appreciative audiences at Full Frame. It will give me a rare opportunity […]
by Randy Astle on Mar 13, 2014The Internet and digital filmmaking tools have opened up new possibilities of crowdsourcing material–Life in a Day, Declaration of Interdependence, One Day on Earth, even the interactive Star Wars Uncut–and given new life to the omnibus/anthology film format. The latest project to adopt the form is 50 Kisses, a film created by the London-based Chris Jones and hundreds of collaborators from around the world. The film, which includes 50 scenes built around a Valentine’s Day and a kiss, premiered on February 13–the day before Valentine’s–at the Genesis Cinema in London’s East End. Further distribution is now rolling out. Jones, a filmmaker […]
by Randy Astle on Mar 11, 2014Yesterday the PBS documentary series POV and The New York Times announced a collaborative effort to simultaneously show documentary films on the organizations’ individual websites. Later today the first film, Dan Barry and Kassie Bracken’s half-hour The Men of Atalissa, which was produced by the Times, kicks off the effort, with a full series of films following throughout the year. Along with the film, which is about a group of mentally disabled men who endured decades of abuse in the bunkhouse they lived in in Atalissa, Iowa, the Times will run an article about the men by Barry and the POV […]
by Randy Astle on Mar 8, 2014For many American children, school lunch is the only full meal they receive each day. Which is one reason filmmaker James Costa was surprised to see the quality–or lack of it–going into children’s lunches in New York City. He quickly decided the subject warranted a feature-length documentary, and the result is Lunch Hour, which launched Tuesday on multiple VOD platforms. Featuring celebrities like Kirsten Gillibrand and Rachael Ray, the film looks at the systemic causes behind school lunch menus and potential solutions to nutritional deficiencies. I talked with Costas about his reasons for making the film, his release strategy, and […]
by Randy Astle on Mar 7, 2014The TFI New Media Fund issued its annual call for submissions today with a deadline May 5. From the press release: The TFI New Media Fund provides funding and support to non-fiction, social issue media projects that go beyond traditional screens—integrating video with content across media platforms, from video games and mobile apps to social networks and interactive websites. We’re looking for projects that activate audiences around issues of contemporary social justice and equality around the world and demonstrate the power of cross-platform storytelling and dynamic audience engagement. Projects can be in any stage from advanced development to production or […]
by Randy Astle on Mar 5, 2014Film hackathons are spreading. Tribeca Hacks is hosting its first international event in Geneva March 15-19 and now POV, which has been running a successful hackathon in New York since 2012, is expanding to Los Angeles. Under the direction of Adnaan Wasey (speaking at a Tribeca interactive event above), POV is running two consecutive events on each coast, at the Center for Social Innovation in Manhattan on May 10-11 and at Hub LA (in collaboration with CreatorUp!) in California on May 17-18. Applications for both events have the same deadline: 8 p.m. ET/5 p.m. PT on Wednesday March 26. Applications […]
by Randy Astle on Mar 5, 2014In an age when everything has already been done, it’s a rare feat to devise a way to make a film that no one has ever tried before. But that’s what the team behind Loving Vincent did when they decided to make their film about the last days of Vincent Van Gogh’s life by animating with actual oil paintings, each one executed by a professional artist on a full-sized canvas — in the style of Van Gogh himself, of course. As anyone who remembers the Van Gogh sequence in Akira Kurosawa’s Dreams knows, the effect of the master’s artwork on […]
by Randy Astle on Feb 27, 2014