Authors — Vadim Rizov
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“25 New Face” Rodrigo Reyes on Purgatorio (+ Trailer Premiere)
There’s no lack of films and TV shows focusing on Mexican-American relationships mediated by the border, their focus most commonly on the never-ending drug wars. On TV, The Bridge and Breaking Bad criss-cross between the two countries, mapping out mayhem and violence, as do recent documentaries like 2010’s El Sicario, Room 164, 2011’s El Velador and this year’s Narco Cultura. 2013 “25 New Face” Rodrigo Reyes’ Purgatorio is a different kind of border movie, beginning with footage of rural Mexico as the director urges us, in voiceover, to “try to imagine what the world was like, many, many years ago. Try to […]
by Vadim Rizov on Sep 6, 2013 -
“I Would Never Do This to a Friend”: Tobias Lindholm on A Hijacking
A Hijacking, Tobias Lindholm’s first feature as a solo director (his first film, 2010’s prison drama R, was co-directed with Michael Noer) begins before its title event, with cargo ship cook Mikkel (Pilou Asbæk) calling home to his wife, and it ends after it’s all over. But the bulk of the film is a two-setting procedural, radiating verisimilitude both on-board and in the corporate offices, where a CEO (Søren Malling) personally conducts negotiations with hijackers. During an interview with Filmmaker, Lindholm spoke about the production in all its preparatory and practical aspects. Filmmaker: When I heard the sound of the […]
by Vadim Rizov on Jun 13, 2013 -
“Someone Who’s Arrogant Who’s Being Killed:” Ben Wheatley on Sightseers
Ben Wheatley first gained attention with a nine-second video clip that went viral in the pre-YouTube era. In “Cunning Stunt,” a man successfully jumps over a moving car, celebrates, and is instantly wiped out by an unseen oncoming vehicle. It’s a funny, jolting gag restaged in Wheatley’s 2009 feature debut Down Terrace (a sick-funny look at a homicidal low-tier-criminal family bumping off everyone in their immediate circle). Death by vehicular homicide again makes for the first death in his latest film Sightseers. Chris (Steve Oram) just wants to take his girlfriend Tina (Alice Lowe) on a relaxing rural trip through […]
by Vadim Rizov on May 9, 2013 -
Ron Morales on Graceland
Ron Morales’ nifty second feature Graceland centers on Marlon Villar (Arnold Reyes), driver to corrupt senator Manuel Chango (Menggie Cobarrubias). The senator’s a pedophile with a penchant for underage hookers; Marlon — struggling to raise funds for an organ transplant for his ill wife — turns a blind eye. The two men’s daughters are friends, but when Marlon’s child is mistaken for the senator’s during a kidnapping, he has to lie his way into making sure the senator puts up the ransom funds. Running around Manila at the child-snatchers’ behest, Marlon and Morales take in a broad swath of pungent […]
by Vadim Rizov on Apr 26, 2013 -
True/False Film Festival 2013
This was my fourth year attending Columbia, Missouri’s documentary-oriented True/False Film Festival, which this time celebrated its 10th anniversary — a number calling for reflection, with the attendant risk of self-congratulation. A commemorative book was released, and nearly every screening had its reserved tickets sold out (ticket sales were up about 5,000 from last year, placing the festival at around 42,000 advance tickets sold), but signs of hubris or overcrowding and goodwill-fraying logistical problems were minimal. My attending experience has remained consistent: commendably adventurous programming during the day, a sort of free-for-all of critics, filmmakers and college students running around […]
by Vadim Rizov on Apr 23, 2013 -
Five Questions with Let The Fire Burn Director Jason Osder
Founded in 1972, the Philadelphia-founded black liberation group MOVE Organization (the capitals break down into an acronym) preached a return to nature, annoying their neighbors by having bullhorns broadcast their beliefs all night and letting garbage fester in their yard. On May 13, 1985, Wilson Goode — the city’s first black mayor — approved dropping a bomb on their house as part of an eviction effort. 11 MOVE members died, including 5 children, and destroyed 61 houses. Jason Osder’s documentary feature debut Let The Fire Burn resurrects the incident almost exclusively through archival footage of TV broadcasts, home movies and […]
by Vadim Rizov on Apr 19, 2013 -
Five Questions for The Genius of Marian Directors Banker White and Anna Fitch
Banker White’s first feature, Sierra Leone’s Refugee All Stars, followed the titular group of musicians from a refugee camp in Guinea to their home and back again; his second feature, The Genius of Marian, is much closer to home. After his mother was diagnosed with early onset Alzheimer’s, White came back home to help with caretaking. In 2009 he began shooting conversations with his mother for therapeutic purposes, eventually realizing he was working on his next project. Shot over three years, the resulting film was co-directed by White’s wife (then-girlfriend) Anna Fitch. Arriving in New York in advance of the […]
by Vadim Rizov on Apr 18, 2013 -
Quentin Dupieux on Wrong and Wrong Cops
Many musicians have dabbled with movies, but few have stuck it out and become as well known separately for their film work as director/d.p./editor Quentin Dupieux. Formerly best known as electronica artist Mr. Oizo, Dupieux began making short films at age 15. His first two features — 2002’s Nonfilm and Steak — didn’t attract attention outside of France, but 2010’s Rubber introduced him to a wider audience. The film follows killer tire Robert’s deadly road trip across California, beginning with a direct-to-the-audience monologue from actor Stephen Spinella explaining Dupieux’s philosophy of narrative and his bizarre sense of humor. “In the […]
by Vadim Rizov on Mar 27, 2013 -
Five Questions with Touba Director Elizabeth Chai Vasarhelyi
Elizabeth Chai Vasarhelyi’s Touba was seven years in the making: five of shooting, two of post-production. It grew out of her second documentary — 2008’s Youssou N’Dour: I Bring What I Love — which followed the legendary Senegalese musician before and after 2004’s Egypt album, whose religious themes raised the ire of the country’s religious argument. Her newest film began life on vibrantly grainy 16mm, following an annual Senegal trek undertaken by hundreds to the city of Touba to visit the home of Sheikh Amadou Bamba, founder of the Mouride Brotherhood. Like her last film, Vasarhelyi’s newest focuses on Islam […]
by Vadim Rizov on Mar 8, 2013 -
Five Questions with The Bounceback Director Bryan Poyser
Bryan Poyser has been a fixture of Austin’s film scene for a decade, even as it’s remained in flux. As a director, he made his feature debut with 2004’s Dear Pillow, in which a teen struggling with sex gets mentored by a fiftysomething ex-porn director. 2010’s follow-up Lovers Of Hate (half shot in Austin) was a perversely comic sexual rondelay in which a demented ex skulks in the mansion where his former partner and her new lover are taking a vacation, spying on both while trying to keep his presence a secret. Poyser’s third feature, The Bounceback, is his first […]
by Vadim Rizov on Mar 8, 2013
