Authors — Vadim Rizov
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“A Tiny Drop of Dew”: Journey to the West at the Tribeca Film Festival
Journey To The West‘s 14 shots begin with an extended screen-filling close-up of Denis Lavant’s face, neck and shoulders. His carotid artery’s unignorable pulsing attests to how difficult it is to attain complete stillness and mastery of even a small portion of the body; wrapped in a Buddhist monk’s robes, Lee Kang-sheng’s subsequent slowgoing progress across Marseilles magnifies that strain across an entire person. Lee must always maintain motion without going any faster than absolutely necessary, and his legs and torso sometimes wobble with the effort of restraining more violent movements. In two extended centerpiece shots, he descends the stairwell […]
by Vadim Rizov on Apr 24, 2014 -
5 Questions for Ballet 422 Director Jody Lee Lipes
Making his name with Afterschool and Tiny Furniture, Jody Lee Lipes has quickly solidified his standing as one of the most impressive American cinematographers currently working. Alongside a diverse slate of DP work (he both shot and directed episodes of Girls and is currently working on Judd Apatow’s next feature Trainwreck), Lipes has also been establishing himself as a documentarian. 2009’s Brock Enright: Good Times Will Never Be The Same followed the title artist in the middle of a creative and personal breakdown/breakthrough; for 2010’s co-directed NY Export: Opus Jazz, Lipes staged a 1958 Jerome Robbins ballet on New York’s […]
by Vadim Rizov on Apr 22, 2014 -
5 Questions for Time Is Illmatic Director One9
Last year the Tribeca Film Festival opened with Mistaken For Strangers, a sideways documentary view of The National followed by a performance from the band. Attendees moved from screening venue to a separate show space, but this year both opening night parts were combined at Madison Square Garden’s Beacon Theater. First came One9’s Time Is Illmatic, a history of Nas’ seminal 1994 album, then the 20th anniversary performance. You can go here to read Brandon Harris’ take on the movie (which plays once more on Friday). Ten years in the making, One9’s debut documentary tracks the making of the instant […]
by Vadim Rizov on Apr 21, 2014 -
5 Questions for Traitors Director Sean Gullette
From 2005 to 2010, Sean Gullette (still most commonly ID’d as the star of Pi) lived full-time in Tangier, Morocco. Expanding on a 30-minute short made in 2010, Gullette’s feature directorial debut Traitors tracks a Clash-esque femake punk rock band (their big chorus is “I’m so bored with Morocco”) stuck in Tangier. When frontwoman Malika (Chainmae Ben Acha) decides to pay for a demo recording session with a one-off drug run, the film’s second half takes her out of the city and up to the Rif Mountains. The Tribeca Film Festival is the latest stop on an extensive festival circuit […]
by Vadim Rizov on Apr 20, 2014 -
5 Questions for Ne Me Quitte Pas Directors Sabine Lubbe Bakker and Niels van Koeverden
Sabine Lubbe Bakker and Niels van Koeverden’s Ne Me Quitte Pas (Don’t Forget Me) takes its name from a Jacques Brel song whose fervid tone fits its disheveled subjects well. Marcel and Bob are best friends: deep in rural Belgium, they wile away their hours in a drunken haze, footage that straddles a productively uncomfortable tragic-comic line. Marcel’s wife leaves him at the beginning, which gives him more time to spend with older, more grizzled, seemingly more resigned Bob: their epic drinking bouts regularly punctuate the film, getting into more and more dangerous territory as spiral downward and, unnervingly, take […]
by Vadim Rizov on Apr 18, 2014 -
Five Questions With Fishtail Director Andrew Renzi
After serving as a producer on films including Afterschool and Two Gates Of Sleep and directing three shorts, Andrew Renzi is transitioning to directing features with not one but two films in 2014. First up is Fishtail, a portrait of life on a Wyoming cattle farm shot in a mere four days. Speed doesn’t mean sloppy haste: Fishtail makes full use of its 16mm widescreen frame, carefully capturing agricultural processes that connect the present to the old American West. Later this year, expect Renzi’s Richard Gere-starring drama Franny; his documentary premiered yesterday at the Tribeca Film Festival. In an email […]
by Vadim Rizov on Apr 18, 2014 -
Five Questions With Intramural Director Andrew Disney
Take a look at Andrew Disney’s website — with his commercials, music video work et al. neatly assembled in their own sections — and you’ll see a very well-organized director adept at representing himself. An NYU alum, Disney (yes, he’s related, though not closely) made his feature debut with 2011’s Searching for Sonny, shot in his hometown of Fort Worth. Now an Austin resident, Disney returns with Intramural, a comedy of arrested development about a group of friends who get their fifth grade football team back together. Pitched as being in the vein of Wet Hot American Summer and Hot […]
by Vadim Rizov on Apr 17, 2014 -
Jon Jost Announces Fundraising Plans For 2K Transfers of Mark Rappaport’s Films
The fight between the great director Mark Rappaport (Local Color, From The Journals Of Jean Seberg) and Boston University film scholar/Cassavetes specialist Ray Carney has its origins in 2005, when the filmmaker entrusted copies of his movies to the professor. In 2012, Rappaport went public with the troubling contention that Carney refused to return his work, effectively making it impossible for the director to earn any revenue from exhibiting the films. As Rappaport wrote last year, “the chances of anyone or any organization either having the interest, inclination, and, even more importantly, the cash to go through the very expensive […]
by Vadim Rizov on Apr 16, 2014 -
For Holy Week, Philippines Censor Board Makes Sure Buses Show “Wholesome” Movies
In the Philippines, Holy Week (the period between the last day of Lent and Easter Sunday) is a big deal, as you’d expect from the third largest Catholic country in the world. Part of Holy Week involves a mass exodus from capital Manila to smaller villages as residents go to be with their families, creating major logistical headaches on the traffic front. As part of gearing-up efforts, inspections of the bus stations began yesterday. 594 buses were granted special permits to drive outside of their normal routes, part of a larger array of regulatory measures. Separately, the country’s censor board […]
by Vadim Rizov on Apr 15, 2014 -
History on Autopilot: Errol Morris’ The Unknown Known
Throughout season one of The Newsroom, viewers could play an idle game before each episode: which recent news item would be put through the Aaron Sorkin wringer, morphing from painful recent incident to an amusing babble of rapid-fire speech set in comfortably familiar rhythms? Sorkin’s been around so long his trademark back-and-forth/walk-and-talk exchanges smack of self-parody even when well-executed. His familiarity/inflexibility suggests a belief that any historical event or dramatic situation can be processed through the writer’s usual dialogue tricks and emerge with a sufficiently revelatory perspective. The same erroneous assumption underlies Errol Morris’ The Unknown Known, which has expanded […]
by Vadim Rizov on Apr 14, 2014
