Last year Jono Oliver’s Home:___ was one of our recommended projects on our curated Kickstarter page and now it’s finished and beginning to premiere on the festival circuit. At Shadow and Act, Tambay Obenson weighs in with thoughts following a screening: I attended a screening of the film at the DGA theater here in New York over the weekend, going in with really no idea of what to expect (which is rare for me), because I hadn’t seen anything of the film before then, with Gbenga, Morton, McDaniel and Whitlock being the actors in this ensemble cast whose previous work […]
by Scott Macaulay on Apr 22, 2013At Vulture, Jerry Saltz bemoans the “Death of the Gallery Show,” particularly the effect new ways of seeing and purchasing art are having on the discourse around art itself: Gallery shows: light of my life, fire of my eyes. I love and long for them. I see maybe 30 a week, every week of the year. Much of what I know about contemporary art I learned from hanging around artists and from going to galleries. Bad shows teach me as much as good ones. A great thing about galleries—especially for someone who spends most of his time alone at a […]
by Scott Macaulay on Apr 21, 2013In the world of film festivals, “12” isn’t a particularly notable number. “Ten” — connoting if not institutional status than at least permanent residence — has come and gone. So too the after party of “11.” “Twelve” should just be rolling along, business as usual, dependent more on the quality of that year’s cinema than anything else. So, while it would be a stretch to say that Tribeca has reinvented itself for its twelfth edition, which opens today, I can’t help but note that something seems pleasantly different. Maybe it’s the lack of celebrity bloat — gone are the tin-ear […]
by Scott Macaulay on Apr 18, 2013In the Fall of 2011, filmmaker Ryan Koo — featured along with then-partner Zachary Lieberman on our 2008 “25 New Faces” — announced his debut feature, Man-child. Embarking on an ambitious Kickstarter campaign, Koo leveraged not only the community he had been building via his excellent website, No Film School, but also his project’s selection for the IFP and Film Society of Lincoln Center’s Emerging Visions program. The campaign was a success, raising $125,100, and, as he’s moved his story of youth basketball forward, Koo has been, essentially, open-sourcing his progress, giving advice on not only social-media fundraising but screenplay […]
by Scott Macaulay on Apr 17, 2013Bruce Sterling’s closing remarks at SXSW Interactive have been posted at Wired’s Beyond the Beyond blog. It’s a long talk on the aesthetic and moral dimensions of disruption, an emergent Southwest and the tackiness of 3D figurines. An excerpt: And then there’s this empty pretense that these innovations make the world “better.” This is a dangerous word. Like: “If we’re not making the world better, then why are we doing this at all?” Now, I don’t want to claim that this attitude is hypocritical. Because when you say a thing like that at SouthBy: “Oh, we’re here to make the […]
by Scott Macaulay on Apr 14, 2013Our friends at Vimeo passed on this short piece by Olivia Speranza shot at NAB. In just three-and-a-half minutes, she scopes out several interesting pieces of gear: The first big takeaway from this year was 4K’s continuing spread into cameras and display devices. If you haven’t heard yet, 4K is the next level in image resolution. As our hunger for pixels knows no limits, we’re seeing more cameras that can shoot at this higher image size that boasts four times the pixels of the 1080HD format. As you can imagine, 4K televisions are now being manufactured, but they remain both […]
by Scott Macaulay on Apr 12, 2013Flaming Lips frontman Wayne Coyne appeared as a guest DJ on the All Things Considered radio show and podcast recently, speaking about his band’s own songs and their influences in a great interview that began with a startling track: “Strawberry Fields,” by the Beatles. Okay, it’s a fantastic song, but what startled me was Coyne’s reasons for selecting it. Coyne describes listening to the track as a kid, discovering the so-called “Paul is Dead” conspiracy and having the song’s final words, “I buried Paul” “seared into” his brain: “What a strange, strange way to end any record by any weirdo […]
by Scott Macaulay on Apr 11, 2013“Most of our childhood is stored not in photos, but in certain biscuits, lights of day, smells, textures of carpet…” — Alain De Botton I hadn’t recalled my dank childhood basement in quite some time, but the room, with its wicker furniture, orange-ish carpet and large, wood-panelled Sony TV, came flooding back last week upon reading of the sad passing of film critic Roger Ebert, just one day after he posted a “leave of presence,” a slowing-down that was still more active than the combined work of two men these days. It was in that basement that I’d faithfully watch […]
by Scott Macaulay on Apr 11, 2013Originally published following The Punk Singer‘s premiere at SXSW, this interview with director Sini Anderson, subject Kathleen Hanna and executive producer Tamra Davis is being rerun today as the documentary opens in New York at IFC Center. Hanna will be doing Q&A’s with Lizz Winstead of The Daily Show and signing copies of her new Julie Ruin record. Check the IFC page for times. In Greil Marcus’s punk-rock critical opus Lipstick Traces, the writer describes a kind of magic created by the sneering music of the Sex Pistols: “… the pop magic in which the connection of certain social facts […]
by Scott Macaulay on Apr 9, 2013Our friends at the Big Shot Movie Club are in the midst of a screening series close to our hearts at Spectacle in Williamsburg. Titled “How To,” it’s a series of “practical films…. Films that teach us skills and examine the process of how things are made. In this series, we learn how to make ends meet, how to feed ourselves, and how people persist, day in and day out, in this complex world.” The films include the Maysles Brothers’ Salesman (April 17 and 27); Agnes Varda’s Daguerreotypes (April 17); and Jiayin Liu’s Oxhide II (April 27). Check out the […]
by Scott Macaulay on Apr 8, 2013