Festivals & Events
Festivals & Events
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“Turn Her Trauma into Art” | Kate Beecroft, East of Wall
Films are made over many days, but some days are more memorable, and important, than others. Imagine yourself in ten years looking back on this production. What day from your film’s development, production or post do you think you’ll view as the most significant and why? Our film is centered around the lives of Tabatha Zimiga and her family as they reconcile their unresolved grief after the sudden death of her husband. This film took five years to make. It’s a docu-fiction film, so I lived in this specific area of South Dakota for years—embedding myself for the purpose of […]
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“A Continuous Swing Between Memories and the Present.”: DP Clarissa Cappellani on Brides
In Brides, UK teenagers Doe and Muna (Ebada Hassan and Safiyya Ingar) take an ill-advised trip to Syria to escape the constant feeling of being othered that follows them at home. The film, the debut feature by Young Vic Theatre artistic director Nadia Fall, examines teenage girlhood through a distinct sociopolitical lens. The film was shot in three different locations, meaning the production had new crews every two weeks. Director of photography Clarissa Cappellani (Misericordia, Salvatore: Shoemaker of Dreams) discusses working through those challenges and the films and photographs that she and Fall used as references. See all responses to our […]
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“For Me, Less is More”: DP Anna Smoronova on Bubble & Squeak
Bubble & Squeak, about a married couple accused of smuggling cabbages in a country where cabbage is illegal, marks the feature film debut of Evan Twohy. The film will premiere in the U.S. Dramatic Competition at the 2025 Sundance Film Festival. Anna Smoronova (The Killing of a Journalist), served as the film’s director of photography. Below, she explains how the film’s similarity to some of her favorite filmmakers hooked on her first read of the script and elaborates on the visual aesthetic, including the influence of Henri Rousseau. See all responses to our annual Sundance cinematographer interviews here. Filmmaker: How and […]
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“I Had Succeeded in Bringing My Imagination to the Screen” | Amel Guellaty, Where the Wind Comes From
Films are made over many days, but some days are more memorable, and important, than others. Imagine yourself in ten years looking back on this production. What day from your film’s development, production or post do you think you’ll view as the most significant and why? It’s such a tough question. Perhaps the shooting days in Djerba were the most significant. During those three days, we filmed very important scenes—difficult to perform—that we had rehearsed extensively. I was stressed because I knew that if I didn’t get them right, the film would lack emotion. But I was so happy and […]
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“I Am Always Mining for Gold in the Rushes”: Editor Fiona DeSouza on Brides
Premiering in Sundance’s World Cinema Dramatic Competition, Brides follows two UK teens who travel to Syria in an attempt to escape the othering they face at home. The film is the debut feature of Nadia Fall, the artistic director of London’s Young Vic Theatre and director of productions of Three Sisters and King Hedley II, among others. The film is edited by Fiona DeSouza, whose credits include 2020’s Kindred and episodes of numerous TV series, including Great Expectations and Hanna. Below, she shares a trick for making a small number of setups go a long way and how a good cup of tea […]
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“Dance With Me, Ben” | Grace Glowicki, Dead Lover
Films are made over many days, but some days are more memorable, and important, than others. Imagine yourself in ten years looking back on this production. What day from your film’s development, production or post do you think you’ll view as the most significant and why? I have been trying to pinpoint a single day of Dead Lover to answer this question…but the truth is, specific days are almost impossible for me to remember. It’s just a smattering of random memorable moments! The days from which they came are lost in my memory….probably due to the lack of sleep. So, […]
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“The Profound Exchange Between Doctor and Patient” | Gianluca Matarrese, GEN_
Films are made over many days, but some days are more memorable, and important, than others. Imagine yourself in ten years looking back on this production. What day from your film’s development, production or post do you think you’ll view as the most significant and why? The most memorable day, without a doubt, was the very first day I met the doctor and began filming simultaneously. It was an overwhelming vortex of emotions. In just one day, I observed and listened to the stories of more than ten patients, stories of resilience, pain, and joy. All at once. All ages, […]
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“An Observational Character Study of an Ex-Offender”: DP Sam Motamedi on Ricky
In Ricky, Rashad Frett extends his Sundance 2023 short of the same name to feature length to tell the story of a 30-year-old returning home after serving time in prison. The film follows Ricky as he tries to reintegrate into the community that he was taken from, utilize his gifts as a barber to making a living and make up for lost time. Sam Motamedi, who shot the 2023 short, again served as DP. Below, he explains how he tried to replicate a documentary-like feeling and shares a couple of his influences, including documentary footage from the early days of the […]
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“Don’t Be Afraid to Speak Up and Set the Tone”: Producer Pierre M. Coleman on Ricky
Ricky follows the travails of its title character (Stephan James), who has just been released from prison at age 30, as he tries to reintegrate into his community in Hartford, Conn. The film, directed by Rashad Frett, is an adaptation of Frett’s own short, itself a Sundance 2023 premiere. Ricky also marks Pierre M. Coleman’s first turn as a lead producer after handling the initial short. Below, he recounts the origin of his “little engine that could” and speaks to the importance of good partners. See all responses to our annual Sundance first-time producer interviews here. Filmmaker: How did you connect […]
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“We All Brought Something Unique to the Table” | Rashad Frett, Ricky
Films are made over many days, but some days are more memorable, and important, than others. Imagine yourself in ten years looking back on this production. What day from your film’s development, production or post do you think you’ll view as the most significant and why? The most significant day for me was when my editor, Daysha Broadway; my co-writer, Lin Que Ayoung; and I gathered at an amazing restaurant in Chinatown to brainstorm and finetune the film’s edit. Over delicious food, laughter and deep conversation, we made key adjustments that truly elevated the project. That moment of collaboration felt […]
