Filmmaking
Filmmaking
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The Blue Velvet Project, #133
Second #6251, 104:11 Sounds 1. “He put his disease in me.” (Dorothy to Sandy, around three seconds before this frame.) 2. Blue Velvet’s sound designer was the late Alan Splet, who had worked with Lynch beginning with his short film The Grandmother, in 1970. 3. In the distance, growing louder, the wail of an ambulance siren, which will arrive immediately after this shot for Dorothy. 4. The sound of Sandy crying, gradually drowned out by the wail of the siren. 5. What if the siren is, secretly, Sandy’s red thoughts at this moment, an outward auditory expression of her inner […]
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TRAILER WATCH: DAVID O. RUSSELL’S “SILVER LININGS PLAYBOOK”
The word on the film is that this is David O. Russell going back to his roots somewhat, returning to the territory of films like Flirting with Disaster, which is something I can definitely get on board with. It seems like this might be the film that will let us know if Bradley Cooper is (or at least wants to be) an actor rather than a movie star — what he shows here is certainly promisingly different from what we’ve seen before from him. And it’s also nice to see Jennifer Lawrence coming back to a role with a little […]
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The Blue Velvet Project, #132
Second #6204, 103:24 Fragments. Frames. Pieces of a puzzle: 1. “Sandy please. Sandy.” 2. Dorothy naked, but still wearing her wig. A performer. 3. Her performance before Sandy and Mrs. Williams. 4. The lamp in the corner. The trapped bird. 5. The flesh of Dorothy’s arm. 6. “Nothing can be achieved in the art of film until its form is understood to be the product of a completely unique complex: the exercise of an instrument which can function, simultaneously, both in terms of discovery and invention. . . . The camera provides the elements of the form, and, although it […]
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LENA DUNHAM REMEMBERS NORA EPHRON
For The New Yorker, Lena Dunham has penned a wonderful remembrance of writer/director Nora Ephron, who passed away this week of leukemia. Not surprisingly, they knew each other and, last year, had become friends. Here’s Dunham on that friendship: …I devoured her prose, her other film offerings, and became a fangirl right along with my mother, aunt, grandmother and every other intelligent woman in the tristate area. Which is why it was so momentous when, in March of 2011, I received a short, perfect e-mail from Ephron, saying she had seen and enjoyed my film and would like to take […]
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EIFF 2012: IN DEVELOPMENT
We’re over half way through now and I’m starting to panic. I keep hearing about great films that I’ve missed (The Mirror Never Lies is spoken of only in superlatives, and The Unspeakable Act is another one I’m late to the table for, Tabu, Kid-Thing and more) and rocking events that slipped by while I was elsewhere. Chris Fujiwara told me about an event where he and some of the Filipino filmmakers who are in town did a live musical accompaniment to a film, and I don’t know where I was for Thelma Schoonmaker‘s Q&A after a screening of a […]
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“BEASTS OF THE SOUTHERN WILD” — A HAMMER TO NAIL ‘REVIEW’
(Beasts of the Southern Wild world premiered at the 2012 Sundance Film Festival, where it won the Narrative Grand Jury Prize, as well as Best Cinematography for Ben Richardson. It also won the Camera d’Or at the 2012 Cannes Film Festival. It is being distributed by Fox Searchlight and opened theatrically on June 27, 2012. Visit the film’s official website—as well as the virtual home base of the Court 13 collective—to learn more.) I want to make this immediately, abundantly clear. Perhaps more than any other review I’ve ever written, this one is coming from the pained perspective of a […]
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The Blue Velvet Project, #131
Second #6157, 102:37 “Mom . . . is Dad home?” Sandy asks. If Blue Velvet were a comedy (and it approaches one at moments like this) there might be canned laughter following this line. After all, Sandy has just entered the house with the local nightclub singer, naked, bruised, and clinging to Sandy’s new boyfriend Jeffrey. Jeffrey in the realm of women: Dorothy (the bad one), Sandy (the good one), and Mrs. Williams (the dutiful wife and mother). What we’re looking at here is pure, raw, sex, unrestrained by custom, duty, or conventional notions of morality. Sandy knows it; it […]
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EXCLUSIVE CLIP FROM JONATHAN CAOUETTE’S “WALK AWAY RENEE”
Walk Away Renee, Jonathan Caouette’s follow-up/sequel to Tarnation, is having its big day today, with both the “real-world” premiere of the new cut of the film playing at BAMcinemaFest tonight, and also its simultaneous online premiere through SundanceNOW’s Doc Club. Howard Feinstein had an excellent, long chat with Caouette which just went live on the Filmmaker site, and we’re also very pleased to have an exclusive clip from Walk Away Renee which captures one of the more experimental moments from Caouette’s portrait of the relationship between himself and his mentally ill mother, Renee LeBlanc.
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On Aaron Sorkin and Listening to the Internet Girl
TV shows like Aaron Sorkin’s new The Newsroom cost tens of millions of dollars to develop and make. They assemble top-flight talent, from people like its creator to stars like Jeff Daniels to the veteran craftspeople who work below-the-line on each episode. Their marketers are expert, and they have the budgets to match the ambitions of their campaigns. So, it must be somewhat enraging to them that the military precision of the show’s roll-out can be disrupted by a young reporter’s take on a single set of less-than-artful interview responses by Sorkin. I’m referring, of course, to Sorkin’s now-famous “Look […]
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All in the Family: Jonathan Caouette on Walk Away Renee
I’ve been struggling to find a metaphor for the very special, not to mention most unusual, connection between director Jonathan Caouette and Renee Leblanc, his mentally ill and frequently institutionalized mother and the subject of his most recent film, Walk Away Renee. The closest I could come is really a parallel, and it lies within Caouette’s body of work. In his 2010 surreal short All Flowers in Time, a beautiful young woman, played by Chloe Sevigny, has an indefinable relationship with an adolescent boy. In a bizarre world where young people’s eyes can turn glowing red, the two seem to […]
