Sundance Institute announced today the 39 international media and arts organizations that will receive a total of $405,500 from its Respond and Reimagine Plan. Launched in April, the $1 million fund redistributes funds, according to a press release, to “directly support the urgent needs of artists, as well as organizations from around the world leading the field in support of artists from historically marginalized communities disproportionately impacted by the pandemic.” The grants are non-recoupable and are flexible in intent; they may be used to support individual artists or to “strengthen the organizations themselves in their ongoing work.” Earlier this summer […]
by Scott Macaulay on Aug 13, 2020
Brooklyn-based designer Lydia Cambron — whose commercial work focuses on retail environments and who is fascinated, according to her website, “in the narrative ability of products and objects” — has used her quarantine days to make a witty and poignant one-woman/one-apartment homage to the final sequence of Stanley Kubrick’s 2001. From Cambron: 2020: an isolation odyssey is a reenactment of the iconic finale of 2001: A Space Odyssey (Stanley Kubrick, 1968). Restaged in the context of home quarantine, the journey through time adapts to the mundane dramas of self-isolation–poking fun at the navel-gazing saga of life alone and indoors. This […]
by Scott Macaulay on Aug 13, 2020
Kirby Ferguson, who landed on Filmmaker‘s 25 New Faces list in 2011 following this Everything is a Remix web series, is back with a new work that explains the QAnon phenomenon and places it in larger political context. For anyone who found themselves Googling “Marjorie Taylor Greene” this morning (Or was perhaps mystified by a colleague’s late-night email screed), the video offers a bit of a primer on the internet phenomenon as well as analysis. As Jason Kottke summarizes at Kottke.org, Ferguson sees QAnon as a form of magical thinking, breaking down six specific characteristics: 1. Obsession with symbols and […]
by Scott Macaulay on Aug 12, 2020
Director Michel Gondry (Eternal Sunshine of the Spotless Mind) and brother Olivier, who previously worked together on music videos like the Chemical Brothers’s “Star Guitar,” have just released a new quarantine-made clip for the Bristol band IDLES. Using a blend of lo-fi animation (Michel’s cardboard cutouts shot by a suspended-overhead iPhone) and CGI (Olivier’s desktop wizardry), the clip, which suggests a Richard Scarry adaptation of Animal Farm, moves from a racist village to the moon. From an article on the video at WePresent: The song is really about the dangerous small-mindedness born out of villages which can sometimes act as […]
by Scott Macaulay on Aug 12, 2020
As studio and television filmmaking creaks back into production, a first wave of microbudget films made amidst the coronavirus-related shutdowns enters post. One such film is the horror-thriller drama Banishment, which launches today an Indiegogo campaign for its post-production costs. Shot in and around a secluded cabin in Lake Placid, New York for just $5,000, the film fashioned its own safe production protocols before official industry guidances, like the recent “Safe Way Forward” plan, were issued. Nonetheless, the basic tenets of today’s safe production — quarantining, social distancing, mask-wearing on set — were all adhered to. But one other element […]
by Scott Macaulay on Aug 10, 2020
A long, progressively disorienting drive across a snow-battered landscape leads to a relationship milestone — meeting the parents — in the latest from writer/director Charlie Kaufman. For Jessie Buckley’s unnamed girlfriend character, Jake (Jesse Plemmons) is someone promising even as the film’s serenely despondent title functions as her mantra-like internal dialogue. Awaiting in a house that seems unmoored by time are Jake’s mom and dad, played by Toni Collette and David Thewlis. Said Kaufman to Entertainment Weekly, “The house represents the imagined interaction between someone you bring home to your parents — that panic that is twoheaded at that point. […]
by Scott Macaulay on Aug 6, 2020
TIFF co-heads Cameron Bailey and Joana Vicente have announced the 50 films that will comprise the 2020 Toronto International Film Festival. Necessarily due to the coronavirus pandemic, this year’s TIFF is very different edition — the film count is down from 2019’s 300+, and most press and industry will attend virtually — but there are still many anticipated world premieres and diverse international offerings. “We began this year planning for a 45th Festival much like our previous editions,” said Bailey, Artistic Director and Co-Head of TIFF, in a press release, “but along the way we had to rethink just about […]
by Scott Macaulay on Aug 2, 2020From Brian Newman, whose Sub-Genre newsletter I highly recommend subscribing to, comes this set of three surveys about the independent film and festival worlds in the age of COVID-19. The three organizing parties — Sub-Genre, Film Festival Alliance and iGEMStv, a movie and TV curation/recommendation platform — promise to aggregate the results with an eye towards helping the industry figure out a way forward amidst the current pandemic. From the organizers: One way to solve the problems… is by collecting data and using it to build better systems. To that end: With COVID having such a major impact on the […]
by Scott Macaulay on Aug 1, 2020
Launching a career with a strong short is a hallmark of the independent film scene. The best shorts of the year commonly attract attention from festival programmers, managers, producers, agents. And in addition to generating recognition and industry interest, many shorts do more — they establish not only a voice but also subject matter their makers go on to explore with even more depth, nuance and subtlety in future works. Currently in release from IFC Midnight and attracting much-deserved attention is Natalie Erika James’s Relic, which artfully lodges an exploration of dementia and elder care within a genuinely scary haunted-house […]
by Scott Macaulay on Jul 31, 2020
In a project led by series producer and editor Ben Fee, 19 filmmakers have turned the old Surrealist “exquisite corpse” creation method into a “collaborative filmmaking game,” Exquisite Shorts, that you can watch above. Previously used throughout the 20th century to create poetry and artwork, the method lends itself beautifully to collaborative filmmaking, particularly when the creators are as inventive as the ones in this group. (Names involved who are familiar to Filmmaker readers include Travis Stevens as well as Courtney and Hillary Andujar, who appeared on last year’s 25 New Faces list.) In the 12-minute piece they mix short visual […]
by Scott Macaulay on Jul 28, 2020