Authors — Scott Macaulay
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Fall 2020 Winners Announced for the Final Edition of the SFFILM Westridge Grants
SFFILM, in partnership with the Westridge Foundation, announced today the six films that will receive a total of $100,000 in funding as part of the SFFILM Westridge granting program. One of the few grants available to narrative filmmakers in the development phase, a SFILM Westridge grant helps “protect filmmakers’ creative processes, and allows them the time and space to concentrate properly on crafting their story, structure, characters, and themes, and refining their projects before diving into financing, production, and beyond.” SFFILM and the Westridge Foundation also announce that this sixth edition will the last for this grant, which was initiated […]
by Scott Macaulay on Nov 24, 2020 -
Watch: Alison Nguyen’s my favorite software is being here Online and In Person
Artist and filmmaker Alison Nguyen — selected for Filmmaker‘s 2018 25 New Faces and a contributor to this Summer’s Pandemic Diaries — is showing new work featuring her Andra8, “a computer-generated woman based on the artist’s physicality.” As part of her current virtual exhibition at the Hartnett Gallery, i broke my mind at the link in the bio (running through December 18), Nguyen will screen today, Monday, November 23, her new my favorite software is being here, which captures the data-driven emotional rhythms and perceptive swings of her virtual creation. The piece, which is highly recommended, screens free today 6:30 PM Eastern […]
by Scott Macaulay on Nov 23, 2020 -
Trailer Watch: Lance Oppenheim’s Some Kind of Heaven
Opening in theaters and on demand January 15, 2021 from Magnolia Pictures is the debut feature from documentary filmmaker Lance Oppenheim, Some Kind of Heaven. Featured in Filmmaker‘s 2019 25 New Faces, Oppenheim makes documentaries that are as attuned to their subjects’ interior lives — their fears, dreams, insecurities and aspirations — as to their physical surroundings. “How fantasy informs the way people live their lives, the camera has to do the same,” he told me when I interviewed him. “The only way to get into these people’s lives and their stories is to accurately depict the headspace they are […]
by Scott Macaulay on Nov 19, 2020 -
How Virtual Sets are Replacing the Green Screen
In my 25 New Face profile of Victoria Rivera, I quoted the writer/director on how, for her upcoming ocean-set feature Malpelo, she and her producer are exploring using the virtual background technology recently employed by The Mandalorian. The benefits of this technique are explained nicely in this Vox video, in which Charmaine Chan, a compositor who has worked for ILM, shows how virtual backgrounds improve upon traditional green screens in various ways, including lighting and camera movement.
by Scott Macaulay on Nov 18, 2020 -
Wroclaw’s American Film Festival Announces Winners of the 10th U.S. in Progress
The 10th edition of U.S. in Progress, the American Film Festival in Wroclaw’s post-production forum that brings together American independent projects with the Polish and international film industries, concluded on Friday with the announcement of the winning films. Among the awardees are Homebody, by Joseph Sackett, who was selected for this year’s Filmmaker 25 New Faces list, as well as a prior 25 selection, Geoff Marslett, who brought his The Boardinghouse Reach to the event. As the American Film Festival’s Artistic Director explained earlier to Filmmaker, this year’s event was held online, with projects being presented to European sales agents, […]
by Scott Macaulay on Nov 16, 2020 -
Sundance Announces 23 New Documentary Fund Grantees
Twenty-three projects hailing from 21 countries will receive support from the Sundance Institute Documentary Fund. Announced today, the projects will receive $540,000 in unrestricted grant support with funds made possible by The Open Society Foundations and the John D. and Catherine T. MacArthur Foundation. “During a time of shared crisis, it is essential that Sundance continue its steadfast support of artists across the globe,” said Documentary Film Program Director Carrie Lozano in a press release. “These films creatively assert our common quests, conditions and resilience as they interrogate notions of individual and collective power.” “Creative support for nonfiction storytellers feels […]
by Scott Macaulay on Oct 30, 2020 -
Crime Family
“We don’t call you ’hun’ or ’sweetheart’ or ’baby,’” says Theresa (Debra Winger) to her daughter Old Dolio (Evan Rachel Wood) late in Miranda July’s new Kajillionaire, the filmmaker’s dreamily eccentric interrogation into the social construct of familial love. “We don’t wrap little birthday presents with ribbons,” she continues, acidly, as Old Dolio looks on in despair. Old Dolio has just brought in $1,575 from an airport luggage scam—the family, which includes dad Robert (Richard Jenkins), makes their living from a succession of convoluted small-time cons that net in the two and three and, only sometimes, four figures—and she’d just […]
by Scott Macaulay on Oct 28, 2020 -
Editor’s Letter
Welcome to Filmmaker’s 28th anniversary edition. If you are reading this editor’s letter, there’s a good chance you are reading it in a print issue that has been delivered to your mailbox or that you purchased at a newsstand or bookstore. After a summer issue break, when Filmmaker went PDF due to bookstores closing and all the uncertainty around the pandemic, we’re grateful to be back with a physical edition—grateful to our advertisers, our publisher, IFP and to you for your continuing readership and support. There’s a reason we pushed hard to return to print with this issue, and it’s partly sentimental: […]
by Scott Macaulay on Oct 28, 2020 -
Watch: A Masked and Distanced Kronos Quartet Playing the Requiem for a Dream Theme
The pandemic has upended many film anniversary tribute plans, as well as inspired others. To commemorate the 20th anniversary of Darren Aronofsky’s iconic Hubert Selby adaptation, Requiem for a Dream, its soundtrack players, the Kronos Quartet, perform composer Clint Mansell’s now iconic theme. Of course, they’re appropriately distanced and masked. Listen here to a lovely version of a track that’s graced countless indie film mood reels in the two decades since its composition. Lionsgate has released a new 4K Blu-ray edition of the film you can read about here.
by Scott Macaulay on Oct 16, 2020 -
Gina Duncan Announced as New Producing Director, Sundance Film Festival
The Sundance Institute announced today that Gina Duncan, most recently Vice President of Film and Strategic Programming at the Brooklyn Academy of Music (BAM), will join the Sundance Film Festival in the newly-created role of Producing Director. Writes Sundance in a press release, “Duncan will integrate the artistic vision of the Festival with its practical, audience-facing elements. She’ll work with the programming team as they curate works for exhibition, and serve as a leader for creating strategic vision and decision-making on both the Sundance Film Festival and year-round public programs. Further key duties of the position: continuing to build policies […]
by Scott Macaulay on Sep 25, 2020
