As far as I know, this is a first: Québecois auteur Xavier Dolan’s fifth feature Mommy premiered at Cannes today, and word has trickled out from first viewers that it’s shot in a ratio that’s new to the movies. 1.1 is a perfect square: think a CD cover photo. Dolan shot a music video in the aspect ratio last year, which inspired him to do the same for Mommy — a fact he somehow managed to keep under wraps. In the press kit, Dolan explains his thought process: “After having shot a music video in 1:1 last year, it dawned […]
by Vadim Rizov on May 21, 2014Some notes of interest from the Cannes Film Festival as it enters its closing stretch: • Programmed in the less-exhaustively covered “Un Certain Regard” section, Philippe Lacote’s Run is the first film from the Ivory Coast to play at Cannes in 29 years. In an interesting interview with Reuters’ Michael Roddy, Lacote gets into the historical particulars of his genre movie and has some words about his relationship to the festival’s most prominent African film, Abderrahmane Sissako Timbuktu. “The problem with the international festivals and with European and American audiences is this ‘vogue,’” he notes. “People in the Occident want […]
by Vadim Rizov on May 21, 2014Thanks to director Darius Devas for emailing us about his interview from SXSW 2012 with Malik Bendjelloul, the late director of Searching For Sugar Man. In this five-minute interview, a thoroughly engaged Bendjelloul talks about finding his story, constructing a narrative that builds from one “and then” moment to another, and the human brain’s close resemblance to a chimpanzee’s.
by Vadim Rizov on May 21, 2014While we took the weekend off from keeping tabs on news in and around Cannes, here are some highlights we missed: • Over at the Montreal Gazette, Liz Ferguson rounds up photos of red carpet activism, ranging from nearly the entire cast of The Expendables 3 holding papers reading “Bring our girls back” (after riding down the streets in two tanks) to Jauja director Lisandro Alonso, star Viggo Mortensen, screenwriter Fabian Casas and other cast members bearing a sign reading “We want the trophy” in Spanish — a message of support for Buenos Aires’ Club Atlético San Lorenzo de Almagro, […]
by Vadim Rizov on May 19, 2014The outside world’s political problems are intruding more than usual on the Cannes Film Festival. Some relevant items: • A few days ago, Turkish culture minister Omer Celik was excited about coming to Cannes and bullish about the development of his country’s film industry. In an interview with Variety, Celik managed to more or less duck questions about Turkey’s attempted recent bans on YouTube and Twitter (“Turkey is a country with rule of law. Access to certain social-media sites such as Twitter and YouTube has been limited on legal grounds”). But Tuesday’s deadly coal mine collapse in the city of […]
by Vadim Rizov on May 16, 2014It’s day two of Cannes and initial reviews are starting to come in. Some items of related interest: • Thanks to an ongoing nationwide government worker strike over a four-year proposed pay freeze, travel to and from the festival is tricky, what with extensive flight delays and cancellations. Among those caught in the turmoil: the band Spandau Ballet, the subjects of a documentary set to premiere tomorrow. • At the Russian Pavilion, events kicked off with a showcase for Ukrainian-Russian co-productions. A tricky proposition given the current political climate, but producers Natalya Mokritskaya and Mila Rozanova were there to show […]
by Vadim Rizov on May 15, 2014Filmmaker Magazine‘s coverage of the Cannes Film Festival will begin soon. Today is day one; here are some contextual items of interest while waiting for the first reviews and interviews to roll in. • Fandor‘s David Hudson rounded up the largely scathing reviews for opening night selection Grace of Monaco, as well advance writing on the festival, including interviews with festival heads Gilles Jacob and Thierry Fremaux, on the defensive against charges that (among other things) Cannes recognizes the same safely-established world cinema directors year after year. • The main jury convened for a press conference, where head juror Jane […]
by Vadim Rizov on May 14, 2014The onset of summer movie season traditionally regularly journalistic notes on the current state of multiplex moviegoing, with a heavy emphasis on the incivility of unrepentant talkers and wielders of mobile devices. Serious consideration of the changing experiential aspects of normal multiplex visits are few and far-between; though my perspective is skewed by the particulars of mostly attending NYC’s multiplexes, some newish norms seem worth noting. Special screenings and parallel tracks are unignorable, even if not attending them According to Dealflicks (a sort of Priceline for discounted movie tickets), 88% of movie theaters are empty. High ticket prices and worry […]
by Vadim Rizov on May 12, 2014We’ve been covering development of the Digital Bolex camera for a while now. Designed to look like a 16mm camera and meant to simulate a filmic quality, it’s been a buzzed-about piece of technology since a March 2012 Kickstarter to raise funds for manufacture of the first 100 cameras. “I had been frustrated for a really long time that I was never quite able to get the look that I wanted with the cameras that were available to me,” camera co-developer Elle Schneider told Michael Murie in an interview last year. During his NAB new camera roundup last month, David […]
by Vadim Rizov on May 8, 2014“Have you wondered what your favorite movie looked like from the sidekick’s perspective?” asks the pitch video for Invisivision, a proposed new kind of 3D-and-more glasses being developed by PipeDream Interactive. The basic idea: since 3D already projects two images simultaneously, why not put those two information streams to a use other than creating stereophonic depth? The pitch video below outlines a potential multitude of uses. Would you like to choose which angle you watch a scene from — e.g., to toggle from the hero’s POV to the villain’s? Now you can, and that should be no extra work for […]
by Vadim Rizov on May 7, 2014