Love stories set in a specific subculture are a hallmark of independent cinema, and for most directors the challenge is to simply find a fresh subculture that hasn’t had its inner workings drained and exploited by sundry other jndie movies or cable series. And while I won’t swear that no one else has set a romance in the world of erotic fan fiction, I can’t think of one other than Austin-based Clay Lifford’s Slash, which premieres today at SXSW. Below, Lifford talks about the “slash” world, not shooting his own film and Google search terms you should definitely avoid. Filmmaker: […]
by Scott Macaulay on Mar 13, 2016In November, 2014, Dan Schoenbrun threw down a provocative artistic challenge on Kickstarter. The former IFP-staffer, sometime Filmmaker writer, and current Film Partnerships lead at the crowdfunding platform conceived of an anthology film that would charge a stellar group of up-and-coming directors with adapting each other’s nocturnal visions. Each director would write down a dream and give it to Schoenbrun, who’d then assign it to another director. As you’ll read below, the pairings wound up being more natural and forced, with the intent being not a VHS-style horror anthology but rather a more diverse film unlocking all the meanings dreams, […]
by Scott Macaulay on Mar 13, 2016Back in 2005, young filmmaker Linas Phillips paid homage to a cinematic hero by recording a cross-country pedestrian journey in Walking to Werner — the “Werner” being, of course, Werner Herzog. At the time, he told Filmmaker, “I remember Werner saying if there is a big decision in your life, it should be done on foot.” Over a decade later, Phillips’ career has ambled through a number of interesting digressions, including acting in Manson Family Vacation and this latest, a narrative feature about the strange relationship between two brothers, one mentally challenged. It’s premiering at SXSW, and below Phillips updates […]
by Scott Macaulay on Mar 13, 2016After shooting a number of well-regarded shorts, including former SXSW selection Sequin Raze and Picturing Barbara Kruger, Ava Berkofsky makes her impressive dramatic feature cinematography debut with one of the most bracing movies on this year’s independent circuit, Free in Deed. The third feature from 2005 Filmmaker 25 New Face Jake Mahaffy, it’s a probing and at times assaultive story inspired by a real-life tragedy: the death of a young boy at the hands of a religious faith healer. Berkofsky’s fluid, expressionistic lensing brings the mental turmoil of the film’s characters — the healer, the boy, and the boy’s distraught, […]
by Scott Macaulay on Mar 13, 2016SXSW and Ti West have been to each other over the years. The Austin festival premiered his debut feature (The Roost) before going on to play Trigger Man and then breakthrough picture The Innkeepers, which landed West on our Winter, 2012 cover. Now he returns to Texas with, certainly, his starriest movie to date, and one that steps outside of the horror genre he’s best known for. Produced by his usual team alongside Jason Blum and his Blumhouse Pictures, In a Valley of Violence is a revenge western starring John Travolta, Ethan Hawke, Taissa Farmiga and Karen Gillan and set […]
by Scott Macaulay on Mar 12, 2016Multi-hyphenate Carson Mell has been known in the independent film world for some of the most subversively entertaining animated shorts of recent years, including Bobby Bird: The Devil in Denim. He’s acted, appearing recently in Marielle Heller’s The Diary of a Teenage Girl. And he’s now an established television writer, having written for the series Eastbound and Down and Silicon Valley. Which is all to say that the subject matter of his first feature would have been anyone’s guess. Beating a comedy about alcoholic astronauts to the punch is his SXSW-premiering, IFP Narrative Lab selection, Another Evil, a comedy about […]
by Scott Macaulay on Mar 12, 2016Virginia-born Josh Locy makes his feature debut at SXSW with Hunter Gatherer, a drama about forty-something African-American-man beginning life anew after prison — and after the support network he thought he had fail to reengage with him in his new life. Locy originally planned to become a Baptist minister, but a detour led him to the director David Gordon Green, for whom he worked, and the job of art director, which he now practices on various independent and studio films. Below, he discusses the origins of his story, what he learned from Green and how working in the art department […]
by Scott Macaulay on Mar 12, 2016Last year was a great one for SXSW Film. Two of the year’s best independent films, just reaching theaters now (Krisha and Creative Control), premiered at the festival, and the Film and Interactive conferences offered up their typically dizzying assortment of how-to panels, seminars and forward-thinking keynote talks. As I anticipate this year’s edition from, literally, an altitude of 30,000 feet, Barack Obama has already left the room, folks on Twitter are complaining about the long registration lines, and the gear heads and app-makers are setting up shop in the Austin Convention Center for their mammoth trade show. Me, I’m […]
by Scott Macaulay on Mar 11, 2016Don’t let the title mislead you: In a Valley of Violence is only Ti West’s second non-horror film. This time around, West tackles the Western with a tonal twist. In an inspired bit of expectation-reversing casting, this classic saga of a violent town on the frontier has John Travolta as the good guy and Ethan Hawke as the villain. The film premieres tomorrow at SXSW. In advance, cinematographer Eric Robbins answered some questions about shooting on 2-perf 35mm, lighting in the desert and his longtime collaboration with West. Filmmaker: How and why did you wind up being the cinematographer of your film? […]
by Scott Macaulay on Mar 11, 2016Opening in theaters today from Amazon Studios and Magnolia Pictures is Creative Control, Benjamin Dickinson’s wickedly intelligent social satire set in a near-future advertising world enamored with the latest thing: augmented reality. The New York-based writer/director’s second feature, following 2012’s lo-fi apocalyptic drama, First Winter, Creative Control is an impressive leap forward. Realized on a modest budget, the film won a special jury award at last year’s SXSW for “visual excellence,” and, indeed, Dickinson and his collaborators incisively riff on the very plausible possibilities of augmented reality rigs like Google Glass and Magic Leap to imagine a world where avatars, […]
by Scott Macaulay on Mar 11, 2016