The 33rd Jerusalem Int’l Film Festival celebrated the 30-year anniversary of Avanti Popolo (1986), directed by Rafi Bukai, with the premiere of a newly completed digital restoration. Now considered an Israeli classic, the film is set during the last days of the Six Day War. The story focuses on two Egyptian soldiers (played by two Palestinian actors) who are trying to get out of the Sinai desert war zone and back home to safety in Cairo. Unusual for an Israeli feature: the Arab soldiers are positioned as the central, sympathetic protagonists. Even more unusual: they ultimately join up with three Jewish […]
By the time most of the prominent guests, critics and industry hangers-on arrive at the Seattle International Film Festival every year, the show is almost over. The red carpet is rolled out for “gala” screenings during each of its four weekends, but the well-orchestrated influx of movie business types occurs only at the end of the affair. To say, as a visiting film critic — one who might enjoy the luxury of the Kimpton hotel guest lodging, or the effortless springtime beauty of the Emerald City — that you have any handle on the entirety of programming director Beth Barrett’s […]
Over the last decade, Los Angeles-based film artist Anna Biller has eked out a small but fervid following; watching her films is like undergoing hypnosis by means of feng shui, wherein the viewer is lulled into a stilted, cheeky and brilliantly manicured simulacra of golden-era Hollywood staging, blocking and delivery. However indebted these forms are to their masculinist forebears, Biller is not content to be considered a pastiche artist: in the below discussion she concedes that her choices are guided by what gives her cinephilic pleasure, although — because? — the feminist interrogations of her work are impossible to ignore. She […]
Now entering its tenth year, Cinema Eye, the organization that recognizes outstanding work in nonfiction film, today announced the ten films that have been named as semifinalists for Outstanding Achievement in Nonfiction Filmmaking for Television. Films eligible for this award must have aired or broadcast between June 1, 2015 and May 31, 2016, which explains why O.J.: Made in America, Ezra Edelman’s stunning five-part documentary series for ESPN, which premiered June 11, didn’t make the list. Among the documentaries recognized this year are HBO Documentary Films’ Mapplethorpe: Look at the Pictures by documentary veterans Fenton Bailey and Randy Barbato, A&E’s Happy Valley, […]
While often demonized and misunderstood, the Hasidic community is an insular one that keeps to itself. No wonder then that the community is underrepresented cinematically. There aren’t many honest representations on film that explore the meanings of its traditions and rituals with vibrancy or humor. This is one of the reasons writer/director Joshua Z. Weinstein sought out to make Untitled Hasidic Film, in order to portray this world in the most authentic way possible. The film features actual Hasidic non-actors, a rarity to say the least, and is entirely in Yiddish. Joshua embedded himself in this world earning the trust […]
Stephen Elliott is an author, filmmaker, and founding editor of the respected literary web site, The Rumpus. He co-wrote and directed the James Franco-starring About Cherry, which premiered at The Berlin International Film Festival in 2012 before screening at other festivals. And the film The Adderall Diaries, based on his memoir of the same name, premiered at Tribeca in 2015. With these credentials, he (rightly?) assumed that his own second feature, Happy Baby, based on his novel of the same name, had a reasonable chance of getting accepted into one of the more than 15 film festivals he submitted to. But, it […]
DOC NYC, billed as America’s largest documentary film festival, will expand its industry-focused programs for the seventh edition of the film festival. The New York-based festival will run from November 10-17, with the Visionaries Tribute luncheon taking place on November 10. “For six years, we’ve carefully nurtured our industry offerings to establish a must-attend gathering,” said DOC NYC artistic director Thom Powers in a statement. “Last year saw major growth under the new banner of DOC NYC PRO, the new conference location at Bow Tie Chelsea Cinemas and its new lounge. This is a vital networking hub for doc makers to get their future films […]
The Sundance Institute today announced the anticipated rosters for its Screenwriters Lab, Documentary Edit and Story Lab and new Theatre-Makers Residency as well as a major now presentation change. For the first time, these labs will run concurrently in a “multi-Lab” format at the Sundance Resort in Utah. But the format is not just an alteration of the calendar. Individual Lab Fellows will participate in portions of the other labs, giving these Sundance programs an interdisciplinary flavor. Said Keri Putnam, Sundance Executive Director, in a statement, “The unique gathering of independent voices, for the first time in a multi-Lab setting, […]
At a time when both traditional theatrical film exhibition and nonprofit operations are confronting new obstacles, Seattle’s Northwest Film Forum is re-defining the role of the regional independent film center. The recent promotion of 27-year-old Courtney Sheehan, from Artistic Director to Executive Director marks a new direction for the 20-year-old film center. Since Sheehan joined the organization as program director in 2013, The Northwest Film Forum has increased box office and ramped up audience engagement, donated hundreds of hours of venue rental space and staff time to community groups, and created new partnerships. Recent program partnerships include KEXP, Civilization, Fandor, Brick Lane Records, the University of Washington, the […]
Two years ago, Filmmaker featured Heidi Saman on our annual list of “25 New Faces of Independent Film.” The filmmaker and associate producer at NPR Radio’s Fresh Air had just concluded a successful Kickstarter campaign for her debut feature Namour and was beginning to prep for production. What a difference two years makes. Namour will have its world premiere in the LA Muse section of this year’s Los Angeles Film Festival, where it debuts on June 5. The story of Steven, a young Arab-American valet at a slick L.A. restaurant, caught between his dead-end job and the demands of his immigrant family, Namour references such disparate films as The Graduate and Taxi […]