Each year, Filmmaker sends all Sundance feature film or series editors a questionnaire to complete ahead of their film’s festival screening. We also send out a single question for feature directors to answer as well as questionnaires for cinematographers and first-time Sundance feature producers. Below, find links to individual editor responses, which will be updated daily during the festival. “Paring the Story Down to Its Bare Essentials”: Editor Joshua L. Pearson on Sly Lives “What Paul Was Saying Was Very Reflective of Who He Was”: Editor Damian Rodriguez on Pee-wee as Himself “It Was an Ambitious Project From the Get-go”: Editor Bryan […]
This year, Filmmaker sent all first-time Sundance feature film producers a questionnaire to complete ahead of their film’s festival screening. We also sent out a single question for feature directors to answer as well as questionnaires for editors and cinematographers. Below, find links to individual first-time Sundance feature producer responses, which will be updated daily during the festival. “Budget a Worst-Case Scenario and Then Do Better”: Producers Ivan Unkovski and Ivana Shekutkoska on DJ Ahmet “Don’t Be Afraid to Speak Up and Set the Tone”: Producer Pierre M. Coleman on Ricky “It Came Down to Me Not Wanting to Miss […]
Each year, Filmmaker asks all the incoming feature directors at Sundance one question. (To see last year’s question and responses, click here.) We also send out cinematographer, editor and first-time producer questionnaires. This year’s question: Films are made over many days, but some days are more memorable, and important, than others. Imagine yourself in ten years looking back on this production. What day from your film’s development, production or post do you think you’ll view as the most significant and why? Below, find links to each director’s individual response to the prompt. Keep checking back here during the festival, as […]
Each year, Filmmaker sends all Sundance feature film or series cinematographers a questionnaire to complete ahead of their film’s festival screening. We also send out a single question for feature directors to answer as well as questionnaires for editors and first-time Sundance feature producers. Below, find links to individual cinematographer responses, which will be updated daily during the festival. “We Wanted a Visual Language That Was Both Filmic and Intimate”: DP Guy Mossman on Speak. “A Feeling of Endless Night”: DP Arseni Khachaturan on April “With Each Location We Embraced Its Essence”: DP Matthew Chuang on Jimpa “It Was the Movie I’d […]
Every Tuesday Tyler Coates publishes his new Filmmaker newsletter, Considerations, devoted to the awards race. To receive it early and in your in-box, subscribe here. This is the most important week of Oscar campaigning, the conclusion to what we collectively refer to as Phase 1: A slew of guilds announce their nominees this week (including the DGA, PGA and SAG, plus sound editors and mixers, art directors and cinematographers), and the Academy opens nominations ballots on Wednesday before closing the voting window on Sunday. (As such, campaign spending pauses from the end of voting until the nominations are announced on […]
Two new documentaries — The Alabama Solution from Andrew Jarecki and The Stringer from Bao Nguyen – have been added to the Premieres category of the 2025 Sundance Film Festival, the Sundance Institute announced today. Both directors have histories with the festival. Each of the projects are directed by filmmakers who have presented their works at previous editions of the Sundance Film Festival. Nguyen premiered Be Water in 2020 and The Greatest Night in Pop in 2024, while The Alabama Solution director Andrew Jarecki’s previous Sundance titles are Capturing the Friedmans (2003), Just a Clown (2004), and The Jinx: The […]
Every Tuesday Tyler Coates publishes his new Filmmaker newsletter, Considerations, devoted to the awards race. To receive it early and in your in-box, subscribe here. It’s my last dispatch of the year—I’ll be back with another newsletter the first full week of January—as the Oscar campaigning unofficially pauses for the holidays. The last major awards event of the year will take place on Dec. 17, when the Academy announces the shortlists for 10 categories: documentary feature, international feature, animated short, documentary short, live-action short, original score, original song, makeup/hairstyling, sound and visual effects. Then, the Golden Globes on Jan. 5 […]
This year was a peak travel year for me, mostly festival-enabled, and I was pleased by the number of good films I was privileged to see along the way that I wouldn’t have otherwise. While the globalization of film via the internet has improved access all round, it’s a mistake to think that everything good winds up somewhere legally accessible, even if only as an obscure VOD option. Some films remain unaccounted for, which is both unfortunate and a reminder of how many good films there remain to see. Here are ten of the year’s best, with links to their longer […]
Every Tuesday Tyler Coates publishes his new Filmmaker newsletter, Considerations, devoted to the awards race. To receive it early and in your in-box, subscribe here. We’re now five weeks away from the Jan. 17 Oscar noms, and the last few days have seen which campaigns are working—at least with critics and whoever is voting for the Golden Globes these days. And miraculously, no main frontrunner has emerged in the best picture race, although the sure things are making themselves known. Over the last week, while publications began rolling out their year-end lists, critics in New York and Los Angeles voted […]
The Sundance Institute announced today the 87 feature films and six episodic projects selected for the 2025 Sundance Film Festival. Among the films are new pictures from returning filmmakers Cherien Dabis, Bill Condon, Amalia Ulman, Ira Sachs, and Amir “Questlove” Thompson, while in the U.S. and World Dramatic Competitions, all 20 filmmakers are making their first appearance at the festival. Additionally, 41% of the entire feature film program across the festival consists of films by first-time directors. Those statistics, says Eugene Hernandez, Director, Sundance Film Festival and Public Programing, in an interview with Filmmaker, are “a reminder of how much […]