Festivals & Events
Festivals & Events
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“The Profound Exchange Between Doctor and Patient” | Gianluca Matarrese, GEN_
Films are made over many days, but some days are more memorable, and important, than others. Imagine yourself in ten years looking back on this production. What day from your film’s development, production or post do you think you’ll view as the most significant and why? The most memorable day, without a doubt, was the very first day I met the doctor and began filming simultaneously. It was an overwhelming vortex of emotions. In just one day, I observed and listened to the stories of more than ten patients, stories of resilience, pain, and joy. All at once. All ages, […]
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“An Observational Character Study of an Ex-Offender”: DP Sam Motamedi on Ricky
In Ricky, Rashad Frett extends his Sundance 2023 short of the same name to feature length to tell the story of a 30-year-old returning home after serving time in prison. The film follows Ricky as he tries to reintegrate into the community that he was taken from, utilize his gifts as a barber to making a living and make up for lost time. Sam Motamedi, who shot the 2023 short, again served as DP. Below, he explains how he tried to replicate a documentary-like feeling and shares a couple of his influences, including documentary footage from the early days of the […]
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“Don’t Be Afraid to Speak Up and Set the Tone”: Producer Pierre M. Coleman on Ricky
Ricky follows the travails of its title character (Stephan James), who has just been released from prison at age 30, as he tries to reintegrate into his community in Hartford, Conn. The film, directed by Rashad Frett, is an adaptation of Frett’s own short, itself a Sundance 2023 premiere. Ricky also marks Pierre M. Coleman’s first turn as a lead producer after handling the initial short. Below, he recounts the origin of his “little engine that could” and speaks to the importance of good partners. See all responses to our annual Sundance first-time producer interviews here. Filmmaker: How did you connect […]
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“We All Brought Something Unique to the Table” | Rashad Frett, Ricky
Films are made over many days, but some days are more memorable, and important, than others. Imagine yourself in ten years looking back on this production. What day from your film’s development, production or post do you think you’ll view as the most significant and why? The most significant day for me was when my editor, Daysha Broadway; my co-writer, Lin Que Ayoung; and I gathered at an amazing restaurant in Chinatown to brainstorm and finetune the film’s edit. Over delicious food, laughter and deep conversation, we made key adjustments that truly elevated the project. That moment of collaboration felt […]
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16 Films We’re Anticipating at the 2025 Sundance Film Festival
The penultimate edition in its long-running Park City location, the Sundance Film Festival began today, and, as I note every year, the event is a bellwether when it comes to an assessment of the American independent film scene. The acquisitions scorecard will influence the decisions of future film investors, the films premiering here will be eagerly and instantly viewed by festival programmers the world over, and, we hope, promising new directorial careers will be launched. And that’s in addition to perhaps the largest goal, which is for films here to make bracing, uplifting, healing, disturbing, entertaining, provocative and necessary statements […]
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“Sisyphean, but Ultimately Fortuitous” | James Sweeney, Twinless
Films are made over many days, but some days are more memorable, and important, than others. Imagine yourself in ten years looking back on this production. What day from your film’s development, production or post do you think you’ll view as the most significant and why? Positive memories become idealized the more we retell them, and the negative ones vice versa—so I am hesitant to single out a most memorable day, because then it becomes canon… but I will answer the prompt! Being a director means making the tough decisions. My first instinct goes to the worst day, but I’m […]
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“I Had to Relearn How to Look at and Respond to the World”: DP Jon Shenk on Marlee Matlin: Not Alone Anymore
Marlee Matlin: Not Alone Anymore trains its camera on Marlee Matlin, who became the first Deaf performer to win an Oscar when she took home Best Actress for the 1987 film Children of a Lesser God. The film is directed by Deaf director Shoshannah Stern in her directorial debut. Jon Shenk, whose previous credits include Athlete A and Ruth: Justice Ginsburg in Her Own Words, served as director of photography. Below, he explains how cinematographic techniques taken for granted when shooting with hearing actors and spoken dialogue cannot be implemented when shooting Deaf conversations and how he and Stern adjusted their filmic language. See all […]
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“Listening to Them Blew My Mind” | Ahmir “Questlove” Thompson, Sly Lives
Films are made over many days, but some days are more memorable, and important, than others. Imagine yourself in ten years looking back on this production. What day from your film’s development, production or post do you think you’ll view as the most significant and why? There are two days that stand out. The first one is located not in this movie, even, but in my last film, Summer of Soul, which featured a performance by Sly and the Family Stone at the Harlem Cultural Festival in 1969. The energy of that performance leapt past that film and stayed with […]
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“Amanda’s Approach is About Eclecticism”: Editor Benjamin Shearn on By Design
By Design is the latest feature film by Amanda Kramer, best known for Please Baby Please and Ladyworld. The film will premiere at the 2025 Sundance Film Festival as part of the NEXT section. Benjamin Shearn, who has edited all of Kramer’s feature films, joined her once again in the cutting room for By Design. Below, he explains how his close friendship with Kramer helps him retain the magic in the edit. See all responses to our annual Sundance editor interviews here. Filmmaker: How and why did you wind up being the editor of your film? What were the factors and attributes that led […]
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“Merging Aesthetic Elements and Practical Considerations”: DP Patrick Jones on By Design
By Design, the latest film by Amanda Kramer (Please Baby Please, Ladyworld) has an instantly memorable logline: “A woman swaps bodies with a chair, and everyone likes her better as a chair.” The film will premiere as part of the NEXT section at the 2025 Sundance Film Festival. Collaborating for the seventh time with Kramer is cinematographer Patrick Jones. Below, Jones talks about how he attains the distinct aesthetics that mark Kramer’s films. See all responses to our annual Sundance cinematographer interviews here. Filmmaker: How and why did you wind up being the cinematographer of your film? What were the factors and […]
