Authors — Sarah Salovaara
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Peaches Does Herself, Naturally
Peaches – government name Merill Nisker – solemnly swears that her career is built upon natural progressions. Yes, the move from one-third of a folk lounge act to electronica’s most preeminent provocateur was not so much calculated as an aligning of experimentation and tastes. And so, when the Hebbel am Ufer theatre in Berlin approached Peaches about directing a show in 2010, the answer was not a “yes” or “no,” but simply, “Jesus Christ Superstar.” Following the success of the performance, in which Peaches single-handedly played all of the roles to the piano accompaniment of her longtime collaborator Gonzales, the HAU […]
by Sarah Salovaara on Oct 23, 2013 -
Listen Up Philip at The Edit Center
With the official launch of the Made in New York Media Center by IFP this week, news of its imminent offerings was not far behind. One particular course that’s setting up shop at 30 John Street already boasts an impressive track record. The Edit Center, which is housed around the corner on Jay Street, will bring their hands-on framework to the nascent Media Center beginning this November. An intensive six-week course, The Edit Center offers students the unique opportunity of cutting their teeth (pun intended) on a real, live independent film currently in post-production. Guided by a professional instructor and […]
by Sarah Salovaara on Oct 2, 2013 -
Seed&Spark’s WestFest: Streaming to Theaters
Both a selective crowdfunding site and curated streaming platform, Seed&Spark has proven itself a unique enclave for filmmakers and viewers since its inception in 2012. From October 1-3, the hybrid will fully realize its “Cinema” component with a three-part film program at The HUB LA. Screening a total of six films from the recently launched Conversation series, the festival calls upon S&S founder Emily Best, Sundance programmer Christine Davila, and Twitch Film editor Ben Umstead to bring their selections to a live format. Filmmaker spoke with Seed&Spark’s director of content, Amanda Trokan, about the unprecedented event, and bridging the gap between online and […]
by Sarah Salovaara on Sep 25, 2013 -
What Can The Industry Do For Us? Notes from the Filmmaker Conference, Day One
Independent Film Week — IFP’s annual takeover of Lincoln Center — ushered in its 2013 edition yesterday with the Filmmaker Conference. A collection of workshops, panels, keynotes, case studies, and networking sessions, the Filmmaker Conference addresses a variety of topics at the forefront of the industry’s conscience. Day one, as its banner title “Future Forward” suggests, was primarily concerned with the impact of new platforms and technologies on independent filmmaking, and the ways in which creators evolve alongside an increasing array of tools. Exciting as the possibilities are, two particular panels took the opportunity to zero in on the industry […]
by Sarah Salovaara on Sep 16, 2013 -
Curator Miriam Bale on New York’s La Di Da Film Festival
New York may have a film festival for every neighborhood, but La Di Da, the brainchild of programmer and critic Miriam Bale, has carved a niche for itself that feels more temporal than geographical. Now in its second year, the festival, whose title is a tip of the cap to Annie Hall’s choice refrain, has expanded upon its foundations as a communal haven for filmmakers creating aesthetically timeless, genre-friendly, and narratively experimental work. In doubling the selection, Bale deepens her exploration of films that, despite being very much of the here and now, feel as though they’ve been unearthed from […]
by Sarah Salovaara on Sep 12, 2013 -
Arcade Fire’s Interactive Music Video, “Reflektor”
One could argue that Arcade Fire is an MTV band for the new generation. Content wise, their songs have few similarities with the likes of ’90s hits like “Buddy Holly” or “Virtual Insanity,” but their recognition of the music video as a malleable and significant platform is refreshing in the YouTube age of sex-soused, auto-tuned pop. Harnessing new technology, the Montreal-based collective has pushed the limits of the medium far beyond the capabilities of their predecessors, thanks to frequent collaborations with Vincent Morisset. Mr. Morisset, who describes himself as “a web-friendly director…looking for new ways to tell stories,” has worked […]
by Sarah Salovaara on Sep 10, 2013 -
Laboratory, Theater, Classroom: Matt Bolish on NYFF’s Convergence
A typically storied showcase, the New York Film Festival embraced the future of film in its 50th edition with the creation of Convergence, a sidebar dedicated to transmedia and interactive storytelling. Last week, the program announced its sophomore slate, which will examine the intersections of technology, content, and audience collaboration across its three categories: Experiences, Panels and Keystone Presentations. Experiences selections The Cosmonaut and Charlie Victor Romeo immerse the viewer alongside Russian cosmonauts in the 1960’s space race and mid-tailspin airline pilots, respectively. “25 New Face” Elaine McMillion will also present her documentary Hollow, which utilizes web-based HTML5 storytelling to […]
by Sarah Salovaara on Sep 5, 2013 -
Independent Film: Hobby or Career? Kentucker Audley on the Eternal Question
Independent filmmaking: hobby or career? It is a question that has been on more than a few lips for years now. Though digital platforms have greatly democratized the distribution process, filmmakers are still reaping minimal financial returns on their work. Should the aspiring independent filmmaker pursue her passion wholeheartedly, or should she be pragmatic from the get go, making films as a hobby alongside a more lucrative career? Filmmaker spoke with Kentucker Audley, filmmaker, actor and proprietor of NoBudge, about the professional concerns of the modern moviemaker, and the benefits of having yet another passion project to keep you busy. […]
by Sarah Salovaara on Sep 4, 2013 -
Test Footage and Drawbacks of the Blackmagic Pocket Cinema Camera
Many pundits predicted a serious shakeup when Blackmagic announced their new Pocket Cinema Camera back at NAB in April. Priced at just $995, the Super 16 handheld, complete with 13 stops of dynamic range, seem poised to encroach upon DSLR’s steadfast popularity. As the camera underwent initial shipments in August, homegrown test footage began popping up here and there. Dan Chung, co-editor of News Shooter, recently took his BMPCC out for a spin in the Sanlitun area of Beijing — at night. The experiment yielded mixed results. Armed with a Voigtlander 17.5 mm f0.95 lens to maximize light on the […]
by Sarah Salovaara on Sep 4, 2013 -
September Opportunities for the New York-based Filmmaker
For those who didn’t attend film school, the learning curve when it comes to the technical aspects of filmmaking can be a largely solitary process. Reading up on manuals, trial and error with editing suites, blog browsing and other self-taught measures are often conducted without reaffirmation, encouragement or collaboration. Should you seek the company of others, the following are a few New York organizations whose doors will open for fellowships and workshops in the ensuing weeks. Yes, I am shortchanging 97.35% of the American population, so additional suggestions are more than welcome. Brooklyn Filmmakers Collective Deadline: September 6, 2013 The […]
by Sarah Salovaara on Sep 4, 2013
