Festivals & Events
Festivals & Events
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Capturing Sweet Innocence: DP Ellie Ann Fenton on the Cinematography of Slash
Expanded from his 2013 short of the same name, Clay Liford’s Slash is a comedy of youthful sexual awakening set against the backdrop of slash fan-fiction, the amateur writing pursuit that places beloved pop culture characters in previously-undreamed-of erotic situations. In his first feature since 2011’s Wuss, Liford gives himself an extra challenge by committing to filming the sci-fi universe of Vanguard, a fictional character made up for the film (to duck the cost of obtaining intellectual property costs to existing characters). We interviewed Liford prior to the film’s premiere; below, DP Ellie Ann Fenton discusses being equally inspired by the cinematography […]
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Styling the Comedic Horror Film Another Evil like My Dinner with Andre: DP Drew Bienemann
For his feature debut Another Evil, writer/animator Carson D. Mell tackles the risky horror-comedy genre. A husband and wife discover that their vacation home may be populated by malign spirits, bringing in two separate exorcists to deal with the problem. Comedy is courtesy of a cast of familiar TV presences (including Togetherness‘ Steve Zissis and Veep‘s Dan Bakkedahl), horror courtesy of the tone established by Mell and DP Drew Bienemann. Prior to the film’s SXSW premiere, Bienemann talked about being guided style-wise by My Dinner with Andre, getting a recommendation for the job from Jody Lee Lipes and the importance of shooting on an Alexa. […]
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SXSW: Asperger’s Are Us Director/DP Alex Lehmann on Being “In It for the Story”
DP Alex Lehmann leaps to the director’s chair with Asperger’s Are Us, a documentary about an unusual comedy troupe. With one of its members soon leaving Boston to study abroad, the improv group consisting of four young men on the spectrum prepares for what may be its final performance. Executive produced by the Duplass brothers, the documentary was quickly purchased by Netflix for worldwide distribution. Ahead of Asperger’s Are Us‘s premiere at SXSW, Lehmann discussed acting as his own DP, scrounging for enough cameras to film the climax and following the story. Filmmaker: How and why did you wind up being the cinematographer of your film? What […]
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SXSW: Tree of Life Plus the Doors — Rainbow Time DP Nathan M. Miller
In his follow-up to Manson Family Vacation, director Linas Phillips turns his attention to the troubled relationship between Todd (Timm Sharp) and his sex-obsessed, developmentally delayed older brother Shonzi (Phillips). A Duplass brothers production with Melanie Lynskey as Todd’s girlfriend, the film premiered this weekend at SXSW. Before, DP Nathan M. Miller spoke about using The Doors (not the movie!) as a reference point, working with a small crew and integrating VHS into the production. Filmmaker: How and why did you wind up being the cinematographer of your film? What were the factors and attributes that led to your being hired for […]
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SXSW: Hunter Gatherer DP Jon Aguirresarobe on Shooting Fast, Shooting Super 16mm Dissolves and Emulating Fuji Stocks
Ashley Douglas (Andre Royo) gets out of jail eager to start over, but nothing goes as planned; his girlfriend is now his ex, he’s living with his mother, and it’s hard to find work. Josh Locy’s feature debut Hunter Gatherer (we interviewed the director here) was shot by Jon Aguirresarobe, whose attentive eye brings south Los Angeles neighborhoods to life. Prior to the film’s SXSW premiere, Aguirresarobe discussed the difficulties of production on a tight schedule, shooting dissolves on Super 16mm and attempting to emulate Fuji film stock. Filmmaker: How and why did you wind up being the cinematographer of your film? What were the factors […]
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SXSW: Five Questions for Boone Director Christopher LaMarca
Placing the viewer amidst the everyday workings of a goat farm in southern Oregon, Christopher LaMarca’s Boone represents a daring exercise in direct cinema filmmaking. Originally a photojournalist interested in environmental causes, LaMarca found the setting of the farm to be an ideal location for one of his two feature filmmaking debuts (The Pearl, which he co-directed, premiered recently at True/False). Boone immerses the viewer in the fields, barns and homes of the farm’s human and animal inhabitants. As discussed below, LaMarca spent much more time on the farm than originally planned, finding it necessary to fully immerse himself in the day-to-day experience of the strenuous grind. With […]
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SXSW: Five Questions for The Arbalest Writer-Director Adam Pinney
As part of the Atlanta-based film collective Fake Wood Wallpaper, Adam Pinney has accumulated credits as an actor, editor, cinematographer, camera operator, grip, producer and director on projects such as Joe Swanberg’s 24 Exposures and Alex Orr’s A Is for Alex. With his latest project, The Arbalest, which has its world premiere tonight in the narrative feature competition at SXSW, Pinney makes his feature debut as a writer-director with a distinct visual aesthetic. The Arbalest, which was selected for the 2015 IFP Narrative Lab, tells the story of Foster Kalt (Mike Brune), a famous and reclusive toy inventor, who reflects on his lifelong obsession with Sylvia Frank […]
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SXSW: Five Questions for The Bandit Director Jesse Moss
Jesse Moss’ documentaries often take on heavy material, and his last film — 2014’s The Overnighters — was no exception. The experience of profiling pastor Jay Reinke — a North Dakota minister whose decision to open up his congregation to homeless laborers seeking oil field work placed him at odds with his flock — took a heavy toll on Moss. His new documentary The Bandit is a completely different kind of movie, an archival-based profile of Burt Reynolds and his good friend Hal Needham. Moss examines their complicated relationship through the making of 1977’s Needham-directed Smokey and the Bandit, a film still in regular circulation […]
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SXSW: Five Questions for Beware the Slenderman Director Irene Taylor Brodsky
An incident so horrific it could only be attributed to an otherworldly paranormal presence, the stabbing of a twelve-year-old girl by two of her friends in Waukesha, Wisconsin made national headlines in the spring of 2014. Lured into the woods, stabbed nineteen times and left for dead, the girl survived and her two assailants, also twelve years of age, were quickly apprehended. Claiming that they were carrying out the deadly attack in honor of the Slenderman, a fictional murderer whose mystique had been bolstered by rabid internet lore and perverse fascination, the girls’ reprehensible act was a unique case of the […]
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SXSW: Interactive Documentary EXIT: A Mobile Guide to the Post Apocalypse
Audiences are slowly growing accustomed to watching films on their phones — and even watching movies shot on phones — but what about projects made explicitly for phones? Today at Convergence at SXSW, in a session entitled “Cinematic Apocalypse: Storytelling for Smartphones,” audiences will get a sneak preview of the first segment of Jongsma + O’Neill‘s interactive documentary, EXIT: A Mobile Guide to the Post Apocalypse, which was designed to be experienced on a phone. Along with POV and Submarine Channel, Kel O’Neill, one half of the married award-winning Dutch-American filmmaking team of Jongsma + O’Neill, will present the first chapter of the project, A Kid-Friendly Apocalypse. This segment focuses on a Portland, Oregon-based […]
