Working nights and weekends while in Detroit shooting Oz the Great and the Powerful, James Franco turned what started out as directing exercise into an unusual anthology film directed by a dozen students from his NYU Graduate Film School class. Based on the life and poems of C.K. Williams, The Color of Time is unlike most anthology films in that its sections are intercut with each other, and it’s unlike most film school-derived works in that it stars A-list talent like Franco, Mila Kunis and Jessica Chasten. The film itself, however, is no by-the-numbers biopic; instead, it seeks to translate […]
by Scott Macaulay on Dec 12, 2014December 17 – 21 I should be concentrated on Christmas shopping, but I’ll be at Borscht 9 in Miami. (Sorry, friends and family.) Borscht 8 was my favorite film event of 2012, and I can’t wait for this year’s edition. What’s Borscht? (Aside from a soup?) Here, from the site: The Borscht Film Festival (est. 2004 by New World School of the Arts high school students) is a quasi-yearly event held at iconic Miami venues that commissions, produces, and showcases movies created by emerging regional filmmakers telling Miami stories that go beyond the city’s insipid exterior. Borscht Corp is an […]
by Scott Macaulay on Dec 10, 2014Regarding her eccentrically beautiful messaging app Somebody, Miranda July has posted this video with Carrie Brownstein about its v.2. “Over the next few months we will be making Somebody 2.0,” she writes. “It’s just like Somebody 1.0 but it works.” If you don’t know about Somebody, it’s an iOS app (Android coming, says July in this video) that allows you to send a communication to someone via a nearby third party, who delivers that message in person. Still confused? Well, Somebody was the subject of a new podcast, Reply All — the second from podcasting startup Gimlet Media. Watch above […]
by Scott Macaulay on Dec 7, 2014Following this week’s Sundance announcements, I linked in my newsletter to two articles I wrote back in 2009: “So You Didn’t Get into Sundance” and “Letter from the Future.” This first is a consoling “what to do next” kind of piece, and the second is an only partly tongue-in-cheek riff on alternative ways to approach festival distribution. The latter owes a lot of Jon Reiss, who in articles written for Filmmaker and elsewhere has advocated for making your festival premiere your premiere and to make a DIY distribution your plan A, not some hastily considered fallback plan when a big […]
by Scott Macaulay on Dec 7, 2014At Little White Lies David Ehrlich returns with his excellent annual supercut of his own 25 Best Films list. He writes, “As was also the case with last year’s video, the video kicks off with a little intro that’s intended to set the stage, and then launches into the countdown a couple of minutes later. All of the featured music comes from the films of 2014, and a full track list is waiting for you at the end. As always, this was both a blast to cut together and also just an unspeakably catastrophic waste of time. So… I hope […]
by Scott Macaulay on Dec 7, 2014A day after unveiling the Competition and NEXT lineups, the Sundance Institute has announced the 2015 Sundance Film Festival’s Spotlight, Park City at Midnight and New Frontiers sections. Of the Midnight section, which contains new films by Eli Roth, Rodney Ascher and, from Cannes, David Robert Mitchell’s It Follows, Director of Programming Trevor Groth said in a press release, “This year’s Park City at Midnight selections have much to offer genre enthusiasts. With everything from futuristic fantasies to paranormal nightmares, it’s an all-out trip to the cinematic edge.” Of the New Frontiers section of films and installations — the latter […]
by Scott Macaulay on Dec 4, 2014Here’s an extraordinary clip from Jane, a documentary directed by Drew Associates about the young Jane Fonda preparing for her first Broadway role. My favorite line: “Andreas [the director] has coached Jane before. They’re friends, and he dates her often.” From the press release: JANE, directed by Drew Associates, captures a rare and oft forgotten piece of film and theater history. A young Jane Fonda prepares for her tumultuous starring role on Broadway in “The Fun Couple.” The Drew Associates filmmakers track Fonda’s every move during the production as she strives to legitimize herself as an actress and remove herself […]
by Scott Macaulay on Dec 3, 2014The Sundance Institute today announced its 2015 Competition Titles as well as the 10 titles comprising its NEXT section. In what is always independent film’s biggest announcement of the year, Sundance revealed films that, says Sundance Film Festival Director John Cooper, “take audiences on a wild ride of emotional extremes.” Submissions for 2015 hit a new high, with 4,105 feature films and 8,061 shorts submitted to the Park City, UT event. Said Sundance Institute Executive Director Keri Putnam, “Independent artists are embracing diverse forms of storytelling – from feature film to New Frontier to episodic content. In response to their […]
by Scott Macaulay on Dec 3, 2014A film’s first shot, its first image, is one that’s obsessed over by many directors. But how many put as much care into its first sound? Francis Ford Coppola did, along with sound designer Walter Murch, when constructing the opening of Apocalypse Now. The famous helicopter sounds actually enter over black — they are the first input of any kind an audience member receives. And, of course, those weren’t just any helicopter sounds. In the video above — a section of a documentary commissioned for the Paramount 2006 home video release and made by Zoetrope’s former head of post, Kim […]
by Scott Macaulay on Nov 30, 201425 New Face filmmaker Scott Blake is currently raising funds on Kickstarter for an ambitious “urban insurgency” short film, Victory. Below, he discusses inspiration ranging from Michael Mann to Joseph Conrad, why he cast Kentucker Audley and why he’s making another short. Please visit his Kickstarter page to learn more. Filmmaker: First, let’s start with Surveyor and the 25 New Faces. You were one of our real discoveries, as your film hadn’t played many festivals and you hadn’t received much notice for it. What has happened after being selected for the 25, and how did that path lead to this […]
by Scott Macaulay on Nov 30, 2014