If there’s any film festival that could possibly benefit from this pandemic era’s new virtual normal, consider the one in the most remote major city in the world, Honolulu. (The city’s closest neighbor with a population over 500k is San Francisco, a mere 2386 miles away). The launch pad for Hawaiian filmmakers, a cultural centerpiece for cinematic voices across the Pacific Islands and Polynesia, and a proven showcase for East Asian genre and arthouse cinema, the Hawai’i International Film Festival has always spread its proverbial audience net far and wide, with theaters filled with high-school surfers one moment, and the […]
SFFILM, in partnership with the Westridge Foundation, announced today the six films that will receive a total of $100,000 in funding as part of the SFFILM Westridge granting program. One of the few grants available to narrative filmmakers in the development phase, a SFILM Westridge grant helps “protect filmmakers’ creative processes, and allows them the time and space to concentrate properly on crafting their story, structure, characters, and themes, and refining their projects before diving into financing, production, and beyond.” SFFILM and the Westridge Foundation also announce that this sixth edition will the last for this grant, which was initiated […]
Artist and filmmaker Alison Nguyen — selected for Filmmaker‘s 2018 25 New Faces and a contributor to this Summer’s Pandemic Diaries — is showing new work featuring her Andra8, “a computer-generated woman based on the artist’s physicality.” As part of her current virtual exhibition at the Hartnett Gallery, i broke my mind at the link in the bio (running through December 18), Nguyen will screen today, Monday, November 23, her new my favorite software is being here, which captures the data-driven emotional rhythms and perceptive swings of her virtual creation. The piece, which is highly recommended, screens free today 6:30 PM Eastern […]
From the mid to late 70s John Belushi was a multimedia meteor, seemingly destined to be an inescapable part of the zeitgeist for years to come. The outsized and ubiquitous talent — original cast member on late night TV’s SNL, scene-stealing star of the big screen (National Lampoon’s Animal House, The Blues Brothers), and hit record maker (again with The Blues Brothers) — was so inescapable that when in 1982, at the age of only 33 and the peak of his career, his life crashed to a drug-fueled end at L.A.’s Chateau Marmont, the shock to the world was seismic. So how […]
Mo Scarpelli’s El Father Plays Himself, which premiered at Visions du Réel, is now at DOC NYC and will next be hitting IDFA, is one complicated multilayered journey, both logistically and emotionally. It began when Scarpelli (Anbessa, Frame by Frame) decided to train her documentary lens on a narrative feature in the making — specifically her partner Jorge Thielen Armand’s La Fortaleza (which premiered at Rotterdam). La Fortaleza in turn is based on the hard-hitting, hard-drinking life of Jorge Roque Thielen, the director’s father, who stars as himself in his own story. That “el father” remains as wild and unpredictable […]
The Independent Filmmaker Project (IFP) announced today the nominees for its 30th annual IFP Gotham Awards. Kelly Reichardt’s First Cow received the most nominations — Best Feature, Best Screenplay, Best Actor and Breakthrough Actor. Other multiple nominees include Chloé Zhao’s Nomadland, Radha Blank’s The 40-Year-Old Version, Charlie Kaufman’s I’m Thinking of Ending Things, Eliza Hittman’s Never Rarely Sometimes Always, Natalie Erika James’s Relic and Alex Thompson and Kelly O’Sullivan’s Saint Frances. And, for the first time, all five of the Best Feature Nominees — The Assistant, First Cow, Never Rarely Sometimes Always and Relic — are directed by women. “We congratulate […]
As a New Yorker who has long prided my ability to namecheck most of the experimental art pioneers of the 1960s, I’m embarrassed to say I’d never heard of Steina and Woody Vasulka before watching Hrafnhildur Gunnarsdóttir’s The Vasulka Effect. Sure, I knew of The Kitchen, the legendary performance space the couple founded in 1971. And of course I was familiar with the work of the sound and visual visionaries that the Soho (now West Chelsea) institution provided a platform for — from Philip Glass and Laurie Anderson to Nam June Paik and Bill Viola. I’d just never connected a […]
If there’s one thing we can all agree on in these polarized times it’s that 2020 will inevitably go down in history as one WTF year. And since I generally tend to adore batshit insane films — and especially batshit insane cinematic nonfiction — I was pleased to discover a wealth of WTF treasure buried inside this year’s (a bit overwhelming at 108 features and 92 shorts!) virtual DOC NYC lineup, which begins today. So in honor of this global topsy-turvy moment, here’s just a handful of my favorite gems that, humbly and with little fanfare, screwed with my mind […]
Appropriately presented the day before Halloween, the SCAD Savannah Film Festival’s “Women of Blumhouse: Shaping Genre Storytelling at the Iconic House of Horror” provided an intriguing peek inside the multifaceted production house from a female POV. Moderated by Variety’s Deputy Awards and Features Editor Jenelle Riley, the three executives Zooming in included Blumhouse Television’s head of physical production, Lisa Niedenthal; Blumhouse Productions’ executive vice president of development for feature films, Bea Sequeira; and Blumhouse Productions’ head of casting, Terri Taylor. There’s “so much emerging talent in this genre,” Niedenthal enthused when asked about working in today’s scary movie world. Though Niedenthal […]
The New York Film Festival concluded several weeks ago; the much-anticipated Presidential debates came and went. Today we face the outcome of an existential election, and I find myself still thinking about three exceptional films at NYFF 58, two documentaries and one drama, that throw certain features of our national political crisis into sharp relief, intentionally or not, as only great films can do. The documentary MLK/FBI, from accomplished director/producer/editor Sam Pollard, revisits the final decade in the life of the Rev. Martin Luther King Jr., ending with his assassination in 1968, a period during which our tax dollars underwrote […]