Here’s the first trailer for the Zellner Brothers’ wonderfully idiosyncratic Kumiko, The Treasure Hunter. The one minute snippet goes a little out of its way to not reveal the narrative catalyst, conjuring a vague aura of suspense, though the film itself is far from your average adventure drama. Breaking your heart with a nearly silent performance, Rinko Kikuchi stars as the titular character who fleas her banal Tokyo confines in search of snowbound, stateside treasure. Amplify will release the film on March 13.
“To try to write love is to confront the muck of language; that region of hysteria where language is both too much and too little, excessive (by the limitless expansion of the ego, by emotive submersion) and impoverished (by the codes on which love diminishes and levels it).” Roland Barthes, A Lover’s Discourse. The muck of romantic language — spoken, inscribed on the body and splattered, along with images, on the screen — is the subject of Leah Shore’s latest short film, I Love You So Much. Shore made our 25 New Faces list back in ’13, and I Love […]
One of my would-be favorites of 2014 — it comes out next month — finally has a trailer. The Duke of Burgundy, Peter Strickland’s follow-up to the giallo homage Berberian Sound Studio, displays some of the best uses of repetition since Jacques Rivette. What begins as a fetishistic case of master and servant becomes increasingly murky as roles and hierarchy are blurred, then challenged. It’s a viewing experience that handily rewards the uninitiated so I won’t say much more, just that Sundance Selects will release it on January 23, and you’d do best to see it on a wide screen with surround sound.
Best not to spoil the twists and turns of Paul Harrill’s Something, Anything, and the trailer for his drama is accordingly cagey. All you need to know: Harrill’s well-received debut drama follows a newlywed bride in the wake of tragedy as she tries to rebuild her life through a program of ascetism. The next film in IFP’s “Screen Forward” series starts screening January 9th; more information here. For a little more background, check out the essay Harrill wrote for us last year.
Christmas cometh early now that the formerly out of print masterclass Safe is available from the Criterion Collection. To promote its release, director Todd Haynes sat down with star Julianne Moore to discuss the film’s forebears in female alienation (Red Desert, Jeanne Dielman, and DeLillo’s White Noise), as well as its unexpected Sirkian underpinnings. Moore also talks Safe‘s larger context, as a harbinger of the ’90s independent film boom, and how her first collaboration with Haynes ultimately defined the trajectory of her career.
The New Yorker streams short films — who knew? This discovery is particularly welcome because just posted on the magazine’s YouTube channel — and embedded above — is Dustin Guy Defa’s terrific Person to Person, one of the works that landed the filmmaker on our 25 New Faces list this year. Here’s Brandon Harris on the film here at Filmmaker: Speaking of throwback cinema that doesn’t simply appropriate but forges its own thing out of the familiar, Dustin Guy Defa’s Person to Person is a film one could watch a dozen times. Assuming he doesn’t change the Vimeo password and […]
The trailer for Terrence Malick’s next film, Knight of Cups, is both what you’d expect at this point — musing voiceovers, aggressively prowling cameras in constant motion, people on the beach — and some new developments, like much more flesh on display, aggressively digital cinematography and seemingly way more time spent in urban centers than usual.
The latest edition of Tony Zhou’s “Every Frame a Painting” series takes a look at the king of action comedy, Jackie Chan. Consistently putting himself at a disadvantage like the silent film stars Keaton and Chaplin, or defamiliarizing the familiar as weaponry, Chan’s perfectionism and attention to detail have set him above the rest for decades running. In the video, Zhou also closely analyzes the difference in Chan’s Chinese and American work, particularly the director’s editing, which can compound or dismantle the effects of Chan’s stunt work.
December 17 – 21 I should be concentrated on Christmas shopping, but I’ll be at Borscht 9 in Miami. (Sorry, friends and family.) Borscht 8 was my favorite film event of 2012, and I can’t wait for this year’s edition. What’s Borscht? (Aside from a soup?) Here, from the site: The Borscht Film Festival (est. 2004 by New World School of the Arts high school students) is a quasi-yearly event held at iconic Miami venues that commissions, produces, and showcases movies created by emerging regional filmmakers telling Miami stories that go beyond the city’s insipid exterior. Borscht Corp is an […]
This new trailer for George Miller’s forthcoming fourth Mad Max movie can speak for itself. You know the drill: cars blow up, lots of desert, fierce men wearing improbable makeup, explosions for days. Bracing stuff.