There’s a lot of talk in the independent film community about building new audiences through internet technologies but far fewer actual attempts at doing so. One person who has thought deeply about today’s challenges and developed a tool in response is filmmaker Artel Great, whose Project Catalyst attempts to combat “the Hollywood-ification of our thinking” by connecting multicultural audiences to the music and films most relevant to their lives and communities. It is, he writes, “the first application software to distinctively showcase narrative short films, documentaries, and music videos all made by talented indie artists from Black, Latino/a, and Asian […]
In the second trailer for 50 Shades of Grey, we get a much clearer overview of the plot trajectory: successful corporate boy meets shy journalist girl for interview, later runs into her and asks her “Are you free?” Meaning, presumably, both schedule-wise and also with reference to her soul/libido. Then out come the S&M tools. The big change from the first trailer is that the emphasis is equally split between the softcore elements and what Tom Wolfe once deemed the “plutographic,” i.e. the graphic depiction of the acts and vices of the rich. Look for lots of private jet plane rides and […]
Here’s the first U.S. trailer for the Dardenne’s Two Days, One Night, which arrives stateside on December 24 from Sundance Selects. An allegory for human empathy and compassion, the film follows a fragile Marion Cotillard as she goes door to door, begging her co-workers to give up their bonuses so she can keep her job. At times too glossy for its subject matter — which has little to do with its star — the film proves an interesting exercise in repetition, with a closing act that is as heart-wrenching as it is cleverly calculated.
David Lynch is notoriously averse to discussing the meaning of his movies, so this recent “in conversation” exercise from the Pennsylvania Academy of the Fine Arts gets above-average results by getting him to focus on the process of making his artwork instead. There are anecdotes about creating art using mice, discussions of his love of stone lithography, and this unbeatable evaluation of what’s changed about Philadelphia since Lynch’s mid-’60s art school time there: “There was a lot of fear and insanity and violence, and then we’d hear about corruption and police brutality, and there was a lot of sickness in the people, and […]
“How ever sophisticated your CGI is,” says Christopher Nolan, ” if it’s been created from no physical elements and you haven’t shot anything with the camera, it’s going to stand out.” A notable proponent of practical effects, Nolan shot his latest extravaganza Interstellar without a single green screen. In this new episode of Shanks FX, Joey Shanks recreates the film’s illusion of the black hole with a little smoke and lighting. Watch above.
Best known as Richard Kelly’s go-to cinematographer for Donnie Darko, Southland Tales and The Box, cinematographer Steven Poster will conduct a masterclass on Saturday at the Made in NY Media Center, run by Filmmaker‘s parent organization IFP. The day begins with a Donnie Darko screening and includes lunch. Curious to know more about Poster’s career beforehand? This half-hour podcast is pretty comprehensive, covering the childhood moment Poster decided he wanted to spend his life working with photography, his learning experiences at his career’s start as part of the second unit on Close Encounters of the Third Kind and, of course, […]
You seldom see a female filmmaker making the quantum leap from a $200,000 Sundance title to a Brad Pitt-backed Christmastide blockbuster, so hats off to Ava DuVernay on the upcoming Selma. A retelling of the 1965 voting rights marches from Selma to Montgomery, Alabama, the film stars David Oyelowo (also of DuVernay’s Middle of Nowhere) as Martin Luther King, Jr., with a substantial ensemble in Tom Wilkinson, Oprah Winfrey, Keith Stanfield, Tim Roth and Lorraine Toussaint, among others. Shot by the brilliant Bradford Young, Selma is set for a December 25 limited release and a national rollout on January 9, 2015.
This is making the Internet rounds and will presumably swallow the entire world by midday at this rate, so why resist? Casper Kelly is a regular Adult Swim contributor, and this is his magnum opus. What begins as an extended parody of every single type of mediocre ’80s sitcom personage (the casting, finding the exact right face for every goofy dad, hectoring boss and bemused grandma, is really something) mutates into a series of other staples of the decade — G.I. Joe-esque animation, some kind of old-school Battlestar Galactica thing — before metastasizing into a self-reflexive slasher film, a hospital drama, […]
Conversation, heaping plates and lots of red sauce — all should be found in Vanessa McDonnell’s documentary on the people behind East Village Italian landmark John’s. The film opens next Wednesday, November 12, at Brooklyn’s Spectacle for five screenings. Here’s the description: JOHN’S OF 12TH STREET is a portrait of a century-old Italian-American restaurant in New York City, one of the last of its kind in a rapidly changing East Village. This observational documentary loosely follows the rhythm of the restaurant’s day, which swings between boredom and frenzy as the old rooms empty and fill. No one who works at […]
Now online is Glistening Thrills, a short from 25 New Face Jodie Mack, which was selected for this year’s Rotterdam and New York Film Festivals. Scored to the tones of Elliot Cole and shot on 16mm, Glistening Thrills is an textural interrogation of holographic foil, in all its mass produced, nostalgic glory. In an extensive overview of Mack’s oeuvre, Calum Marsh at Fandor writes “in aesthetic terms alone, Glistening Thrills ranks as perhaps her most exhilarating found-object work; its interplay of light and color, often totally hypnotic, produces an effect unlike anything I’ve ever seen.” Watch above.