Maggie Gyllenhaal’s directorial debut, The Lost Daughter, adapted from the Elena Ferrante novel, was the big winner at the 2021 Gotham Awards, presented Monday, November 29 at Cipriani Wall Street. The Netflix production, which stars Olivia Colman, Jessie Buckley, Dakota Johnson, Dagmara Domińczyk and Peter Saarsgard, was awarded Best Feature, and Gyllenhaal won Best Screenplay as well as the Bingham Ray Breakthrough Director award. Colman shared the Outstanding Lead Performance Award with The Killing of Kenneth Chamberlain‘s Frankie Faison. Colman and Faison’s wasn’t the only split decision; the Gotham jury also split the Outstanding Performance in a New Series award, […]
by Scott Macaulay on Nov 29, 2021With Maria Maggenti’s 1995 picture The Incredibly True Adventures of Two Girls in Love now in rerelease from Strand Releasing, we’re reprinting our 1995 print issue interview with Maggenti, who has gone on to write and direct Puccini for Beginners, write Before I Fall, and write and write and produce for series such as Motherland: Fort Salem and Supergirl. The Incredibly True Adventures of Two Girls in Love is currently screening at New York’s Metrograph, where Filmmaker‘s Scott Macaulay will be moderating a conversation with Maggenti and Hall on November 24. The below interview has been lightly reedited to add […]
by Scott Macaulay on Nov 24, 2021“Jesus was just another soldier, another war casualty — but on who’s side?” That’s military man JJ, played by Ethan Hawke, in voiceover as he walks the COVID-deserted streets of Rome in Abel Ferrara’s new Zeros and Ones. There’s a terrorist plot to blow up the Vatican but JJ’s got a more personal (and possibly intertwined) mission as well: his twin revolutionary brother, Justin (also Hawke), has been captured, and JJ’s nocturnal journey is an attempt to rescue him and possibly find some sort of spiritual salvation along the way. But the above is just the most reductive parsing of […]
by Scott Macaulay on Nov 19, 2021Writer, director and actor Matthew Fifer makes his feature debut with Cicada, a very personal urban romance that’s also a perceptive and searching drama about the legacy of childhood abuse. Films that revolve around buried trauma can be overly melodramatic affairs, but Fifer’s Cicada balances painful backstory revelation with the sensuous pulse of the present. His depiction of early-aughts twentysomething Brooklyn romance is alive to the rhythms of the city and understanding of how place as well as economic circumstance frame the ways we connect with one another. Fifer plays Ben, a bisexual who we meet as he’s engaging in […]
by Scott Macaulay on Nov 5, 2021Swedish director Frida Kempff makes an astonishing and bold debut with Knocking, her Sundance-premiering psychological thriller now out in the U.S. on digital platforms. Molly (Cecilia Milocco) has been released from a mental hospital into everyday life, moving into a spartan apartment in an impersonal urban apartment building. But at night, as images of her past trauma flicker through her recovering brain, there’s a knocking sound. What begins as an irritant turns to destabilizing obsession as Molly begins to believe that the sounds originate from a woman help captive and in danger. In an incredible performance, Milocco keeps us both […]
by Scott Macaulay on Oct 29, 2021There’s a truly startling sequence beginning about a half hour into Todd Chandler’s unsettling, formally assured documentary on school violence, Bulletproof. Until this point Chandler, with cool, distanced precision, depicts the “capitalist spectacle” that has grown around the issue of violence in schools. Active shooter drills, teachers given firearms training, a first-generation immigrant starting a business producing Kevlar hoodies, and a Las Vegas trade show where high-tech surveillance equipment and classroom accessories like bulletproof whiteboards are hawked to school board purchasers — the parallels between this education/security industrial complex and our post 9/11 security state, where weaponry and advanced surveillance co-mingle, […]
by Scott Macaulay on Oct 29, 2021Twenty nonfiction feature projects have been awarded grants totaling $600,000 by the Sundance Institute’s Documentary Film Program in its latest funding round. The grants target projects in all phases of filmmaking, from development to distribution and impact. Disability, feminist history, globalization, grief and loss, and housing inequality are among the subjects and, notes the press release, “… eight out of the ten U.S. films granted are helmed by at least one BIPOC director. This statistic reflects the fund’s commitment to emerging artists whose voices have been historically marginalized in hegemonic Western societies. Globally, half of the projects supported have international […]
by Scott Macaulay on Oct 27, 2021In films like Actress, Kate Plays Christine and Bisbee ’17, filmmaker Robert Greene has explored the interstices between documentary and fiction storytelling, particularly how the latter’s dramatic strategies can shape issues around self-knowledge and historical memory found within the former. In his latest, Procession, which had its premiere at the Telluride Film Festival, this exploration is undertaken with the most direct and wrenching of intents as it involves the work of a group of men using drama therapy and role play to confront memories of their childhood abuse. In reporting from the Camden International Film Festival, Pamela Cohn wrote in […]
by Scott Macaulay on Oct 26, 2021A young girl with melting ice for teeth bound to a mysterious protector, an older man who drains and refreezes those teeth each day — such a scenario, found in artist Frank Catly’s 2019 novel Earwig, provides the perfect source material for French filmmaker Lucile Hadžihalilović, whose films depict the uncanny transformations of adolescence in startling, near-surreal ways. In 1994’s medium-length La Bouche de Jean-Pierre, a teenage girl, ensconced at her aunt’s following her mother’s suicide attempt, is subjected to the menacing gaze of her aunt’s abusive boyfriend. In her feature debut, 2004’s Innocence, adapted from Frank Wedekind’s novella, Mine-Haha, or On […]
by Scott Macaulay on Oct 25, 2021The Gotham Film & Media Institute, Filmmaker‘s publisher, announced today the nominees for its upcoming 2021 Gotham Awards. Selected by committees of film and television critics and programmers, Gotham Award nominees have usually included a mix of higher-profile awards season frontrunners as well as critically acclaimed lower-budgeted films from smaller distributors, and this year that’s even more the case. Amazon’s Passing, directed by Rebecca Hall, and Netflix’s The Lost Daughter, directed by Maggie Gyllenhaal, both received multiple nominees, including Best Picture. But also in the Best Picture category, along with an additional Breakthrough Director nomination, is Shatara Michelle Ford’s Test […]
by Scott Macaulay on Oct 21, 2021