Filmmaker is very happy to partner with the Filmfort Film Festival for its 2020 Filmfort Online Showcase. These films are available to watch here, free, on the site through Sunday, September 27. (Click here for the other two sections of films.) Check out the rest of the lineup at Filmfort and keep up via social @filmfortfest and #filmfort2020 #filmfortweekend. Enjoy! 32 Goldfish from Erik M.G. Fox on Vimeo. 32 Goldfish Erik M.G. Fox 2019, USA, 11:20 A hitman does one last job to afford his way back home before it’s too late. www.erikmgfox.com/32goldfish Bennifer from Ryan McGlade on Vimeo. Bennifer […]
by Scott Macaulay on Sep 25, 2020
Filmmaker is very happy to partner with the Filmfort Film Festival for its 2020 Filmfort Online Showcase. These films are available to watch here, free, on the site through Sunday, September 27. (Click here for the other two sections of films.) Check out the rest of the lineup at Filmfort and keep up via social @filmfortfest and #filmfort2020 #filmfortweekend. Enjoy! IDAHO FILMS AND FILMMAKERS A.B.O.V.E Directed by Zach Voss 2019, Papua New Guinea, 15:00 Aerial Based Observations of Volcanic Emissions follows an international team of volcanologists who visit Papua New Guinea with experimental drone technology to measure gas emissions at […]
by Scott Macaulay on Sep 25, 2020Filmmaker is very happy to partner with the Filmfort Film Festival for its 2020 Filmfort Online Showcase. These films are available to watch here, free, on the site through Sunday, September 27. (Click here for the other two sections of films.) Check out the rest of the lineup at Filmfort and keep up via social @filmfortfest and #filmfort2020 #filmfortweekend. Enjoy! A Dim Valley Directed by Brandon Colvin 2020, USA, 92:00 A curmudgeonly biologist and his slacker graduate assistants muddle their way through a summer research project. Deep in the Appalachian woods, they encounter a trio of mystical backpackers who change […]
by Scott Macaulay on Sep 25, 2020
“Once we said, ‘We’re doing this’, there was no going back,” stated IFP Executive Director Jeffrey Sharp earlier this week, remembering the moment this past March when he and the organization decided that the 42nd edition of IFP Week would go virtual. IFP Week, which began today, was among the first of the Fall film industry events to definitively move online, and it was a risk. “No one knew anything at that moment,” said Sharp about the progression of the pandemic and its impact on the industry. “But it was our board that really encouraged us to move quickly and […]
by Scott Macaulay on Sep 20, 2020
I’m very happy to announce that Filmmaker will return to print for our Fall issue, which will reach subscribers — new and continued — in late October. Filmmaker‘s Winter, 2020 issue will be published in January to coincide with IFP’s Gotham Awards. Facing the uncertainty of the coronavirus shutdowns in the Spring, and with bookstores closing throughout the country, Filmmaker published its Summer issue in a special, redesigned PDF format. But now we’re thrilled that, with the support of our publisher, IFP, and our advertisers, we’ll be back with a printed edition next month. The Fall, 2020 issue Filmmaker will also be […]
by Scott Macaulay on Sep 18, 2020
I’m not going to deny it — the dip in New York’s temperature signifying the approach of Fall coupled with the migration of the New York Film Festival from Lincoln Center to my Lower East Side living room has left me melancholy. Other out-of-town festivals I might have skipped this year, but there hasn’t been a New York Film Festival in 30 years that I haven’t attended at least a few screenings, to say nothing of the associated parties and events. But while I’m missing the casual encounters in the lobbies, the spotlight that shines on the film teams post-screening […]
by Scott Macaulay on Sep 17, 2020
An act of sexual violence leads to an awful retribution in Madeleine Sims-Fewer and Dusty Mancinelli’s Violation, which premiered this past week at the Toronto International Film Festival. But were the film’s execution as simple, as blunt, as this brief synopsis might suggest, there’d be little to distinguish Violation from so many other works in the rape-revenge genre. Instead, in their debut feature Sims-Fewer and Mancinelli have radically scrambled the dramatization of cause and effect, sliding backwards and forwards in their storytelling to place a sexual assault that happens on a couple’s weekend getaway within the broader psychology of the survivor’s […]
by Scott Macaulay on Sep 17, 2020
IFP, Filmmaker‘s publisher, announced today the inaugural audio programming for the upcoming 42nd edition of IFP Week, which will take place virtually September 20 – 25. Unfolding over the last two days of the conference, September 24th and 25th will be, says IFP, “robust conversations and events that will explore audio storytelling, real-time decision making, and what goes on behind the scenes in the world of audio.” The programming complements the maiden edition of IFP Week’s Audible Audio Hub, which features 36 audio-only projects connecting with some of the industry’s leading producers and financiers. Industry guest speakers will include: Sean […]
by Scott Macaulay on Sep 14, 2020
When I last spoke to Nicole Reigel for Filmmaker, it was in 2014 to profile the Jackson, Ohio native for our 25 New Faces list. After a stint in the military and then time producing her own plays for theater, Riegel had arrived in Los Angeles and quickly made a name for herself as a screenwriter, with directors such as Cary Fukunaga and Justin Lin on board for her scripts. But her ultimate goal, she revealed in the piece, was to direct — an ambition realized this year with her flinty, tremendously assured and compellingly acted debut, Holler. Selected for […]
by Scott Macaulay on Sep 11, 2020
For me, TIFF 2020 began yesterday with a stroll from my bedroom to the computer, coffee in hand, to check whether the promised link and password to the festival’s new digital portal had arrived. It did, I logged in, noted that the streaming platform supports AirPlay, and started a calendar of screening times, as most titles are available only in 48-hour windows. (Plus, some are geoblocked here in the States.) A far cry from my usual short flight to Billy Bishop Airport, an afternoon typing P&I screening times into my phone and then looking for a party to go to. […]
by Scott Macaulay on Sep 10, 2020