Yaara Sumeruk’s short film If We Say That We Are Friends was scheduled to have its New York premiere tonight at the Museum of the Moving Image’s First Look series. Of course, it’s been cancelled, along with the majority of the city’s cultural activity in the wake of the Coronavirus. But in what’s perhaps a forerunner of the way filmmakers may be responding to the screening cessations in the weeks ahead, Sumerek is going ahead with the event, but online, in a “social distant screening.” At 7:00 PM, viewers can click on this Vimeo link and use the password “Dine” […]
by Scott Macaulay on Mar 14, 2020CPH:DOX, the boundary-busting Copenhagen non-fiction film festival that takes place each March, announced today that its upcoming 2020 edition will be a digital one. With indoor events of over 100 people banned by the Danish government, the festival is quickly scrambling to present a portion of its program online. Here’s the press release: In the light of the global crisis related to COVID19, and following the latest announcement from the Danish Government on March 11, 8.30PM further restricting public gatherings, CPH:DOX has decided to roll out its 2020 edition in a digital version. Sadly, this means that the planned +700 […]
by Scott Macaulay on Mar 11, 2020“Our films navigate what it means to exist today – the frustrating intimacies and alienation, and how the internet is not only a self-affirming tool, but also connected to our jobs and livelihood,” write filmmakers Daniel Crew and Micaela Durand in introducing their short Negative Two at Le Cinema Club, where it streams online until this weekend. “Our economy demands for us to be constantly online and we wanted to portray that simultaneity.” Commissioned by The Shed and selected for last year’s International Film Festival Rotterdam, Negative Two, as described in the program notes, “focuses on Devin (Eric Lee), a […]
by Scott Macaulay on Mar 3, 2020Harkening back to Golden Age romantic comedies while placing its young characters in of-the-moment relationship scenarios, Straight Up, the feature debut of director, writer and actor James Sweeney, opens in theaters today from Strand Releasing. Sweeney plays Todd, a gay man and software developer questioning his sexuality who falls romantically (and perhaps just platonically) with an aspiring actress played by Katie Findlay. Shot in eye-popping colors within a 4:3 frame, and with sharp dialogue delivered rat-a-tat-tat, Straight Up, which premiered at last year’s Frameline Film Festival, subverts the tensions traditionally found in romantic comedies in service to a more inclusive […]
by Scott Macaulay on Feb 28, 2020“The path of the math is to go fast” — not even a year after the release of Khalik Allah’s second feature, Black Mother, the filmmaker has just released the first trailer of his new feature, IWOW (I Walk on Water). The film is said to be three hours long, and the trailer length — seven minutes — is thus appropriately relational. Here’s Allah’s statement accompanying the video: Peace. From the most illest iambic pentameter visual photographer. Allah’s 5% student doctor. I’m around the 85% again. Straight up Ren & Stimpy. The pitiful situation of my people is the person […]
by Scott Macaulay on Feb 12, 2020The meticulous palette, the bursts of Academy ratio, the faux literary origins, the use of the word “divers” — Wes Anderson’s The French Dispatch looks, from this first trailer, to be the most, well, Wes Anderson movie yet. As it’s described by its distributor, Fox Searchlight, “The French Dispatch brings to life a collection of stories from the final issue of an American magazine published in a fictional 20th-century French city. It stars Benicio del Toro, Adrien Brody, Tilda Swinton, Léa Seydoux, Frances McDormand, Timothée Chalamet, Lyna Khoudri, Jeffrey Wright, Mathieu Amalric, Stephen Park, Bill Murray and Owen Wilson.” The […]
by Scott Macaulay on Feb 12, 2020Minari, Lee Isaac-Chung’s fourth feature, an autobiographical portrait of his Korean-American family’s life in the 1980s as he was growing up in a small Arkansas town, won two top prizes — the U.S. Dramatic Grand Jury Prize and U.S. Dramatic Audience Award — tonight at 2020 Sundance Film Festival Awards Ceremony. Jesse Moss and Amanda McBaine’s Boys State, a documentary about a contentious kind of civic summer camp for Texas teens, won the U.S. Documentary Grand Jury Prize. A24 will release both films, the latter in partnership with Apple TV+. The World Cinema Dramatic Grand Jury Prize was awarded to […]
by Scott Macaulay on Feb 2, 2020During the festival’s 2020 awards ceremony tonight, the Sundance Institute announced Tabitha Jackson, the Director since 2013 of the Institute’s Documentary Film Program, to be the new Director of the Sundance Film Festival. Jackson will succeed John Cooper, who, after 11 years as Director of the Festival, will move into a newly created Emeritus Director role. Said the Sundance Institute’s Executive Director, Keri Putnam, in a press release, “Tabitha is fiercely devoted to independent artists, has been a visionary member of the Sundance Institute’s leadership team for the last six years. Her authenticity, experience and perspective will serve her well […]
by Scott Macaulay on Feb 1, 2020Before there was the no-budget Best Buy scam (scoring equipment by cycling through 30-day return policies) there was the Crazy Eddy scam — same deal, except that instead of the corporate anonymity of Best Buy’s Death Star big box there was a scrappy local circuit embodied by a screaming man feigning mental illness on late-night television. (“These prices are insane!!!!”) And before there was Eater, Grub Street and Anthony Bourdain’s Parts Unknown there was Eat to Win, a kind of punk foodie travelogue in which friends David Shapiro and Leeds Atkinson tooled around New York City with their Crazy Eddie […]
by Scott Macaulay on Jan 26, 2020Always a bellweather for the health — artistic as well as business — of the American independent film scene, the Sundance Film Festival began yesterday in Park City, Utah, preceded by more than the usual amount of pre-fest news and drama. On the positive front, Sundance 2020 is something of a launch party for a new documentary financing and production company, Concordia, formed by filmmaker Davis Guggenheim and former Participant Media production president Jonathan King, in partnership with Laurene Powell Jobs’s Emerson Collective. One quarter of the Documentary Competition slate boasts the Concordia logo. And then distressingly there’s Oprah Winfrey’s withdrawal as […]
by Scott Macaulay on Jan 24, 2020