Film festivals of all sizes came together with art-house exhibitors, distributors and filmmakers in mid-January for the FilmEx conference, a five-day virtual conference in January that took the place of Arthouse Convergence’s annual pre-Sundance meeting in Utah. Few are the filmmakers that have not found themselves on a Facebook debate thread at some point with other filmmakers decrying sham film festivals that took their submission fee money and then did not deliver on the most basic expectations. Well, the film festivals, film societies and arthouse theaters that participated in the past Art House Convergence conferences and now this year’s FilmEx […]
The ongoing Berlinale is, as you’re likely aware, the first ever to be held virtually. Which also makes Berlin the first of the Big Three film festivals to go this route, seeing as last year Cannes was cancelled and Venice managed to squeeze in a smaller-scale edition between waves of this most pernicious of pandemics. Although the Berlinale has always prided itself on being a public festival, this time it’s a professionals-only affair—a repeat in the city’s cinemas, accessible to all, is planned for June—and the customary eleven days have been reduced to five. Parsing the rationale behind this split […]
Despite relocating to Chicago in 2015, Shengze Zhu has focused on her hometown of Wuhan throughout her career. Her first feature, Out of Focus (2014), is a creative portrait of the school-life of children from low-income families and the troubles they face. Her second, Another Year (2016), uses long takes to document the mealtimes of migrant worker families. Both are set in Wuhan but were made after she first left China in 2010 to study filmmaking in Columbia, Missouri. For Present.Perfect (2019), she widened her lens, creating a montage of live-streamers living across China entirely from desktop recordings of their broadcasts. […]
“Being a teenager…is fuckin lit”: The individually colored letters of Teenage Emotions’s title appear one by one against a black screen, filled out by the increasing roar of its young subjects’ voices in mixed-together chorus. But the title, opening aggregation of “emotional time of your life” sentiments and a subsequent left-to-right pan of a crowded high school courtyard soundtracked by Mozart’s Mass in C Minor seem to portend something more histrionic than what follows, a faultlessly realistic, unexpectedly pleasant, funny and relentlessly up-to-date immersion into high school life that (almost) never leaves campus. Frederic Da’s no-budget first feature, Teenage Emotions was shot in collaboration […]
Filmmaker, video artist and “cultural worker” Marta Popivoda has spent much of her career focusing on philosophies and movements through a decidedly feminist lens. Her first feature, 2013’s Yugoslavia, How Ideology Moved Our Collective Body, premiered at the Berlinale and went on to become part of the permanent collection at MoMA. And now with Landscapes of Resistance, which debuted in the Tiger Competition at IFFR 2021, the Berlin-based filmmaker returns to her native Belgrade with her partner, and the film’s co-writer, Ana Vujanović. Together they gently probe and cinematically preserve the memory of Vujanović’s grandmother Sonja, who brings to life an […]
The persistence of COVID-19 disrupted the 2021 Sundance Film Festival in many ways; no blizzard-clogged traffic-jams or overstuffed parties; no late-night negotiations in the Eccles lobby; no standing in lines next to fellow film travelers, giving or getting recommendations of what to see and what to miss. But even without the high altitude buzz of Park City, the pandemic did not stop Sundance’s record for deals! deals! deals! for the festival’s most commercial titles, with industry players saying the virtual event was even more competitive than previous years—“without a doubt,” said one distribution company chief. But what about those dozens […]
It may still feature two households both alike in dignity, but in Carey Williams’s modern adaptation of William Shakespeare’s Romeo and Juliet, R#J, the modes of communication look decidedly different. Set in California in the here and now, Williams’s film hones in on the title characters’ brief but intense romance via their messaging tool of choice: the smartphone. Back-and-forth texts and DMs, impromptu FaceTiming sessions, tagging each other in Instagram photos and sharing personally curated Spotify playlists add to the cumulative rise and potential fall of literature’s most infamously star-crossed lovers. Produced by Bazelevs Productions (founded by popular Russian filmmaker […]
Lowell High School, whose student population is predominantly Asian American, is different from most US high schools portrayed on film. Director Debbie Lum came to the nationally ranked school to portray Lowell’s students, particularly so called “tiger cubs” in the heat of the college admissions process for her Sundance 2021 doc Try Harder!. Of course, not all of the Asian American students shown in the film have stereotypical “tiger moms,” and it’s refreshing to see an array of Asian American parents and students shown in communities where they feel comfortable, rather than shrinking in the minority. But the pressure on […]
After so much meta-ness, it was practically relaxing to settle back in the waning hours of this year’s Sundance with a drama as solid and old-fashioned as Jockey. Not unlike The Wrestler, absent the self-consciously Dardenne-ian camerawork, this Southwestern slice-of-life follows an aging athlete – the titular jockey Jackson (Clinton Collins Jr.) – as he confronts the end of his long ride. On the racetrack, at least, although the aggregated damage caused by a series of back injuries now threatens to cripple him, or worse, if he keeps at it. Director and co-writer Clint Bentley, who previously co-wrote and produced […]
Hello Abby, We’ve been Gchatting through our initial Sundance 2021 reactions in between filing festival coverage proper, so it only seems logical to finish out this year by doing a direct handoff in public view. While our experiences were complementary, we had different timelines and levels of willingness to engage. You tried out a good chunk of New Frontier material and went to virtual gatherings in avatar form; true to usual IRL form, I kept a skulking low profile. Our coverage overlapped a few times online (thanks, by the way, for getting into the political dimensions of El Planeta I […]