While it may not be as consciously constructed as that of Quentin Tarantino’s, the film meta-world of Martin Scorsese would seem to at some point demand the pairing of his two most durable leading men, Robert De Niro and Leonardo DiCaprio. That time is now, apparently, as the two men appear in a short branded content film for the $3.2 billion City of Dreams casino in Manila Bay, Philippines. It may not be what we wanted, but it shouldn’t pass by unnoticed. The trailer for the film, The Audition, is posted above. Both actors have been reported to have received […]
“Inside every narrative film is a non-narrative film struggling to get out.” Here is a wonderfully distinctive video essay from critics Adrian Martin and Christina Álvarez López that reimagines Roman Polanski’s Repulsion as the work of Béla Tarr. Zeroing in on “the dank spaces and the dead moments, the images of food-as-object, the cycle of everyday activities, the endless, implacable passages of walking,” and other Tarr associated imagery, Martin and López explore filmmaking as elementary particles, tonally rearrangeable in line with a director’s vision and story. In a supplementary write-up at MUBI, the two cite Jonathan Rosenbaum’s review of The Tenant, wherein […]
“What’s clever here is that we don’t actually depict Muhammad. We can’t see Muhammad’s face. That’s a fact.” With the terrible attack on Paris’s Charlie Hebdo offices culminating in a two-fold siege earlier today, with the presumed perpetrators now dead, The New York Times has posted an Op-Doc that provides a haunting look inside the creative process behind one of the magazine’s most controversial covers. Shot in 2006, when the directors Jérôme Lambert and Philippe Picard were filming a documentary on the now deceased Jean Cabut, the short film parses the provocation that purportedly led to the death of Cabut and his colleagues. The film is […]
“Even when you’re falling in love with somebody, even when you’re having a beautiful kiss that you’ll remember for the rest of your life, something could still be terribly wrong.” That’s Andrew Bujalski (Funny Ha Ha, Computer Chess) in this brief video teasing his fifth feature Results, which premieres later this month at the Sundance Film Festival. We still don’t have all that much detail on Bujalski’s first film to feature honest to goodness name actors: Guy Pearce and Cobie Smulders topline, with Anthony Michael Hall and Giovanni Ribisi also part of the improbable cast. We know it’s a drama about gyms, working out, […]
Short and sweet: in this brief clip from a 1983 CBC interview, David Bowie — who turns 68 today — talks about wanting to be an actor and his “pretensions” of wanting to direct. “The inherent problem of being a rock star who wants to be a legitimate act or legitimate anything else, I think, is that the parts are restricted from the beginning,” he said, noting he’d been confined to a run of “green-eyed, out of space, rock-playing freaks.” That year, Bowie had a hit record with Let’s Dance and a very different kind of role in Merry Christmas Mr. Lawrence; five years […]
The emphasis in this edited series of highlights from David Fincher’s recent BFI talk is, refreshingly, more on the actors than on his much-dissected, formidable technical acumen. One key takeaway from this brisk trot through his career is Fincher’s take on his infamous penchant for endless takes. “My philosophy is, you spend $250,000 on a set,” he explains. “Put it on a soundstage, it costs you $5,000 a day. You’re gonna put $8,000 of lights and you’re gonna bring a $150,000 crew in. You’re gonna bring actors in from all over the world, you’re gonna put them up in hotels, […]
“It is art that triumphs here, that speaks to the mystery of existence,” suggests the narrator of this new video essay from ::kogonada on Tarkovsky’s Solaris. Envisioning the filmmaker’s psychological meditation in stark contrast to the purported gadgets and gizmos of 2001: A Space Odyssey, “Auteur in Space” breaks down the humanity and pathos at the center of this most unusual sci-fi. Head to Sight&Sound to watch.
You may remember this one: six years ago, Nailed, David O. Russell’s proposed follow-up to I Heart Huckabees, had massive financing problems. The would-be political satire about a waitress (Jessica Biel) who gets a nail to the head was ultimately scrapped and lain aside. In the meantime, the once-galvanizing director embarked on his Huckabees‘ apology tour, going from the not-bad The Fighter to the increasingly dispiriting (but renumerative) The Silver Linings Playbook and American Hustle. Now whatever footage was shot (it’s unclear, though the Internet says crucial plot parts were never filmed) has been cobbled into some kind of grotesque thing that walks the earth, with […]
Here is a rather comprehensive look at the visual motifs apparent throughout the formative years of Alfred Hitchcock’s illustrious career, from 1934’s The Man Who Knew Too Much to 1976’s Family Plot. Whether staging action around a staircase or riffing on the illusion of free fall, Hitchcock revisited and realigned techniques from one decade to the next. This compilation from Steven Benedict breaks down the visual grammar of 42 of the filmmaker’s features, stitching together his preferred still images with his swooping camera techniques, including a personal favorite: Gregory Peck’s POV as he drinks a glass of milk in Spellbound.
It’s fascinating to watch how DIY production possibilities are changing the nature of the resume and showreel. A couple of months ago we posted this video by Lawrence Rebeiro about how he was able to use a small crew to pre-viz a fight scene. Now, via James Marsh at Twitch comes this impressive fight scene produced by French/Vietnamese performer Celine Tran (formerly the adult actress Katsuni and featured in Gaspar Noe’s episode of Destricted) showcasing her knife-fighting and martial arts abilities. It’s just one of several videos created as standalones showcasing assorted fighting styles and intended to launch her as […]