Directing
Filmmaking - Directing
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Reflections from a First-Time Director After Shooting All These Small Moments
Melissa Miller-Costanzo recently wrote for Filmmaker about how she moved from below-the-line production work as an art department coordinator to the writer/director of an independent feature, All These Small Moments. Here, she follows up that article with this reflective piece about all the things she learned on her 18-day first-time shoot. “Okay, here’s some dialogue, we won’t hear it, it’s just something so your mouths will be moving. You’re coming home from a parent-teacher conference and discussing your son’s issues; that’s why you’re together.”Alright, and ACTION! “Um, Melissa,” a PA walkie’d me from outside while I watched the monitor inside. […]
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Tribeca 2017: Five Questions with No Man’s Land Director David Byars
Documentary filmmaker David Byars had either the luck or the foresight that every first-time director envies. He had been following the patriot movement — a loose collection of rural conservatives who resent the federal government’s authority over issues like public lands — for years, focusing on emerging leaders of Cliven Bundy and his sons Ammon and Ryan and trying to piece together a story that would make a compelling film. So when the younger Bundys led an armed group of demonstrators to occupy the Malheur National Wildlife Refuge in Harney County, Oregon last year, Byars was prepared: he had the […]
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An Experiment in Biohacking: Director Kate McLean on the SXSW Short, Gut Hack
Last year, a friend asked me to come to an event about synthetic biology. I’m a documentary filmmaker, and I suspected the evening was going to be a bit over my head, but she was speaking and I wanted to show support. When I arrived, the speakers were a mix of academics, industry types, enthusiasts and scientists. I began to prepare myself in for a night of polite nodding and drinking as a man from a biotech company took the microphone to present some kind of recruitment talk about his company. Then, back near the bar, someone started to boo […]
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Five Questions for The Last Laugh Director Ferne Pearlstein
Originally published during the Tribeca Film Festival, where the doc on humor and the Holocaust had its premiere, here is Paula Bernstein’s interview with director Ferne Pearlstein about The Last Laugh. The film is opening in theaters today and plays in New York at the Lincoln Plaza Cinemas. There has been no shortage of documentaries about the Holocaust but, until now, none of them have featured Sarah Silverman, Chris Rock and Louis C.K. In Ferne Pearlstein’s The Last Laugh, which premieres today at the Tribeca Film Festival, she delves into the history of humor about the Holocaust, exploring the ethical questions […]
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Bleak Moments: Ronald Bronstein on Frownland
This interview with Frownland director Ronald Bronstein (a 2007 25 New Face) by fellow 25’er David Lowery was originally published in 2006. It is being reposted this week as Frownland receives a rare NYC screening this coming Sunday at the Alamo Drafthouse — projected by Bronstein himself. Click for tickets. Traveling on the festival circuit and spending days in darkened theaters, one grows accustomed to the ebb and flow of certain trends in independent film. Talkative, shakily digital twentysomething dramedies; sensitive tone poems; documentaries both edgy and lyrical. Then a film like Ronald Bronstein’s Frownland comes out of nowhere and […]
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20th Century Women: Mike Mills on Bringing a Personal Story to Life
After exploring a teenager’s odd obsession in Thumbsucker and helming the semi-autographical Beginners about his father coming out of the closet late in laugh, in his third narrative, Mike Mills returns to deeply personal material from his own life. 20th Century Women has been hailed as his best work yet and earned him an Oscar nomination for best adapted screenplay. The film is a coming of age tale about a teenage boy raised by three women from different generations in 1979 Santa Barbara. It’s a portrait of the city in a quieter, simpler time, as well as an ode to his steadfast mother […]
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Just Let Go Already! 12 Takeaways After Making the Microbudget Feature, The Purple Onion
After four years of working on my first feature film, The Purple Onion, it’s now ready and available online. You can read two earlier articles on Filmmaker where I chronicle the filmmaking process here. Dtill, my nurturing of this film could continue indefinitely with more festivals to submit to, more promoting to do, more distributors and agents to contact. But how long can this go on for? Especially when it’s just one person, me, doing all the work? That’s why the time has come to let go. I’m releasing my film on VOD today. And I’m walking away. The experience […]
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Five Questions for The Secret Scripture Director Jim Sheridan
In Jim Sheridan’s new film The Secret Scripture, based on the novel by Sebastian Barry, the six-time Oscar nominated director returns to themes familiar to him: politics, religion, family and truth. Vanessa Redgrave stars as Rose McNulty, a woman imprisoned for four decades in a mental ward, accused of killing her own son. Not only is she convinced she didn’t kill him, but she believes her son is still alive, and keeps a journal in the margins of a Bible recounting her stories. When the decaying mental ward is on the verge of being turned into a resort, she refuses to move, […]
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I’m Directing My First Documentary Short… Who Cares?
So I’m making my first short documentary. Tentatively titled Sole Doctor, it’s an observational-style film about George, an African-American cobbler who, after keeping shop for 50 years in Portland, Oregon, plans to retire and pass the business on to his son, Joshua. As I’ve chronicled in previous journals for Filmmaker, as a first-time filmmaker, I knew enough to seek advice from the pros before proceeding, and then I made sure to hire a good DP and sound mixer. But, of course, as much as I planned ahead, I still hit some bumps along the road — like our first shoot, when we planned to film […]
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Tom Hanks on Producing vs. Acting: Producers Don’t Get a Free Haircut
Most people know Tom Hanks as a two-time Oscar winning actor. Some would recognize him as the sometimes-director behind works including That Thing You Do!, and others know him simply as his often-nickname “America’s Dad.” But the beloved actor may not be as well known as one of Hollywood’s top producers, with 50 producing credits to his name from Band of Brothers to My Big Fat Greek Wedding to Olive Kitteridge. The actor, who recently picked up a lifetime achievement award at the Rome Film Fest, takes a hands-on role as producer in his own films and those of others, beyond just attaching his […]
