Here’s the just-released second trailer for Quentin Taratino’s upcoming Django Unchained.
Rick Alverson, director of the forthcoming The Comedy, directed this music video for Sharon Van Etten. NSFW warning: contains nudity!
Dan Ouellette has had a long career in the New York independent film community, starting with his work as a production designer for Hal Hartley in 1990 with Trust and then, in 1992, with Simple Men. He’s also an accomplished visual artist (examples of which can be seen at his Neurotica Divine site) and has directed stylish music videos for the bands Android Lust and The Birthday Massacre. Dan is also, full disclosure, an old friend who I’ve also worked with professionally many times. (Films he’s production designed that Robin O’Hara and I produced include What Happened Was…, Saving Face, […]
When Ross McElwee heeded the call to become a filmmaker in the mid 1970s, he enrolled in M.I.T.’s film program and studied with pioneering cinéma vérité documentarians Richard Leacock and Ed Pincus. Lighter, smaller cameras and advancements in sync-sound made it possible for one man to do what a film crew did not too many years before. McElwee would synthesize the lessons learned and use the new technology to create a distinctive kind of cinema. McElwee’s films are often filed in the “personal documentary” category. Like many labels, personal documentary seems inadequate, if not downright misleading. Yes, his family, friends, […]
The major Internet Service Providers (ISPs), including telcos like AT&T and Verizon and cable operators like Comcast and Time Warner, are changing the way a subscriber accesses broadband content. Traditionally, these providers offered “flat rate” or all-you-can-use data plans which were simple to understand and affordable. These are being replaced by “metered” or usage-based pricing (UBP) plans. In effect, the market is shifting from a buffet model to a tiered model based on what a consumer can afford. The model for metered services was first introduced among wireless carriers. In 2011, the major wireless carries, including AT&T, Verizon and T-Mobile […]
We sent the Fall issue of Filmmaker magazine to the printer last night, and in my Editor’s Letter I riffed on Paul Schrader, who appeared in both our first issue of the magazine as well as its tenth anniversary. The issue you’ll receive in the mail and see on newsstands shortly is our 20th Anniversary issue, and while it doesn’t contain an interview with Schrader, I wrote that it might just as well have. That’s because, once more, he’s reinventing himself, completing a journey that led him from ’70s Hollywood screenwriter to DIY independent filmmaker. That said, the trailer for […]
The San Francisco Film Society has posted the welcome address of its new Executive Director, Ted Hope. Hope talks about why he took the job, and how running the Film Society is a continuation of the passion that fueled his producing of over 70 individual films. He also discusses the challenges facing cinema today. Watch below. San Francisco Film Society E.D. Ted Hope from k9sound on Vimeo.
The deadline of October 22 is fast approaching for the Biennale College – Cinema, a new initiative open to first and second-time directors that will lead to the production of three micro-budget films. In a program led by the Venice Biennale in partnership with Gucci, 15 producer-director teams will take part in a ten-day filmmaking workshop, after which three projects will be selected for further development and production funding in the amount of €150,000. Projects must be able to developed, produced and edited within five months, and they will then premiere at the 2013 Venice Biennale. The Call for Application […]
An older filmmaker friend of mine recently told me about his first experience with Kickstarter. He hated it. It wasn’t that he didn’t get his money–his campaign was actually successful. No, It was something else. As he put it, it was “transparency.” He really didn’t like having to be so open about his needs, about the status of his project, about his desperation to raise money. Transparency can be uncomfortable for filmmakers–too much and you seem like you don’t know what you’re doing, too little and you don’t get the help you need. I guess it’s about finding the right […]
Martin Papazian has been a working actor for nearly two decades, supporting a list of heavyweights in projects like Jarhead and 24. For Papazian, learning on the sidelines from his colleagues and directors became an essential task, and ultimately has prepared him for his most pivotal role yet — a filmmaker. Working at break-neck speed for a total of 19 shooting days, Papazian made his feature debut as a writer/director with Least Among Saints. The film, in which he is also the lead actor, begins with a soldier returning from war and a boy who’s had to grow up in […]