“How to make sense of the Tribeca Film Festival” was the altogether appropriate headline of the New York Times preview of the Tribeca Film Festival. Even as the festival is only a third of the size of most larger festivals — statistic courtesy of Festival Director Genna Terranova at yesterday’s Robert DeNiro and Jane Rosenthal-hosted press lunch — it still unveils itself with a dizzying shock and awe. There are films, but also talks with people you don’t want to miss, from Patti Smith to Emmanuel Lubezki, as well as master classes by filmmakers like Catherine Hardwick. As with most […]
Last year, David Byrne — capable of developing a deep enthusiasm for and knowledge of seemingly anything — held four concerts at Brooklyn’s Barclays Center. Ten color guard troops from across the country performed routines to songs written just for them by ten artists; performance highlights include Byrne himself, St. Vincent and Tuneyards. The Ross brothers’ Contemporary Color is a documentary of this unusual performance that refuses to just be a concert movie. The film regularly skips away from the arena altogether, lurking backstage with waiting performers or cutting back to individual performers seen, in dreamy almost-flashbacks, in their hometowns. Performances themselves are […]
Announced this morning, this year’s Cannes slate brings forth the expected pack of established masters in Competition, with some unexpected outliers sprinkled in per usual (Brillante Mendoza!). You’ll want to turn to David Hudson for a thorough annotation of everything known about these films to date. (Annual gender equity note: three out of 20 films in competition are directed by women.) A special congratulations to overachiever Jim Jarmusch for having two titles at Cannes: the Adam Driver drama (?) Paterson in Competition, and Gimme Anger, a documentary on The Stooges. Opener Cafe Society (Woody Allen) Competition Aquarius (Kleber Mendonça Filho, Brazil) American Honey (Andrea […]
The Camden International Film Festival (CIFF) is now accepting submissions for its Points North Fellowship, which provides grants bringing six teams of filmmakers to participate in the Points North Pitch at the Camden International Film Festival from September 15-18, 2016. For the first time in 2016, all selected Points North Fellows will receive a $2,000 cash grant sponsored by the Chicago Media Project and an individual donor. The six projects selected for the Points North Fellowship will receive two All Access passes to the festival, five nights of accommodations and a round-trip flight to Maine. The Fellowship takes place before, during and even […]
Since its first edition in 2009, the Big Ears Festival in Knoxville, TN has earned a reputation as a daring music festival whose eclectic lineup is unfettered by commercial or corporate concerns. Artists run the gamut: avant garde jazz (Anthony Braxton), experimental hip hop (Shabazz Palaces), electronic (Nicolas Jaar), modern classical (Philip Glass). All of this takes place in remarkable indoor venues within walking distance of each other in the city’s downtown center. Governed by the idiosyncratic taste of its founder, Ashley Capps of AC Entertainment, Big Ears has attempted to expand its scope into film and video. In the 2015 edition, there was a […]
IFP Film Week, the Independent Filmmaker Project’s signature event, is moving to from the Upper West Side of Manhattan to Brooklyn for its 2016 edition. The event, which has morphed and shifted emphasis over its 37 years, is now, says the IFP, “the only international co-production market for film – and now television, web-based, and VR projects – in the United States, with over 150 projects from over 22 countries curated and presented as scripts and works-in-progress each year. ” The event runs from September 17 – 22, 2016. IFP Film Week joins the IFP itself, which moved to the DUMBO […]
Now in its third year, Oregon Doc Camp, presented by Women in Film Portland, invites experienced documentary filmmakers to gather in an intimate, informal setting and work on career development. The event will run from May 12-15, 2016 at Silver Falls Lodge and Conference center in Sublimity, Oregon. This year’s programming will be centered around the themes of narrative storytelling and independent distribution, with a three-day program consisting of workshops, lectures, case studies, screenings and a master class, as well as the opportunity to screen works-in-progress. Director Jennifer Grausman, who most recently directed and produced the feature documentary Art & Craft and previously directed and produced […]
Just a day after issuing a statement supporting what he dubbed a personal decision to screen a controversial documentary, Vaxxed, by discredited researcher and former doctor Andrew Wakefield, Tribeca Film Festival co-founder Robert De Niro has pulled the film from this year’s festival. Last night, De Niro issued the following statement: My intent in screening this film was to provide an opportunity for conversation around an issue that is deeply personal to me and my family. But after reviewing it over the past few days with the Tribeca Film Festival team and others from the scientific community, we do not […]
Tribeca Film Festival, I love you but you made a very serious mistake. On Monday, the widely discredited and dangerous anti-vaccination quack Andrew Wakefield tweeted: “Haven’t posted forever. Huge news tomorrow.” Perhaps he hadn’t “posted forever” because the media finally stopped giving him a megaphone. Perhaps once people in America and England began dying of measles, journalists finally realized that the “two sides to every story” approach granted Wakefield was literally killing people. Last I heard, Wakefield was headlining Conspira-Sea, a seven-day cruise where passengers learn about crop circles, chemtrails, yogic flying, ESP and astrology. Good, I thought, that’s where […]
Throughout this year’s Neither/Neither program at the 13th annual True/False Film Festival, I found myself frequently calling to mind storied Los Angeles film curator John Fles’ concept of “analytic programming.” Far less pedantic than the label suggests, Fles’ directive calls, quite simply, for the curatorial consideration of films with “subjects usually tabooed” — works of artistic merit that, when investigated at all, are generally “dealt with a kind of academic-aesthetic paternalism which robs these often wild films of their real content: as blasters of the traditional mores.” To say that this year’s Neither/Nor titles blasted traditional mores would be an understatement. The four […]