Filmmaking
Filmmaking
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Independent Film Success: Luck or Merit?
Two of my favorite economics bloggers — Felix Salmon at Reuters and Joshua Brown at The Reformed Broker — are debating a new work by a third writer, Black Swan‘s Nassim Taleb, that has something to say to independent filmmakers. To bring their dialogue into our world: has the DIY revolution led to a system in which luck is the primary determinant of independent film success? Let’s start at the beginning. The work referenced — “Why It is No Longer a Good Idea to Be in The Investment Industry” — opens with a new term, “the spurious tail,” that refers […]
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NOW PLAYING: “25 NEW FACES” SCREENING SERIES AT TACOMA’S GRAND CINEMA
Last week in the Filmmaker newsletter, I mentioned the wonderful “25 New Faces” screening series which has run annually at The Grand Cinema in Tacoma, Washington, since 2010. During that time, under the loving stewardship of the Grand’s Executive Director Philip Cowan, it has continued to grow and thrive, and this year 20 of the 25 New Faces will be in Tacoma, attending the 2012 series (running August 17 to 23) with their work — and meeting each other for the first time. I’m very sad that I’m not able to be there this week, as the series represents a phenomenal […]
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SATURDAY VIEWING: ANDY WARHOL AND EDIE SEDGWICK ON “MERV GRIFFIN”
(Hat tip: Dangerous Minds.)
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Lady Vengeance: Trailer Happy, Scaring the Children Edition
Trailers have the ability to psyche us up, freak us out, turn us off, and lead us very, very astray, but the heightened anticipation is part of the fun, regardless of how accurate a representation of the film that cleverly constructed little bugger ends up being in the end. Recently there’s been a spate of trailers for horror-themed animated children’s films, starting with ParaNorman (pictured above), which opened today. So which of these flicks is most likely to either give your kids nightmares, or send them down a lifelong path of genre appreciation? Let’s judge a book by its cover […]
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Alex Buono on Cinematography
Alex Buono, the cinematographer for the Saturday Night Live film unit, recently spoke at an event in Boston. (See: Alex Buono: Shooting for Saturday Night Live.) In addition to discussing his work on Saturday Night Live, he also talked about gear, technology, and his philosophy of shooting. Part of the reason Alex gave the presentation was to demonstrate and talk about the Canon C300, but he was careful to stress, as Roger Deakins said, “Cinematography is more than a camera,” or as Alex put it: “Filmmaking is not a science project.” Here are some of the topics he touched on: […]
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The Blue Velvet Project, #152
Second #7144, 119:04 [Final post. Thank you to Scott Macaulay for taking a chance with this.] The blue curtain, creating the conditions for its own strange, vertical, blue-noise static. Remainders: 45,000 = total words in project 2 = frames that feature Dorothy, Jeffrey, and Sandy together 3 = frames including Aunt Barbara 17 = frames in which no human being appears 20 = frames featuring Jeffrey and Dorothy 23 = frames featuring Jeffrey and Sandy Robin Wood, from his classic 1979 essay “An Introduction to the American Horror Film”: Some version of the Other [include, simply] other people. It is […]
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“Blue Velvet Project” Creator Nicholas Rombes
One year ago, Nicholas Rombes proposed “The Blue Velvet Project” to me at Filmmaker. For 12 months, three times a week, he would scrutinize a single frame from David Lynch’s modern classic, looking both inside and outside of its aspect ratio for correspondences, allusions and meanings. For Rombes, it would be another in his “time-based” critical film essays — appropriately so, for it was because of another of these columns, 10/40/70 at The Rumpus, that I discovered his writing in the first place. (In fact, I interviewed him previously about this other fascinating project.) Nick had contributed to Filmmaker before […]
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Chris Kenneally on Side by Side
Over the past few decades, film’s iron-clad grip on the motion industry has gradually been chipped away by emerging digital technology. Yet it hasn’t necessarily been a smooth transition. Traditional celluloid film has gone largely unchanged as a medium for a century and has been the canvas for works from Casablanca and Apocalypse Now to this summer’s blockbuster The Dark Knight Rises. As the saying goes: old habits die hard. In this case, for good reason, a film produces a picture quality, texture, and dynamic range unparalleled by digital. But digital technology has continued to make leaps and bounds in […]
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NEW YORK FILM FESTIVAL ANNOUNCES FULL SLATE FOR 2012
Just announced is the full slate for this year’s NYFF, this year celebrating it’s 50th anniversary. Already announced were the opening, closing and centerpiece movies (Ang Lee’s Life of Pi, Robert Zemeckis’ Flight and David Chase’s Not Fade Away, respectively — all world premieres), and the rest of the lineup is as typically exciting and robust as it ever is, packed with auteur works culled almost exclusively from Berlin, Cannes, Venice and Toronto. Unveiling the summation of the best of arthouse cinema in 2012, Richard Peña, the Selection Committee Chair & Program Director of the Film Society of Lincoln Center, […]
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Beloved — A Hammer to Nail Review
(Beloved world premiered at the 2011 Cannes Film Festival and was picked up for distribution by IFC Films. It opens theatrically on August 17, 2012. Visit the film’s website to learn more.) Beloved, the latest film from French writer/director Christophe Honoré, uses the history of the late 20th century as a framework for exploring the difficult love affairs of a mother, Madeleine (played as a young woman by Ludivine Sagnier and as an older woman by Catherine Deneuve) and her daughter, Vera (Chiarra Mastroianni). Like much of Honoré’s work, the movie is rich with allusions not only to literary and theatrical forms, but […]
