How did events of 2020—any of them—change your film, either in the way you approached it, produced it, post-produced it, or are now thinking about it? The filmmaker often begins with a vision: maybe the inspiration of a song, a book, or a hot social issue. Or perhaps it is simply an extraordinary person whose story must be told. This process begins with inspiration and often yields to obsession as we go deeper into turning our inspiration into reality. And along this path it is not uncommon to meet up with that sly artist rigidity, a doppelgänger of our most […]
Each year Filmmaker asks all the incoming feature directors at Sundance one question. (To see past years’ questions and responses, click here.) This year’s question: “How did events of 2020 — any of them — change your film, either in the way you approached it, produced it, post-produced it, or are now thinking about it? “The Scope of the Story Also Expanded”: Director Nanfu Wang | In the Same Breath “I Feel Like in 2020 I Was Lucky”: Director Miriam Guttmann | Seeds of Deceit “Whether It’s a Refugee Crisis or a Pandemic, We Are All in This Together”: Director […]
How did events of 2020—any of them—change your film, either in the way you approached it, produced it, post-produced it, or are now thinking about it? In the Same Breath is a product of 2020. The project was developed in response to events from the very beginning of the year in Wuhan, and as the year unfolded and the impact of the virus was felt just about everywhere on Earth, the scope of the story also expanded. Every new day, in my personal life as well as in the making of this film, I was forced to adapt to the […]
How did events of 2020—any of them—change your film, either in the way you approached it, produced it, post-produced it, or are now thinking about it? My middle name is Mazal, which means “luck” in Hebrew. My grandmother used to say “one needs a bit of Mazal.” I feel like in 2020 I was lucky. I was able to finish the project I had been dreaming about for 2.5 years. We worked around the challenges, we feared we might fail, but we flied! (Check back daily during the festival — new answers are uploaded on the day of each film’s […]
How did events of 2020—any of them—change your film, either in the way you approached it, produced it, post-produced it, or are now thinking about it? I was in Oslo, Norway finalizing Flee, when the Danish Prime Minister went on TV calling for a national lockdown because of the COVID-19 pandemic. I made it home to Copenhagen just before the borders closed and from there it felt like everything went into slow motion. The very final steps of finishing the film took as long as the rest of the entire production, and as all the cinemas around me had closed […]
Following its successful first edition, Sentient.Art.Film’s second season of online repertory series is relaunching the successful online repertory series “My Sight is Lined with Visions,” (January 26, 2021 – January 25, 2022), which will live online from today, January 26, through January 25 of next year—notably, with no geoblocking. Co-curated by programmers Abby Sun and Keisha N. Knight, the series focuses on 1990s Asian American Cinema. From the press release: Two new programs are added to the relaunch and will be available to the public via online rental for the first time. Marlon Fuentes’s rarely-screened first and only feature, Bontoc […]
Eliza Hittman’s Never Rarely Sometimes Always topped Film Independent’s nomination list for the 2021 Spirit Awards. The reproduction rights drama scored seven nominations, including Best Feature, Best Director, Best Screenplay and Best Female Lead. Other films receiving multiple nominations include First Cow, Minari, Ma Rainey’s Black Bottom, Sound of Metal and Nine Days. New this year are five new categories for script and unscripted television. Also new this year is the event’s date and time. Rather than the afternoon the day before the Oscars, the Spirits this year will be an evening event on April 22, three days before. Commented […]
One of the few upsides to the Full Frame Documentary Film Festival’s necessary pivot to digital was the smart decision to take its A&E IndieFilms Speakeasy discussions online with the rest of the fest – and one step further. Now these always inspiring panels have been expanded to year-round, free virtual events. While the palpable camaraderie at this southernly hospitable fest unfortunately can’t be replicated through Zoom, the insight from the many brilliant doc-making minds Full Frame consistently brings together still shines through. And the most recent edition “Black Frame: New Voices of Documentary,” which took place January 13, proved […]
During last night’s Gotham Awards, Gotham Film & Media Institute Executive Director Jeffrey Sharp announced the creation of The Joel Schumacher Mentorship Award in partnership and endowed by MTV Entertainment Group. Honoring the legacy and social consciousness of the director of such films as Tigerland, Falling Down, Car Wash and St. Elmo’s Fire will be a scholarship enabling four undergraduate students to attend the The Gotham EDU summer program, according to the press release, “an eight-week curriculum which will offer workshops to hone career development and technical skills, master classes hosted by industry decision makers, and insight from mentors through one-on-one […]
The Gotham Awards — the long-running event by IFP, which used tonight’s ceremony to formally unveil the organization’s name change to The Gotham Film & Media Institute — has long occupied pole position in the year’s film awards ceremonies, followed by, among others, the SAG Awards, the Spirit Awards and, of course, the Oscars. So too this very different year, when live events are precluded because of the COVID-19 pandemic. Tonight’s event was streamed live from The Gothams’ usual location — Cipriani Wall Street — with The Gotham Executive Director Jeff Sharp presiding over ceremonies that saw some presenters walk […]